Thornton describes Sahara/Mojave as a "little trip to Hollywood via North Africa, circa 1900. I hone an 'aesthetics of uncertainty' to question our understanding of the real." Here Thornton pairs two disparate media sources, a collection of vintage erotic North African postcards and video...

In this episode of The Live! Show, created in collaboration with Texas Tech University, "Dr. Videovich" goes to Texas. He takes the pulse of the public by asking the residents of the town of Lubbock for their opinions on art, television, and art-on-television. An affectionate portrait of a...

Employing characteristically minimal trappings and camera work, Baldino explores a concept through the manipulation of simple props and tools. Here two pairs of shoes, two outfits and an ingenious visual "trick" serve to open up questions of gender and performance. As in many of Baldino's tapes, Sam...

Sanctus is a film of rephotographed moving x-rays, originally shot by Dr. James Sibley Watson and his colleagues. Making the invisible visible, the film reveals the skeletal structure of the human body as it protects the hidden fragility of interior organ systems. Writes Hammer: "In making Sanct...

In Sand Saga, Moulton's alter ego Cynthia again gains access to a parallel universe via the transformative powers of New Age body treatments and domestic objects. After applying a facial beauty mask, she moves through an environment energized with Southwestern motifs and rituals, from sculpted...

Framed by her wish to document her burial plans, the artist's mother recounts her tenure as a shipyard worker, armed revolutionary, atheist, and partner of a thief, ruminating on how meaning is made. Humor rewrites trauma in a new read of the past.

A companion to All the Parts from Simon and Garfunkel’s 1984 Park Performance, in which Arcangel documents his own gestural interventions of consumer recordings of the duo’s performances. As he plays a Simon and Garfunkel DVD in his living room, the artist holds his hands up to cover any instance...

Stan Vanderbeek creates a satirical portrait of the Cold War-era space race in this exemplary film from his early collage animation period. Combining magazine/newspaper cutouts, direct animation, found footage, Oskar Fischinger-esque abstractions, and a smattering of live footage of the artist...

Score for Joanna Kotze was written by Silver for the choreographer Joanna Kotze during their shared time at the Bogliasco Foundation Residency in Italy, and later reformulated as a moving image work. The score itself is un-danceable, examining the attunement to a surrounding environment enacted...

Script is the opposite of an improvisational exercise. Seven couples, all amateurs, are handed pages from random movie scripts and instructed to enact the absurd text through force of imagination, without direction or knowledge of what the others are doing.

Documentation of an evening of three simultaneous performances (Terry Fox, Dennis Oppenheim, Vito Acconci), in January 1971. In each alcove a light bulb hangs from the ceiling above a canvas that covers the ground. In Acconci's alcove, a clock is hung on the back wall; staring at the second hand,...

The artist listens as her friend, a Garfield plushy, confides in her.

The confluence of words and movement propels this multi-layered collaboration by Atlas, choreographer Douglas Dunn, and poets Anne Waldman and Reed Bye. Dunn's athletic choreography is performed to the rhythms, cadences, and associative meanings of the poets' "cascade of words," which function as...

Acconci spars with his close-up image in a mirror. He then breaks the mirror, destroying his image.

This selection of short video works by Maughan includes sketches colored by her satirical wit and eclectic persona. In works such as Scar/Scarf, where she desperately tries to cover a scar with style, and The Way Underpants Really Are (1975), an unsexy reveal of her tattered, oversized...

Sherman may best be known for his solo Spectacle performances, which usually took the form of quick-paced interactions with everyday objects over a table top. He created and performed eighteen Spectacles in total, twelve of which he performed solo, and six with groups of collaborators. A...

In 2003, for A Short History of Performance, Part II, at the Whitechapel Gallery in London, Rosler announced an open call for a live restaging of her seminal 1975 video piece Semiotics of the Kitchen. Twenty-six women participated in a rotating performance of Rosler's script at the Whitechapel....

This interview is with Ah Bao, a knife sharpener and shoe repair man in New York City's Chinatown.

