Jud Yalkut participated in seminal moments of underground film and video art. In 1965 he became a resident filmmaker for USCO, a countercultural collective. In the 1960's and 70's, he collaborated with Nam June Paik on a series of video-film pieces in which he used the medium of film to document performances, and, through editing and juxtaposition, to create conversations between film and video. full biography
1973, 42 min, color, sound
1966-1972, 29:25 min, color, sound
4th Annual New York Avant Garde Festival
1966-1972, 26:38 min, color, sound
7th Annual New York Avant Garde Festival
1969, 2:47 min, color, silent
1967-72, 8:39 min, b&w, sound
1966-69, 7 min, b&w and color, sound
Missa of Zen
1967, 2:35 min, b&w and color, silent
Electronic Moon, Parts 2 and 3
1967-69, 4:25 min, b&w and color, sound
2002, 7 min, color, silent
1967, 5:10 min, color and b&w, silent, 16 mm film on video
1969, 3:10 min, color, silent, 16 mm film on video
1973, 30 min, b&w, sound
1995, 40 min, color, sound
1965-71, 23:25 min, color, silent
Early Color TV Manipulations by Nam June Paik
1965-68, 5:18 min, color, silent
Video Commune (Beatles Beginning to End)
1972-92, 8:36, color, silent
TV Cello Premiere
1971, 7:25 min, color, silent
1966-72, 1992, 34:50 min, b&w and color, sound
Video Tape Study No. 3
1967-69, 1992, 4:01 min, b&w, sound
Beatles Electroniques
1966-72, 1992, 2:59 min, color, sound
Electronic Moon No. 2
1966-72, 1992, 4:52 min, color, sound
Electronic Fables
1965-71, 1992, 10:00 min, color, sound
Waiting for Commercials
1966-72, 1992, 6:41 min, color, sound
Electronic Yoga
1966-72, 1992, 8:18 min, color, sound
