This preliminary proposal for the establishment of the E/PPF outlines projected expenses and describes the facility’s function as an affordable service for artists.
This document provides a brief description of other editing facilities available to artists in the United States in the early 1970s, including the Bay Area Video Arts Coalition and the Long Beach Museum of Art.
This document describes the official scheduling strategies for the E/PPF.
In this application letter, Douglas Davis requests time in the E/PPF to complete post-production work on How To Make Love To Your Television Set. Dated April 15, 1979.
In this letter to NYSCA, Howard Wise lists the items in the E/PPF purchased with state funds and describes the need for a facility-wide update to replace obsolete equipment.