Sherman may best be known for his solo Spectacle performances, which usually took the form of quick-paced interactions with everyday objects over a table top. He created and performed eighteen Spectacles in total, twelve of which he performed solo, and six with groups of collaborators. A...

In this détourned music video, Rist trains her camera on the nude male body, challenging the tropes of the form and of pop culture in general. Her anonymous male subject is more puppet than star player as he flails helplessly, chasing a receding camera, accompanied by a cut-and-paste remix of...

Hodel tries on a huge collection of coats, of all varieties and colors, drawing them one after another from a pile on the floor.  Continuing her experiments with pacing and time, Shame on You plays out backwards, which turns the procedure into a mad, stilted dance, all accompanied by eerie drums...

In this first part of a projected series on the notion of landscape as 'artifact,' images of landscape and industrial history are interwoven and juxtaposed. Notions of 'civilization' and 'progress' are set against an apparently indifferent nature which continues calm and unchanged in the face of...

Re-editing footage collected from months of playing Tomb Raider, Ahwesh transforms the video game into a reflection on identity and mortality. Trading the rules of gaming for art making, she brings Tomb Raider's cinematic aesthetics to the foreground, and shirks the pre-programmed "mission" of...

Produced for the 2004 Robert Smithson retrospective at the Museum of Contemporary Art, Los Angeles, Sheds features newly compiled footage of two of the artist's key works: Partially Buried Woodshed and Mica Spread.

Partially Buried Woodshed, one of Smithson's iconic works, was executed at Kent...

Interweaving documentary, essay, and fiction, Silver explores how we negotiate cultural and popular narratives to arrive at definitions of the self. Shelly Silver: Selected Works brings together a number of her early video works, tracing her developing concerns with identity, narrative and...

"Shifted From the Side is stylistically similar to To And Fro. Fro And To. And To And Fro. And Fro and To, and was probably made the same afternoon, in the back of the Leo Castelli Gallery. The object used to demonstrate five possibilities (of what could, but not necessarily should, be the work)...

A moody landscape of mountainous islands, recorded from a wave-tossed boat, is infused with the bobbing motions of the camera. In an effort to override the ever-shifting horizon, Cho splits the image into bands, each showing different vantages on the scene: the bluish outline of the islands,...

Shoot is a bold, theatrical work that merges the autobiographical with the cultural. Acconci's performance is an assault, a barrage of aggressive action, visuals and language. Acconci imitates the sounds of war, gunfire and explosion; he thrusts his face, stomach or penis onto the screen. His...

The raw material of Show Your Tongue is a document of teeming pond life. Adding an electronic soundtrack and using powerful yet subtle digital manipulation, Cho creates an intense and at times disturbing work that ventures into the potentially dangerous waters of desire, fear, and the unknown.

Cokes writes, "One of the central ideas connecting my recent work is the view that working across multiple media is a strategy that can allow one to re-play and question the systemic features of cultural production under global capital. In 2008 I began to collaborate on a video / performance...

From "Video Art in Canada" - V Tape

"...Using ironic and iconic excerpts from television and film from the 1960s, such as The Joker character from Batman and part of the historic footage of artist Yves Klein's painting and performance from Mondo Cane, General Idea examine the relationship...

Sibling Topics (section a) is one of seven works in Trecartin's 2009-2010 Rotation. Kevin McGarry writes, "With the nature of nonsense thoroughly conveyed through the frenetic stasis of K-Corea INC. K's corporate logics, Sibling Topics reverses the pendulum, adopting a narrative and style that is...

Writes Weiner: "COLLAGED COMPONENTS COLLIDE IN THIS CARTOON - SINK OR SWIM LOOKS AS IF BUILT AS AN HOMAGE TO THE 'LOONEY TUNES' PREMISE THAT WHAT DOESN'T MAKE SENSE MAKES PERFECT SENSE: AS LONG AS YOU EITHER BELIEVE - OR KNOW. A SIMPLE PRESENTATION OF A SLICE OF LIFE (EMPIRICAL REALITY) DOES...

"In the concreteness of Barbara Broughel’s profile, this famous gestalt psychology image becomes grounded; only with considerable effort can we turn our perception to the 'cup' side of the illusion. The narrative of Sandry, on the other hand, does not seem like an illusion at all. It floats past...

