Cheryl Donegan
Video has been central to Cheryl Donegan's art since the early 1990s, when she burst onto the scene as part of a generation of artists, many of whom are women, developing a new conceptual art practice. Donegan's work integrates the time-based, gestural forms of performance and video with forms such as painting, drawing, and installation. Provocative and irreverent, her body-based, performative video works put a subversive spin on issues relating to sex, gender, art-making, art history, and pop culture. full biography
Bibliography
Jocks, Hienz-Norbert. "I Love New York." Kunstforum Jan.- Feb. 1999.
Kline, Christina. "Plural Identities- Inventing Ourselves Through Art." Atlanta Press 6-12 Aug. 1999:10-11.
Molesworth, Helen. "Cheryl Donegan." Frieze Jan.- Feb. 1998: 94.
Noikolva, Milena and Wolf Gunter Theil. "Crossover." Flash Art Jan.- Feb. 1998: 33.
Smith, Roberta. "Cheryl Donegan." The New York Times 7 Nov. 1997: E 37.
