1984, 16:43 min, color, sound

Using a macro lens and slow motion to examine the detailed surface image of her face, Hoover allows a dramatic typography of texture and light to emerge in Halfsleep. She states that this work suggests "timeless moments when we are between two worlds, when our perceptions are heightened, sounds take on other dimensions and we become almost microscopic within ourselves."

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1983-85, 50:51 min, color, sound