Combining perhaps the only footage from the first Women’s International Day march in San Francisco and rare footage of the second National Lesbian Conference at UCLA, Sisters! is a joyous and vital landmark in feminist, queer, and lesbian filmmaking. Its end credit, scratched into the emulsion of...

Seen from a bird's eye view, a figure paints the walls and floor of a windowless room six times in six days, using each of the primary and secondary colors.

In his photographic works, Baldessari uses the symbolic associations ascribed to colors as a signifying barometer of cultural and psychological meanings. Six Colorful Tales is a series of episodes — including Caught Red Handed (Shelley), Feeling Blue (Diane), and Apoplectic Violet (Christine) —...

Six Movements: Video Works from 1975 is a limited edition boxed set that represents Birnbaum's earliest experiments with the video medium. These six performance-based works, in which the artist explores a woman's psychological states through physical gestures, are raw, direct, and unmediated....

The Vasulkas capture the countercultural spirit of the era in a series of performances by Jackie Curtis, Steina, Charles Hayworth, Helen Wong, Alfons Schilling, Thierry Benizeau and Daniel Nagrin. These "sketches" also reveal the Vasulkas' early experiments with electronic image manipulation.

In this newly restored performance tape, Myers constricts her body position to "fit" into the shrinking frame of a gradual camera zoom. In her reflexive use of video and closed-circuit monitoring, Myers explores the interface of real-time technology and human gesture.

Marked by Lucas' characteristically incisive take on techno-culture, Smaller and Easier to Handle presents a hallucinatory set-piece in which a nuclear family assumes the roles of a mutant operating theater, with surgeon, assistants, and a half-human, half-animal patient. Employing outrageous...

In Smoove, Arcangel satirizes the music video form, in particular the use of women to sell the music product. Arcangel presents a hyper-kinetic teenage girl, whose stylized, flailing mimicry of the kinds of dancing that one might see in a music video, combined with her insistent, near-manic...

Snap is a taut, minimalist work that explores the aesthetics of digital video production. Fingers and hands in close-up move fast, then slowly, to a soundtrack of stylized clicks and snaps, while intermittent flares of color burn through the original black and white footage. Snap pushes figure...

"I first heard of AIDS in 1985 when I was teaching at Columbia College in Chicago. I noticed the strange and inflammatory articles in the newspapers and I asked my students to collect hysteric headlines for me. And so I began my work on Snow Job: The Media Hysteria of AIDS. I examined the public...

Snowflake is one of more than a dozen newly restored works by Muntadas, including early media interventions and works produced for television, which were recently made available.

This is a newly restored version of documentation of the 1967 group performance Snows, which was built out of Schneemann's outrage and sorrows over the atrocities of the Vietnam War. An ethereal stage environment combining colored light panels, film projection, torn collage, hanging sacks of...

Writes Viola: "Sodium Vapor was recorded over a period of several weeks in the hours between one and five in the morning on the streets of an industrial area in lower Manhattan. The title derives from an interest in the particular qualities of sodium vapor street lighting — its characteristic...

Here Gorewitz brings together two new works, thematically related in their exploration of the climate of fear that has developed in the United States since 9/11. Of Soft Targets, Gorewitz writes: "[I] realized that anything I was recording was potentially a soft target for violent extremists....

In Some December, Lampert assembles footage shot with a small digital video camera over the course of several days in December 2011. Exploring the implications of the camera's portability, Lampert uses its presence as a catalyst for a study of the different performative personae that individuals...

In a series of short pieces drawn from his ongoing feature film project Behold Goliath, Kalin further develops the method of on-screen, appropriated, literary texts that he employed in Third Known Nest. The title of the series is a reference to the stories of writer and critic Alfred Chester...

This video documentary explores the breadth and diversity of Fluxus. Some Fluxus features performances from Miller's extensive archive, including works by Ay-O, Eric Anderson, George Brecht, Philip Corner, Jean Dupuy, Ken Friedman, Al Hansen, Geoffrey Hendricks, Dick Higgins, Joe Jones, Milan...

