Carolee Schneemann

Related EAI Public Programs

 
 
FILMS & VIDEOS BY CAROLEE SCHNEEMANN
Anthology Film Archives 32 Second Avenue New York, NY 10003

February 2, 2014

Anthology and EAI join together to present a program featuring some of our favorite film and video works by Carolee Schneemann. These pieces center on Schneemann's physical approach to filmmaking as well as her feline fixations. The program screens in tandem with Breaking the Frame, Marielle Nitoslawska's engrossing and insightful portrait of Schneemann's multimedia work and uncharacterizable life.
 
Participation
Daylong Screenings at EAI
Electronic Arts Intermix (EAI) 535 West 22nd Street, 5th floor
New York, NY 10011

Friday, May 10 & Saturday, May 11, 2013
Noon-6pm

Please join EAI for Participation, a special three-hour video program that will be screened continuously from noon-6pm on Friday, May 10th and Saturday, May 11th. Featuring works by Steina and Woody Vasulka, Ant Farm, Charlotte Moorman and Jud Yalkut, Carolee Schneemann, and Jean Dupuy, Participation looks to a period during the late 1960s and early 1970s that saw a profusion of artist-initiated projects, collaborative experimentation, and an inclusive, improvisational ethos. The screening features rare footage of performances and happenings, pioneering video documents, and experimental participatory works, capturing a community of young artists responding to the countercultural sensibility and social transformations of that era. Using newly available portable video technology as well as 16mm film, these artists created extraordinary documents that allow viewers in 2013 to experience something of the multi-disciplinary, interactive and process-based spirit that defined the alternative artistic and cultural scenes of that time.
 
CIRCA 1971
Early Video & Film from the EAI Archive at Dia:Beacon
Dia:Beacon
Riggio Galleries 3 Beekman Street Beacon, NY 12508

September 17, 2011—December 31, 2012

ESSAY
CHECKLIST
EXHIBITION BROCHURE
INSTALLATION VIEWS
CONVERSATIONS AT DIA:BEACON: Nancy Holt, Joan Jonas, Anthony Ramos, and Paul Ryan with Lori Zippay
PRESS: New York Times, Frieze Magazine, Bullett
PHOTOS: Circa 1971 Gallery Talk with Lori Zippay, February 2012

Dia Art Foundation presented Circa 1971: Early Video & Film from the EAI Archive at Dia:Beacon, Riggio Galleries. Circa 1971 brought together 20 moving image works from EAI's collection of over 3,500 media artworks. Celebrating EAI's 40th anniversary, the exhibition was organized by guest curator Lori Zippay, Executive Director of EAI.

Circa 1971 included pieces by Vito Acconci, Eleanor Antin, Ant Farm, John Baldessari, Lynda Benglis, Shirley Clarke, Dan Graham, Nancy Holt and Robert Smithson, Joan Jonas, Gordon Matta-Clark, Nam June Paik, Raindance, Anthony Ramos, Carolee Schneemann, TVTV, Steina and Woody Vasulka, and others.

Taking the year of EAI's founding as its point of departure, the exhibition set in dialogue a series of diverse works created in and around 1971, which are linked by alternative artistic and activist impulses. Circa 1971 exposed the generative encounters among these artists and influences and initiates unexpected correspondences between seemingly disparate works.
 
EAI 40th Anniversary Benefit
Electronic Arts Intermix (EAI) 535 W 22nd Street, 5th Floor
New York, NY 10011

Thursday, December 15th, 2011
7 - 10 pm
8 - 8:30pm: Performance and Video Program

EAI's 40th Anniversary Benefit included a not-to-be-missed program featuring special live performances by Joan Jonas, Shana moulton, Carolee Schneemann and Michael Smith; video pieces by artists including Charles Atles, Dara Birnbaum, Takeshi Murata, Bruce Nauman and Seth Price, among others; and music selected by Dan Graham.
 
EAI @ THE NY ART BOOK FAIR
The NY Art Book Fair 2010 MoMA PS1 22-25 Jackson Ave at the intersection of 46th Ave
Long Island City, NY 11101

Opening Reception:
Thursday, Nov. 4, 6-9 pm

Hours:
Friday, Nov. 5, 11 am - 7 pm
Saturday, Nov. 6, 11 am - 7 pm
Sunday, Nov. 7, 11 am - 5 pm

EAI participated in The NY Art Book Fair at MoMA PS1, organized by Printed Matter. EAI's project space, installed in MoMA PS1's basement vault, featured STAGED DIRECTIONS, a special ongoing program of early and recent videos by artists, including rarely seen works drawn from EAI's extensive archive. STAGED DIRECTIONS featured conceptual videos that involve rules, instructions, or tasks, incorporating the script or the instruction manual into the action and placing the artist's directions on stage and in front of the camera. The screening program included works by Vito Acconci, Cory Arcangel, John Baldessari, Lynda Benglis, Dara Birnbaum, VALIE EXPORT, Nancy Holt and Robert Smithson, Joan Jonas, Mike Kelley, Kristin Lucas, Kalup Linzy, Shana Moulton, Bruce Nauman, Dennis Oppenheim, Seth Price, Anthony Ramos, Martha Rosler, Carolee Schneemann, Stuart Sherman and Lawrence Weiner, among others.
 
