Norio Imai

Norio Imai was part of the avant-garde artist group Gutai, and exhibited three-dimensional projects and installation works in galleries nationally and internationally. At the end of the 1960s he began to create works using film and video. in the 1970s and '80s, he presented video art that incorporated photographs and performance. His works include Hachibun no rokubyoshi (1976), Digest of Video Performance 1978-1983 (1978-1983), and others.   full biography

Titles

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Digest of Video Performance, 1978-1983
1978-1983, 15:35 min, color, sound
 
Vital Signals: Early Japanese Video Art
2010, 162 min, color and b&w, sound, DVD
 
Computer Movie No. 2
1969, 8 min, b&w, sound
 
Image Modulator
1969, 45 sec, color, sound
 
Ooi and Environs
1977, 1:30 min, color, sound
 
Metastasis
1971, 8 min, color, sound
 
Oh! My Mother
1969, 14 min, color, sound
 
Camera, Monitor, Frame
1976, 17:15 min, b&w, sound
 
Hand No. 2
1976, 7:50 min, b&w, silent
 
Magnetic Scramble
1968, 30 sec, b&w, silent
 
Under A Bridge
1974, 13 min, b&w, sound
 
What a Woman Made
1973, 10:50 min, b&w, sound
 
Kick The World
1974, 15 min, b&w, sound
 
Eat
1972, 1:30 min, b&w, sound
 
Digest of Video Performance, 1978-1983
1978-1983, 15:35 min, color, sound
 
Lapse Communication
1972-1980, 16 min, color, sound
 
Image of Image-Seeing
1973, 11:20 min, b&w, sound
 
The Recognition Construction: Hyojyutsu (Against Application or Mimesis)
1975, 20 min, color, sound