P.S.1 Contemporary Art Center 22-25 Jackson Ave at the intersection of 46th Ave
Long Island City, NY 11101
November 1, 2009 - April 26, 2010
Thursday - Monday, noon - 6 pm
EAI presented 45 Years of Performance Video from EAI, a survey of four decades of artists' engagement with video and performance. This project is presented in conjunction with 100 Years, an exhibition on the history of performance art organized by P.S.1 Contemporary Art Center and Performa 09.
EFA Gallery 323 West 39th Street, 2nd Floor, New York City
November 2 - November 17, 2007
During the PERFORMA07 performance biennial, EFA Gallery was transformed into a video lounge to host Electronic Arts Intermix's Viewing Room, a program that provides free public access to one of the foremost collections of video art in the world. Visitors to EFA Gallery were able to choose from a curated selection of major performance-based video works by over 30 artists from the EAI Collection. Viewers were able to watch these seminal performances and contemporary classics at their own pace in a comfortable viewing environment. During the opening reception on Friday, November 2nd, programs featuring selected works were installed throughout the gallery.
Museum of Modern Art New York City
February 26 - April 30, 2002
As the keystone of EAI's 30th anniversary events, Museum of Modern Art presented First Decade: Video from the EAI Archives, a major retrospective that looked at the early days of video through EAI's historical collection. Featuring 60 works, the twelve-part program explored themes and issues ranging from performance and the body; narrative; cultural essays; activism, and poetics.
The Rooftop Urban Park Project Video Salon Dia Center for the Arts
October 16, 1997 - February 1, 1998
Mediated Presence: Three Decades of Artists' Video from Electronic Arts Intermix is a three-part survey, spanning the years 1967 to 1997, that explores the rich and diverse modes by which artists use video to investigate self. Tracing how artists have articulated a mediated relationship with the viewer and technology, this program re-visits notions of performance and gesture within the framework of three decades of artists' video, and provides a historical context for recent works.