45 YEARS OF PERFORMANCE VIDEO FROM EAI
P.S.1 Contemporary Art Center 22-25 Jackson Ave at the intersection of 46th Ave
Long Island City, NY 11101

November 1, 2009 - April 26, 2010
Thursday - Monday, noon - 6 pm

EAI presented 45 Years of Performance Video from EAI, a survey of four decades of artists' engagement with video and performance. This project is presented in conjunction with 100 Years, an exhibition on the history of performance art organized by P.S.1 Contemporary Art Center and Performa 09.
 
OUT OF PRINT
EAI Video Program at the NY Art Book Fair
The NY Art Book Fair
Phillips de Pury & Company
450 West 15th Street at 10th Avenue, 3rd Floor
(between 9th & 10th Avenues)
New York City

Friday, October 24 - Sunday, October 26, 2008

Electronic Arts Intermix (EAI) is pleased to participate in The 2008 New York Art Book Fair. EAI will present a special program of videos that considers issues of access, circulation and obsolescence. The program explores "out of print" art and media, in the form of limited edition videos, site-specific installations, Internet searches, one-off broadcasts, and ephemeral actions and performances that exist only as documents or artifacts.
 
HIGH RESOLUTION: Artist's Projects at the Armory
ELECTRONIC ARTS INTERMIX VIDEO PROGRAMS
Curated by Students of The Center for Curatorial Studies
Park Avenue Armory Park Avenue at 67th Street, New York City

February 21 - 25, 2008

Electronic Arts Intermix (EAI) and The Center for Curatorial Studies at Bard College (CCS Bard) presented a series of video programs at The Park Avenue Armory during the 20th annual Art Show, organized by the Art Dealers Association of America (ADAA). EAI invited the first year graduate students in the CCS program to curate video programs out of the EAI collection. Four separate programs were produced by the students, which were exhibited on monitors in the Armory's main Hallway between February 21-25, 2008.
 
REMAINS TO BE SEEN:
NEW & RESTORED FILMS & VIDEOS OF
CAROLEE SCHNEEMANN
EAI 535 West 22nd Street, 5th Floor, New York City

Wednesday, November 7, 2007, 6:30 pm

EAI celebrated the extraordinary work of Carolee Schneemann with a screening of newly-restored, seminal films from the 1960s, as well as recent videos. Schneemann spoke about her works and engaged in a conversation with the audience.
 
PERFORMANCE ON DEMAND
EAI Viewing Room at EFA Gallery
EFA Gallery 323 West 39th Street, 2nd Floor, New York City

November 2 - November 17, 2007

During the PERFORMA07 performance biennial, EFA Gallery was transformed into a video lounge to host Electronic Arts Intermix's Viewing Room, a program that provides free public access to one of the foremost collections of video art in the world. Visitors to EFA Gallery were able to choose from a curated selection of major performance-based video works by over 30 artists from the EAI Collection. Viewers were able to watch these seminal performances and contemporary classics at their own pace in a comfortable viewing environment. During the opening reception on Friday, November 2nd, programs featuring selected works were installed throughout the gallery.
 
CORPORAL IDENTITY - BODY LANGUAGE:
THE MOVING IMAGE
Donnell Library Center 20 West 53rd Street, New York, NY

February 26, 2004, 6 - 8 pm

Presented in conjunction with the exhibition Corporal Identity - Body Language at the Museum of Arts & Design, this public program featured works by fourteen artists who employ the moving image to explore physical and intellectual aspects of identity. Artists included Carolee Schneemann, Bruce Nauman, Kristin Lucas, Steina, Torsten Zenas Burns and Darrin Martin, Tony Oursler, Ursula Hodel, and Alix Pearlstein.
 
CONSTRUCTIVE ENGAGEMENT
Ocularis 70 North 6th Street, Williamsburg, Brooklyn

February 22, 2004, 7pm

In celebration of the LP release of Constructive Engagement, a collection of audio works using field recordings from demonstrations at the 2002 World Economic Forum and other recent political protests, free103point9, in collaboration with Electronic Arts Intermix (EAI), presented an evening of politically charged video, sound works, and live performances. The video program presented works that confront issues of war, social conflict, and political deception, including pieces by Carolee Schneemann, Dara Birnbaum, and Max Almy.
 
DAY-LONG SCREENING OF VIDEO WORKS
Dia:Chelsea bookshop 548 West 22nd Street, New York

January 11, 2004, 11 am - 6 pm

Dia and Electronic Arts Intermix (EAI) presented a day-long screening of video works from EAI's collection. The videos screened featured works by artists who participated in collaborative programming presented by Dia and EAI at Dia:Chelsea from the mid-1990s until 2004. Artists included Marina Abramovic , Joan Jonas , Gordon Matta-Clark , Kristin Lucas , Mike Kelley , and Dan Graham , among others. Admission was free.
 
CAROLEE SCHNEEMANN
Valentine's Day Video Presentation and Book Signing
Dia bookshop 535 W 22nd Street, New York City

February 14, 2003

Groundbreaking performance and multidisciplinary artist Carolee Schneemann presented new, recent, and classic video works at the Dia Bookshop. She introduced excerpts from her recent installation More Wrong Things (2000), and previewed a new in-progress installation work, Devour. Schneemann also presented a number of her performance works on video, including her once again timely investigations of war: Viet Flakes (1965), Snows (1967), and Illinois Central Transposed (1968). She also screened Water Light/Water Needle (Lake Mah Wah) (1966), and Body Collage (1967). Schneemann was also available to sign her recent publication, Carolee Schneemann: Essays, Interviews, Projects (2002).