Some Manipulations depicts a series of 1969 performances at the Judson Church by Fluxus artists Jean Toche, Steve Young, Nam June Paik, and Al Hansen. However, it is no passive documentation: Yalkut's camera zooms into and out of discrete gestures and abstracted forms at high speed; he divides...

These two anecdotes are paradigmatic of Baldessari's investigations of language systems and meaning through disjunction and juxtaposition. In a strategy that recurs throughout his work, Baldessari presents the pieces as lessons, appearing first as teacher and then as student. Some Words I ...

Writes Atlas: "New York City 1988. Raging homophobia. A killer on the loose. Disco dancing till dawn. Performers struggle to survive. Delilah seduces Samson in song. Gender illusionists go shopping. Samson and Delilah, 1991. This tape is an entertaining amalgam of cross-cut scenes featuring New...

"Song Poem (Trips Visits) is a single-channel work I created using videotapes I found in second-hand stores, from home movies to hunting how-to tapes. It was created for a show titled Song Poems, which took as its departure a popular 1960-70s mail-order phenomenon, advertised in the back of...

Oursler's longtime exploration of sound and music has led to numerous collaborations with acclaimed musicians and sound artists. Sound Digressions in Seven Colors is the single-channel version of the multi-channel projection installation of the same name, and features performances by Kim Gordon,...

Sounding Board documents Acconci's performance/installation of the same name, which was presented at A Space in Toronto in July 1971. The artist lies naked, face down on two upward-turned speakers, through which plays a Frank Zappa song as interpreted by Jean-Luc Ponty. The second performer is a...

Soup & Tart is a fascinating document of a marathon performance soiree organized by multimedia artist Jean Dupuy at the Kitchen on November 30, 1974. Dupuy invited over 30 downtown artists, musicians, and filmmakers to each give a two-minute performance. The audience was first served a home-made...

In this film Matta-Clark explores underground Paris. The artist shows the complexity of underground spaces with scenes of architectural ruins, car parks, tunnels, ossuaries, cellars, crypts and basements in the Opera district.

Writes Schneemann: "Souvenir of Lebanon follows a long video pan through destroyed Palestinian and Lebanese villages. In 1982-83, Israeli ceaseless bombardments destroyed bridges, farms, roads, hospitals, schools, libraries, apartments, and historic sites and towns dating back 2000 years. The...

Spiral 5 PTL is the fifth in a series of real time performances in which video synthesis was produced live. PTL refers to "probably the last" of the series. The spiral image is one that recurs throughout Sandin's work. In some performances, music was added after the images; in others, sound...

The film Spiral Jetty is a "portrait" of Smithson's monumental earthwork of the same name at Rozel Point in the Great Salt Lake, Utah. Completed in April 1970, Spiral Jetty is an iconic earthwork and Smithson's most renowned piece. At 1500 feet long and 15 feet wide, Smithson's spiral of basalt...

Spit Sandwich is a hilarious compilation of Wegman's earliest works. A series of short, single-take anecdotes that introduce his idiosyncratic approach to video and humor, these technically raw-edged vignettes use understated means to create conceptual sight gags and absurdist one-liners....

Split Sides is a work for the full company of fourteen dancers. The choreography, music and design elements for the dance were each created in two parts, or, in the case of the music, by two bands. British rock band Radiohead and Sigur Ros, an experimental group from Iceland, composed the music....

This film documents the major building cut made by Matta-Clark in a house on Humphrey Street in Englewood, New Jersey.

Squaregame Video is a video-dance collaboration between Merce Cunningham and Charles Atlas, recorded in the choreographer's Westbeth studio. As a video-dance (that is, a dance choreographed specifically for the camera), Squaregame represents a dynamic integration of mediums. True to its title, Squar...

Marina Abramovic collaborated with videomaker Charles Atlas on this striking work of autobiographical performance. Abramovic delivers a monologue that traces a concise personal chronology. This brief narrative history, which references her past in the former Yugoslavia, her performance work, and...

