The Conservation and Documentation of Video Art

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The Conservation and Documentation of Video Art

At the Tate Gallery, London, we have developed a special approach to the conservation of video art works (some general guidelines are given in Appendix I). Most of the conservation literature relat- ing to video has been written for archives and those responsible for vast collections of material. Although information about the structure of tape, its storage and its deterioration is applicable to any video collection, there are important differences between the care of art works and the care of archive material. The focus of this article is the conservation of video as art.