Gordon Matta-Clark

Gordon Matta-Clark's thoroughly unique artistic project was a radical investigation of architecture, deconstruction, space, and urban environments. Dating from 1971 to 1977, his most prolific and vital period, his film and video works include documents of major pieces in New York, Paris and Antwerp, and are focused on three areas: performances and recycling pieces; space and texture works; and his building cuts.   full biography

Titles

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1971, 60 min, b&w, sound
 
1971-72, 50:32 min, b&w, silent
 
Tree Dance
1971, 9:32 min, b&w, silent
 
Open House
1972, 41 min, color, silent
 
1971-75, 45:45 min, b&w and color, sound
 
Fire Child
1971, 9:47 min, color, silent
 
Fresh Kill
1972, 12:56 min, color, sound
 
Day's End
1975, 23:10 min, color, silent
 
1972, 43 min, b&w, sound, 16 mm film on video
 
1972-1976, 60:50 min, b&w and color, sound
 
Automation House
1972, 32 min, b&w, sound
 
Clockshower
1973, 13:50 min, color, silent
 
City Slivers
1976, 15 min, color, silent
 
1973, 61:30 min, b&w, sound
 
1974-1976, 50:30 min, b&w and color, sound
 
Splitting
1974, 10:50 min, b&w and color, silent
 
Bingo/Ninths
1974, 9:40 min, color, silent
 
Substrait (Underground Dailies)
1976, 30 min, b&w and color, sound
 
1974-2005, 44 min, b&w and color
 
Conical Intersect
1975, 18:40 min, color, silent
 
Sous-Sols de Paris (Paris Underground)
1977-2005, 25:20 min, b&w, sound
 
1976-2007, 15:04 min, color, sound, 16 mm, video
 
1977-2005, 44 min, b&w and color, sound, 16 mm film on video
 
 

Titles with or about Gordon Matta-Clark

 
 
1975-2006, 17 min, b&w, sound
 
1975, 7 min, b&w, sound
 
 

See also

 
 
Soup & Tart

Jean Dupuy

1974-75, 55:45 min, b&w, sound
 
1985, 17:18 min, color, sound
 
1971, 3 min, color, silent
 
1973, 18:35 min, b&w, sound