An ethnographic study of the landline in the form of a vertical video. Originally included in the solo exhibit "Don't Lose The Manual" at the Visual Art Center at the University of Texas at Austin, ST. MARKS & A is a visual essay about a phone booth shot in real time one summer afternoon in New...

This historical videotape, produced in 1973 by Art/Tapes/22 in Florence, Italy, is being made available for the first time in decades through EAI's Video Preservation Program. Acconci writes: "Black screen—a spotlight, circle of light on the floor, just part of it off-screen, in front of the...

“The dialectical image is an image that emerges suddenly, in a flash. What has been is to be held fast—as an image flashing up in the now of its recognizability.” —Walter Benjamin, The Arcades Project Stand in the Stream is an ambient digital film shot on multiple camera formats over the...

Here the Vasulkas continue to develop the imaging potential of artist-designed electronic devices, as they formally analyze and deconstruct the inherent materiality of video.

In Heraldic View, an oscillator-generated pattern drifts over a camera image of bricks and stone, the patterns...

Still Point whirls around a point of centeredness as four screens of home and homelessness, travel and weather, architecture and sports signify the constant movement and haste of late twentieth century life. "At the still point of the turning world, that's where the dance is," wrote T.S. Eliot in...

This fascinating film documents the 1964 U.S. premiere production of Originale, a Happening by German composer Karlheinz Stockhausen. Filmed at the 2nd Annual Avant Garde Festival, which was produced by Norman Seaman and Charlotte Moorman, the stage production at Judson Hall in New York was...

Stone Circles is a celebration of ancient pre-patriarchal standing stones, mounds, and circles including Stonehenge and Avesbury. "In Stone Circles, Hammer really leaves 'nation' as well as 'era' and creates a film poem on the prehistoric stone cultures of Britain. She films dolmens and Druid...

Cheryl Donegan writes: "Critic Stephan Koch has written of the Warhol film Nude Restaurant, 1967, and its star, Viva, in particular: 'It is absolutely impossible to imagine how anyone could conceivably give a damn... I cannot think of a single inch of footage in Nude Restaurant that seems to me...

Story was one of Cunningham's most improvisational dances; indeterminate in composition, it changed in tone and structure—depending on the theater—from performance to performance. The film documents the dance as performed in Finland during the Merce Cunningham Dance Company's six-month world tour...

This collaborative work, created specifically for the 1992 Day Without Art/AIDS Awareness Day, addresses what Thornton terms "the relationship between the medicalization of the body and the personal." While the actor Ron Vawter reads aloud from a poem by Rilke, a doctor is heard discussing...

Made in collaboration with Margie Strosser, Strange Weather is a fascinating and unnerving view of drug addiction that fundamentally questions truth and representation. Ahwesh writes: "Strange Weather expands the job of the viewer, looking, but with an insecurity about what is being seen."

In a provocative collage of found and original images, talking heads, and on-screen text, Andrews constructs a fragmented cultural essay to question the function of art within institutional systems and in contemporary society. Comments by administrators of art institutions and alternative social...

Strobe Ode is an exercise in video feedback and analog imaging, in which a circular image-field is modified and abstracted by strobe flashes.

These selections of later video works by Stuart Sherman, produced in the 1980s and '90s, continue Sherman's idiomatic manipulations of everyday objects and situations. Throughout his artistic career, Sherman never limited himself to any one art form, and these works show his agility in adapting...

Studies features the Vasulkas' seminal explorations of electronic image manipulation. These exercises trace the development of the Vasulkas' techniques of image and sound processing.

"Studio of the Streets is a weekly demonstration at Buffalo City Hall, in support of free speech expression through public access cable television. The demonstration lasts from 12:30 to 1:30 on Friday; the program is cablecast on the Buffalo public access channel every Tuesday at 7:30. Studio of...

Writes Cokes, "A recent direction in my research interrogates the artist's studio, what happens there, how those practices are represented, what they imply in wider social contexts (real estate speculation, alleged 'creative economies,') and why traditional images of artists and studios persist...

