Electronic Arts Intermix: Resources: Bibliography

Books

Richard Serra: Writings, Interviews. Chicago and London: The University of Chicago Press, 1994. Includes writings by the artist and interviews by Friedrich Teja Bach, Liza Béar, Patricia E. Bickers, Lizzie Borden, Lynne Cooke, Douglas Crimp, Peter Eisenman, Mark Francis, Bernard Lamarche-Vadel, Annette Michelson, Robert C. Morgan, Alfred Pacquement, Brenda Richardson, Mark Rosenthal, Nicholas Serota, David Sylvester, and Clara Weyergraf.

15th World Wide Video Festival. Amsterdam: Stedelijk Museum/Melkweg, 1997: 170-171.

American Landscape Video. Pittsburgh, PA: The Carnegie Museum of Art, 1988.

Aperto '93- Emergency/Emergenza- XLV Biennale Di Venezia. Venice: The XLV Venice Biennale, 1993: 298-299.

Baldessari, Kabakov, Kosuth, Pistoletto. Basel: Kunsthalle Basel, 2000. In English and German.

Bill Viola. Paris: Musée d'Art Moderne de la Ville de Paris, 1983. Texts by Anne-Marie Duguet, John G. Hanhardt, Kathy Huffman, Suzanne Page, and Bill Viola, and an interview with the artist by Deirdre Boyle.

Black Male: Representations of Masculinity in Contemporary American Art. New York: Whitney Museum of American Art, 1994. Essay by Thelma Golden.

Bruce Nauman: Image/Text, 1966 - 1996. London: Hayward Gallery, 1998. Texts by François Albera, Michele De Angelus, Christine van Assche, Chris Dercon, Vincent Labaume, Jean-Charles Masséra, Tony Oursler, Christina Ricupero, Willoughby Sharp, Joan Simon, Marcia Tucker, and Gijs van Tuyl.

Bruce Nauman: Work from 1965 to 1972. Los Angeles: Los Angeles County Museum of Art, 1972. Texts by Jane Livingston and Marcia Tucker.

California Video: Artists and Histories. Los Angeles: Getty Research Institute, 2008.

Carolee Schneemann: Early and Recent Work. Kingston, NY: McPherson, 1983. Text by Julia Ballerini, Ted Castle, Carolee Schneemann.

Carolee Schneemann: Unforgivable. London: Black Dog Publishing, 2015. Texts by Stéphane Aquin, Emily Calgan, R Bruce Elder, Ron Hanson, Juan Carlos Kase, Brett Kashmere, Anette Kubitza, Erica Levin, Scott MacDonald, Thomas McEvilley, Ara Osterweil, Melissa Ragona, Maura Reilly, Kristine Stiles, and Kenneth White.

Carolee Schneemann: Up To and Including Her Limits. New York: New Museum of Contemporary Art, 1996. Text by Dan Cameron, Kristine Stiles, David Levi-Strauss.

Chile: Juan Downey. Venice, Italy: La Biennale di Venezia 49, 1999.

Chris Burden. Stockholm, Sweden: Magasin 3 Stockholm Konsthall, 1999. In Swedish and English.

Chris Burden: A Twenty Year Survey. Newport Beach, CA: Newport Harbor Art Museum, 1988.

Chris Burden: When Robots Rule- The Two Minute Airplane Factory. London: Tate Gallery Publishing, 1999. Text by Frances Morris, Chris Burden, Nicholas Serota, Tom Horton.

Chris Burden. Newcastle, England: Locus + Publishing Ltd., 2005. Essays by Fred Hoffman, Paul Schimmel, Kristine Stiles, and Robert Storr.

Dan Graham: Works 1965-2000, Düsseldorf: Richter Verlag, 2001. Texts by Marianne Brouwer, Benjamin Buchloh, Thierry de Duve, Eric de Bruyn, Brian Hatton, John Miller, and Markus Müller.

Dan Graham: Works 1965-2000. Düsseldorf: Richter Verlag, 2001. Texts by Marianne Brouwer, Benjamin Buchloh, Thierry de Duve, Eric de Bruyn, Brian Hatton, John Miller, and Markus Müller.

Dan Graham, Xunta de Galicia, Consellería de Cultura e Comunicación Social, Santiago de Compostela, 1997. Texts by Alexander Alberro, Christine van Assche, Brian Hatton, Adachiara Zevi et al.

Dan Graham. Xunta de Galicia, Consellería de Cultura e Comunicación Social, Santiago de Compostela, 1997. Texts by Alexander Alberro, Christine van Assche, Brian Hatton, Adachiara Zevi et al.

Dara Birnbaum: The Dark Matter of Media Light. Ghent: S.M.A.K., Stedelijk Museum voor Actuele Kunst; Porto: Fundação de Serralves; in association with DelMonico Books·Prestel, 2011.

Dara Birnbaum. Kunsthalle Wien, Vienna: Verlag Ritter Klagenfurt, 1995.

