Log of Wednesday Evening Open Video Screenings at The Kitchen (July 14, 1971— July 26, 1972)

This 21-page document, typewritten on Kitchen letterhead, contains a list of the artists and works included in the Wednesday Evening Videotape Screenings at The Kitchen from July 14, 1971 to July 26, 1972.

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3-D Binocular Vision/"14 Street-Out" by Alfons Schilling and Woody Vasulka (January 4, 1972)

This black and white poster announces 3-D Binocular Vision/ "14 Street-Out," a "stereo-slide show" by Alfons Schilling, with live sound by Woody Vasulka.

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Video Free America tells "The Continuing Story of Carel & Ferd" (May 19-21, 1972)

This two-page illustrated poster announces "The Continuing Story of Carel & Ferd," an "underground video documentary soap opera" by Arthur Ginsberg, presented by Video Free America at The Kitchen. The program's credits are included.

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Video Free America Information Sheet and Statement (June 1972)

In this one-page document from June 1972, Arthur Ginsberg describes the mission of the San Francisco-based collective Video Free America, which seeks to "change television by creating and displaying new forms of the medium." Ginsberg states that The Continuing Story of Carel & Ferd, a "video novel" to be shown at The Kitchen, is an effort in this direction.

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Shigeko Kubota, Live and Videotape Concert and Jud Yalkut Video Piece (June 30, 1972)

The first page of this black and white poster announces a "live and videotape concert" by Shigeko Kubota, with the titles Videotape 1,2: Cage-Tudor-Duchamp, Europe on half-inch a Day. The second page announces a video piece by Jud Yalkut entitled The Astrolabe of God, which shown on the same night at The Kitchen. Images from each work are included.

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White, Black, Red & Yellow: Shigeko Kubota, Mary Lucier, Cecilia Sandoval, Charlotte Warren: Program Notes (December 16, 1972)

This one-page typed program announces an evening of performances and video screenings at The Kitchen by the women's collective White, Black, Red & Yellow. The works to be shown include Shigeko Kubota's Riverrun, a "live colorized water fountain" with a "video water poem" accompanied by excerpts from James Joyce's Finnegan's Wake; Mary Lucier's From Red Herring Journal: The Boston Strangler Was a Woman; Cecilia Sandoval's Telephone Song (Long Distance), and Charlotte Warren's From the Black Experience: Black Voices, described as "live filmstrip and recorded words."

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The Irish Tapes: A Video Event by John Reilly and Stefan Moore (March 15-16, 1973)

This one-page poster announces The Irish Tapes, a "video event" by John Reilly and Stefan Moore, described as a "videospace work in progress." The poster states that the project was initiated in 1971, when Reilly and Moore began taping with the Irish Republican Army. After two years, over one hundred hours of tape were edited and transformed into a three-channel, twelve-monitor installation and live action event at The Kitchen.

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Video Moirés and Selected Shorts: An Evening of Howard Hirsch Visuals (March 29, 1973)

This graphic black and white poster announces an "Evening of Howard Hirsch Visuals" at The Kitchen.

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Video Concert: Alan Powell, Laurie McDonald, Dennis Hlynsky (March 31, 1973)

This black and white poster presents a "video concert" by Alan Powell, Laurie McDonald and Dennis Hlynsky.

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2nd Annual Video Arts Festival: Schedule (May 2-31, 1973)

This one-page document is the schedule for the 2nd Annual Video Art Festival at the Kitchen, which ran from May 2-31, 1973. Over 75 artists and institutions participated.

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Ron Hays Video Imagery: Impressions of Music & Dreams (May 5, 1973)

This black and white poster announces a screening of tapes by Ron Hays, created in the WGBH Music-Image Workshop using the Paik-Abe video synthesizer. Composers are also listed.

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Juan Downey: Video Transamericas (February 12-14, 1974)

This illustrated black and white poster announces a video work on multi-channel systems by Juan Downey, presented together with a dance performance by Carmen Beuchat, Suzi Harris, Missie Zollo and Gregorio Fassler.

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