Writes Kobland, "Commissioned by La Sept, Paris to create a one-hour continuous camera take, Stupa is a 'mourning' commute from suburban Long Island to the New York City landfill. The audio-mix is composed of radio talk shows, JFK speeches, the soundtrack from It's a Wonderful Life, a hodge-podge...

In this film, Matta-Clark explored and documented the underground spaces of New York City. The artist chose a range of sites (New York Central railroad tracks, Grand Central Station, 13th Street, Croton Aqueduct in Highgate, etc.) to show the variety and complexity of the underground spaces and...

As recounted by the camera, lighting, and sound engineer, Nathan Frank: "After experiencing a particularly painful alternative theater performance earlier in the day, Trevor was inspired to exorcise his own suffering. The performance, removed from the context of the theater, transported to a...

Suicide shares aspects of the travelogue and the visual essay, even as it probes the boundaries of first-person narrative storytelling. Lush with haunting, melancholy imagery, this elusive story of a woman adrift in an alienating cultural landscape is described by Silver as a "feature-length...

In April 2011, EAI marked its 40th anniversary with a special public art project for New York's Times Square: EAI in Times Square: 40 Years of Video Art. In partnership with the Times Square Alliance and MTV, EAI brought a selection of short, silent video pieces by artists to the heart of Times...

This 2008 film by Charles Atlas documents a performance of Merce Cunningham's Suite for Five, which was first performed on May 18, 1956 at the University of Notre Dame, South Bend, Indiana. Originally titled Suite for Five in Space and Time, the piece was made by adding a trio, a duet and a...

Robert Buck writes: "Opening with an excerpt from Rainer Maria Rilke’s 'The Second Elegy' and set to Sade’s 'Kiss of Life,' the works manifestly romantic content is inseparable from the 8mm film on which it was shot. Again in my art, material precipitates meaning, and the semblant quality of the...

In his early works, Hill explores the structural and organic relation of linguistics to electronic phenomena. He states, "Certain structural properties of video are revealed in an almost primal sense." In Sums & Differences, images of musical instruments and their corresponding sounds are...

Sun Tunnels documents the making of Holt's major site-specific sculptural work in the northwest Utah desert. Completed in 1976, the sculpture features a configuration of four concrete tubes or "tunnels" that are eight feet long and nine feet in diameter. The tubes are positioned to align with the...

"Superdyke is a gem from early liberation days. Influenced by feminism and lesbian militancy, Hammer’s films are politically pointed, bearing witness to lesbian empowerment and visibility, and formally sophisticated, fully cognizant of experimental film history. Superdyke gives the superhero a...

Winner of the Louise Riskin Prize at the 1976 San Francisco Art Festival, Superdyke Meets Madame X documents the Barbara Hammer’s relationship with Max Almy on a reel-to-reel ¾” videotape recorder and microphone. This was Hammer’s first foray into recording with the Sony Portapak and was produced...

In this futuristic danse macabre, Atlas creates a fully realized cyber-gothic world, rife with both erotic and physical danger. We follow our heroine on her travels through a world inhabited by libidinal robots, human profligates, statuesque hairdressers and a bevy of other intriguing...

Mike Kelley writes: "In Superman Recites Selections from 'The Bell Jar' and Other Works by Sylvia Plath an actor portrays Superman and does exactly what the title describes. In a dark no-place evocative of Superman's own psychic 'Fortress of Solitude' the alienated Man of Steel recites those...

Nancy Holt and Robert Smithson collaborated on this seminal film, which viscerally confronts issues of perception and process. The action of the film is direct: Holt walks through the tall grasses of a swamp while filming with her Bolex camera, guided only by what she can see through the camera...

SweetBerry Sonnet (Remixed) is a remixed version of Linzy's recent video anthology, which was created to accompany the songs on the artist's 2008 album, SweetBerry Sonnet. Performing as his recurring characters (including Taiwan, Labisha, Katonya, Nucuavia and Jada), Linzy created a music video...

"A lesbian/feminist aesthetic proposing the connection between touch and sight to be the basis for a 'new cinema.' The film explores the tactile child nature within the adult woman filmmaker, the connection between sexuality and filmmaking, and the scientific analysis of the sense of touch." —...