Darcy Lange Video Art. Auckland: The Department of Film, Television and Media Studies, University of Auckland, 2001.

Darcy Lange: Work Studies in Schools. Oxford: Museum of Modern Art Oxford, 1977.

David Wojnarowicz: A Definitive History of Five or Six Years on the Lower East Side. New York: Semiotext(e), 2006. Text by Sylvère Lotringer, Giancarlo Ambrosino, Chris Kraus, Justin Cavin, and Jennifer Doyle.

Dennis Oppenheim: Public Projects. Milan: Charta, 2009. Texts by Aaron Levy, Vito Acconci, Aaron Betsky, Liam Gillick, Dennis Oppenheim, Roland Nachtigäller, and Friederike Fast.

Ecological Paradox. Boulder, CO: University of Colorado at Boulder, 2000.

Fred Barzyk: The Search For A Personal Vision in Broadcast Television. Milwaukee, WI: Haggerty Museum of Art, Marquette University, 2001. Text by Nam June Paik, Curtis L. Carter, Brian O'Doherty, Charles Johnson, Barbara London, George Fifield, Fred Barzyk, Mary Ide.

Gary Hill. Paris: Éditions du Centre Georges Pompidou, 1992: Amsterdam: Stedelijk Museum and Vienna: Kunsthalle, Wien, 1993; and Valencia: I.V.A.M Centre del Carme, 1993. Texts by Christine van Assche, Lynne Cook, Gary Hill, Jacinto Lageira and Hippolyte Massardier.

Gary Hill. Paris: Éditions du Centre Georges Pompidou, 1992; Amsterdam: Stedelijk Museum and Vienna: Kunsthalle, Wien, 1993; and Valencia: I.V.A.M Centre del Carme, 1993. Texts by Christine van Assche, Lynne Cook, Gary Hill, Jacinto Lageira and Hippolyte Massardier.

Gary Hill. Seattle: Henry Art Gallery, University of Washington, 1994. Texts by Chris Bruce, Lynne Cook, Bruce W. Ferguson, John Hanhardt and Robert Mittenthal.

Gary Hill: Around and About: A Performative View. Paris: Éditions du Regard, 2001.

Gary Hill: Selected Works and catalogue raisonne. Wolfsburg, Germany: Kunstmuseum Wolfsburg, 2002.

Gary Hill: Selected Works and Catalogue Raisonné. Wolfsburg, Germany: Kunstmuseum Wolfsburg, 2002.

Hannah Wilke: A Retrospective. Copenhagen, Denmark: Nicolaj, Copenhagen Contemporary Art Center, 1998.

INSTALL.EXE/JODI. Berlin: Christoph Merian Verlag, 2002. In association with exhibition at [plug in] Kunst und Neue Medien, Basel. Texts by Tilman Baumgartel, Wailing Boers, Josephine Bosma, Florian Cramer, Frederic Madre, Annette Schindler, and Pit Schultz.

Installation Art. Washington, DC: Smithsonian Insitution Press, 1994. Text by Nicolas De Oliveira, Nicole Oxley, Michael Petry.

Inventionen 2002. Berlin: Berliner Festival Neuer Musik, Hrsg, 2002.

JODI: Computing 101 B. Liverpool: FACT, The Foundation for Art and Creative Technology, 2004. In association with exhibition at Spacex, Exeter, UK.

Joseph Beuys: Actions, Vitrines, Environments. Houston, Texas: Menil Collection, 2004. Texts by Mark Rosenthal, Sean Rainbird, and Claudia Schmuckli.

Joseph Beuys: Parallel Processes. Munich, Germany: Schirmer/Mosel, 2010. Texts by Marion Ackermann, Maria Muller, and Gottfried Boehm.

Lawrence Weiner. London: Phaidon, 1998. Texts by Alexander Alberro, David Batchelor, Benjamin H. D. Buchloh, Lawrence Weiner, W. B. Yeats, and Alice Zimmerman, and an interview by Benjamin H. D. Buchloh.

Lynda Benglis. Dijon, France: Les Presses du Réel, 2010. Texts by David Hickey, Cindy Sherman, Robert Pincus-Witten, Richard Meyer, Annette Messager, Elisabeth Lebovici, Judith Tannenbaum, Caroline Hancock, Franck Gautherot, Laura Hoptman, Ron Gorchov, Keith Sonnier, John Baldessari, Diana Franssen, and an interview with Seungduk Kim.

Machineworks, Vito Acconci, Alice Aycock, Dennis Oppenheim. Philadelphia: Institute of Contemporary Art, 1981.

Marcel Odenbach: Dans la vision peripherique du temoin, Centre Georges Pompidou, Musee national d'art moderne. Paris, France: Editions du Centre Pompidou, 1986. In French.

Marcel Odenbach, Centro de Arte Reina Sofia. Madrid, Spain: Ministerio de Cultura, 1988. In Spanish.

Marcel Odenbach, Essen, Germany: Museum Folkwang Essen and Stadtische Galerie im Lenbachhaus Munchen, 1981. In German.

