Statements
from Early Participants
In
2001, Electronic Arts Intermix (EAI) and the Kitchen both celebrated
their 30th anniversaries. To commemorate this landmark through the
Kinetic History project, EAI invited early participants
in these events to write statements about their involvement in this
unique history of electronic art. This page contains three of the
resulting statements, from the Kitchen's first director, Robert
Stearns, the Kitchen's co-founders, Steina and Woody Vasulka, and
early Kitchen programmer Dimitri Devyatkin. Full versions of these
texts may be read by clicking on the appropriate links.
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Robert Stearns, Statement (2001)
Written by the Kitchen's first director, Robert Stearns, on the occasion of the 30th anniversary of the Kitchen and Electronic Arts Intermix, this personal narrative describes the first years of the Kitchen. Stearns details the Kitchen's relationship with Howard Wise and EAI, recounting issues relating to funding, finances, administration and space. Tracing his own role, as well as that of Wise and other important participants, Stearns gives a first-hand account of the Kitchen's early history, from its inception in 1971 through its incorporation in 1974.
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Dimitri
Devytakin, "The House of the Hotizontal Synch" (2001)
Written by Dimitri Devyatkin to commemorate the 30th anniversary of the Kitchen and Electronic Arts Intermix, this personal account captures the spirit and activities of the organization in its early years. Tracing events, individuals and anecdotes in the Kitchen's early history, Devyatkin describes the important role of Howard Wise in supporting the Kitchen, as well as his support for the experimental art scene. The narrative also gives a sense of the artists and events that defined the Kitchen in the early 1970s.
Read
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Steina
& Woody Vasulka, Statement
In this one-page text by Kitchen co-founders Steina and Woody Vasulka, the artists describe their early investigations into electronic art. They describe how they learned the principles of electronically generating and processing images and manipulating the video signal itself. They address the important role of tools and equipment such as the portapak and the sound synthesizer, and how their experimentation led to the establishment of The Kitchen as a space to show video and other electronic arts.
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