Tony Oursler's Synesthesia project features interviews with twelve legendary figures in the downtown music, performance and art scenes: John Cale, Thurston Moore, Dan Graham, Genesis P-Orridge, Kim Gordon, Glenn Branca, Laurie Anderson, Tony Conrad, David Byrne, Lydia Lunch, Alan Vega, and Arto...

Tony Oursler's Synesthesia project features interviews with twelve legendary figures in the downtown music, performance and art scenes: John Cale, Thurston Moore, Dan Graham, Genesis P-Orridge, Kim Gordon, Glenn Branca, Laurie Anderson, Tony Conrad, David Byrne, Lydia Lunch, Alan Vega, and Arto...

Tony Oursler's Synesthesia project features interviews with twelve legendary figures in the downtown music, performance and art scenes: John Cale, Thurston Moore, Dan Graham, Genesis P-Orridge, Kim Gordon, Glenn Branca, Laurie Anderson, Tony Conrad, David Byrne, Lydia Lunch, Alan Vega, and Arto...

Tony Oursler's Synesthesia project features interviews with twelve legendary figures in the downtown music, performance and art scenes: John Cale, Thurston Moore, Dan Graham, Genesis P-Orridge, Kim Gordon, Glenn Branca, Laurie Anderson, Tony Conrad, David Byrne, Lydia Lunch, Alan Vega, and Arto...

Tony Oursler's Synesthesia project features interviews with twelve legendary figures in the downtown music, performance and art scenes: John Cale, Thurston Moore, Dan Graham, Genesis P-Orridge, Kim Gordon, Glenn Branca, Laurie Anderson, Tony Conrad, David Byrne, Lydia Lunch, Alan Vega, and Arto...

Tony Oursler's Synesthesia project features interviews with twelve legendary figures in the downtown music, performance and art scenes: John Cale, Thurston Moore, Dan Graham, Genesis P-Orridge, Kim Gordon, Glenn Branca, Laurie Anderson, Tony Conrad, David Byrne, Lydia Lunch, Alan Vega, and Arto...

Tony Oursler's Synesthesia project features interviews with twelve legendary figures in the downtown music, performance and art scenes: John Cale, Thurston Moore, Dan Graham, Genesis P-Orridge, Kim Gordon, Glenn Branca, Laurie Anderson, Tony Conrad, David Byrne, Lydia Lunch, Alan Vega, and Arto...

Tony Oursler's Synesthesia project features interviews with twelve legendary figures in the downtown music, performance and art scenes: John Cale, Thurston Moore, Dan Graham, Genesis P-Orridge, Kim Gordon, Glenn Branca, Laurie Anderson, Tony Conrad, David Byrne, Lydia Lunch, Alan Vega, and Arto...

Tony Oursler's Synesthesia project features interviews with twelve legendary figures in the downtown music, performance and art scenes: John Cale, Thurston Moore, Dan Graham, Genesis P-Orridge, Kim Gordon, Glenn Branca, Laurie Anderson, Tony Conrad, David Byrne, Lydia Lunch, Alan Vega, and Arto...

Tony Oursler's Synesthesia project features interviews with twelve legendary figures in the downtown music, performance and art scenes: John Cale, Thurston Moore, Dan Graham, Genesis P-Orridge, Kim Gordon, Glenn Branca, Laurie Anderson, Tony Conrad, David Byrne, Lydia Lunch, Alan Vega, and Arto...

Tony Oursler's Synesthesia project features interviews with twelve legendary figures in the downtown music, performance and art scenes: John Cale, Thurston Moore, Dan Graham, Genesis P-Orridge, Kim Gordon, Glenn Branca, Laurie Anderson, Tony Conrad, David Byrne, Lydia Lunch, Alan Vega, and Arto...

Tony Oursler's Synesthesia project features interviews with twelve legendary figures in the downtown music, performance and art scenes: John Cale, Thurston Moore, Dan Graham, Genesis P-Orridge, Kim Gordon, Glenn Branca, Laurie Anderson, Tony Conrad, David Byrne, Lydia Lunch, Alan Vega, and Arto...