Takahiko Iimura

Takahiko Iimura formed the experimental film collective Film Ind├ępendant with Nobuhiko Obayashi, Yoichi Takabayashi, Donald Richie, and Koichiro Ishizaki in 1964. Since then he has produced many conceptual and experimental films and vido art works. in 1966 he moved to the U.S.; since then he has produced work internationally. His major works include Ai (Love) (1962), Observer, Observed (1975), and Ma: Space/Time in the Garden of Ryoan-ji (1989), which includes texts by Arata Isozaki and music by Takehisa Kosugi.   full biography

Titles

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1976, 17:15 min, b&w, sound
 
2010, 162 min, color and b&w, sound, DVD, Japanese with English subtitles
 
Computer Movie No. 2
1969, 8 min, b&w, sound
 
Image Modulator
1969, 45 sec, color, sound
 
Ooi and Environs
1977, 1:30 min, color, sound
 
Metastasis
1971, 8 min, color, sound
 
Oh! My Mother
1969, 14 min, color, sound
 
Camera, Monitor, Frame
1976, 17:15 min, b&w, sound
 
Hand No. 2
1976, 7:50 min, b&w, silent
 
Magnetic Scramble
1968, 30 sec, b&w, silent
 
Under A Bridge
1974, 13 min, b&w, sound
 
What a Woman Made
1973, 10:50 min, b&w, sound
 
Kick The World
1974, 15 min, b&w, sound
 
Eat
1972, 1:30 min, b&w, sound
 
Digest of Video Performance, 1978-1983
1978-1983, 15:35 min, color, sound
 
Lapse Communication
1972-1980, 16 min, color, sound
 
Image of Image-Seeing
1973, 11:20 min, b&w, sound
 
The Recognition Construction: Hyojyutsu (Against Application or Mimesis)
1975, 20 min, color, sound
 
 

See also

 
 
2009, 1140 min, b&w and color, sound