Marina Abramovic. London: Phaidon Press, 2008. Texts by Kristine Stiles, Klaus Biesenbach, Chrissie Iles, and Marina Abramovic.

Michael Smith. Grenoble: Magasin - Centre National d'Art Contemporain, 2000.

Michel Auder. Luneburg, Germany: Revolver-Archiv für aktuelle Kunst, 1999. Text by Heike Munder and Christoph Gerozissis, Yvette Brackman, Michel Auder and Mark Webber. In English and German.

Michel Auder. New York: Thread Waxing Space, 2000. Text by Yvette Brackman, Jeremy Blake, Lia Gangitano.

Michel Auder: Selected Video Works 1970-1991. New York: Anthology Film Archives, 1991.

Muntadas: Media Landscape. Andover, MA: Phillips Academy, The Addison Gallery of American Art, 1982.

No Doubt: African-American Art of the 90's. Ridgefield, CT: The Aldrich Museum of Contemporary Art, 1996. Essay by Maurice Berger.

Paul McCarthy. New York: New Museum of Contemporary Art/ Hatje Cantz Publishers, 2000. Text by Dan Cameron, Lisa Phillips, Amelia Jones, Anthony Vidler.

Paul McCarthy: Pinoccio. Nice and Paris, France: Centre National des arts plastiques/ Réunion des Musées Nationaux, 2002.

Raymond Pettibon. New York: Phaidon Press Inc., 2001. Text by Robert Storr, Dennis Cooper, Ulrich Loock, Raymond Pettibon.

Raymond Pettibon. New York: Phaidon Press Inc., 2001. Text by Robert Storr, Dennis Cooper, Ulrich Loock, and Raymond Pettibon.

Robert Smithson Retrospective: Works 1955-1973. Oslo: National Museum of Contemporary Art, in association with Moderna Museet, Stockholm, and Arken Museum of Modern Art, Ishøj, 1999. Texts by Per Boym, Stian Grøgaard, Tim Martin, Anette østerby, and Vibeke Petersen.

Robert Wilson. New York: Rizzoli, 1998. Text by Franco Quadri, Franco Bertoni, Robert Stearns.

Rotterdam International Film Festival. Rotterdam: The Netherlands, 1998.

Seeing Time: Selections from the Pamela and Richard Kramlich Collection of Media Art. San Francisco: San Francisco Museum of Modern Art, 1999.

Shelly Silver: Video. Fribourg, Switzerland: Museum for Art and History, Fribourg, 2001. Text by Sally Berger, William Horrigan, Yvonne Volkart.

Sod and Sodie Sock Comp OSO. Vienna, Austria: Secession, 1999.

Steina Et Woody Vasulka: Videastes. Paris: CINE-MBXA/CINEDOC, 1984. Text by Claudine Eizykman, Guy Fihman, Dominique Willoughby, and Steina and Woody Vasulka. In French.

Tetrad Series. New York: Marian Goodman Gallery, 1999. Text by Thomas McEvilley.

The Dream of the Audience: Theresa Hak Kyung Cha (1951-1982). Berkeley: University of California Press, 2001. Text by Constance M. Lewallen, Larence Rinder, Trinh T. Minh-Ha.

The Search for the Spirit: General Idea 1968-1975. Toronto: Art Gallery of Ontario, 1997. Texts by Fern Bayer, AA Bronson and Christina Ritchie.

Tony Oursler: The Influence Machine. London: Artangel, 2002. Text by Marina Warner, Carlo McCormick, Tom Eccles, Tony Oursler, James Lingwood, Susan K. Freeman, Louise Neri.

Tony Oursler. Bordeaux, France: capcMusee d' Art Contemporain de Bordeaux, 1997. In French and English.

Tony Oursler. Bordeaux, France: Musee d' Art Contemporain de Bordeaux, 1997. In French and English.

Videobrasil, 10th Festival Internacional de Arte Eletronica. Sao Paulo, 1994.

Adam, Judy, ed. Cage-Cunningham-Johns: Dancers on a Plane. Contributions by Susan Sontag, Richard Francis, Mark Rosenthal, Anne Seymour, David Sylvester, David Vaughan. New York: Alfred A Knopf; London: Thames & Hudson; in association with Anthony d'Offay Gallery, 1990.

Ahwesh, Peggy and Sanborn, Keith, ed. Vertov from Z to A, Berkeley, CA: Small Press Distribution, 2007.

Ahwesh, Peggy. The Films of Doris Wishman, New York, NY: Inpatient Press and Light Industry, 2019.

Alderson, Julia Louise. Nancy Holt and the Sculptural Lens. New Brunswick, New Jersey: Rutgers University Press, 2004.

Banes, Sally. Subversive Expectations: Performance Art and Paratheater in New York, 1976-85. Ann Arbor: University of Michigan Press, 1998.

Birnbaum, Dara. Dara Birnbaum, Rough Edits: Popular Image Video Works 1977-1980. Canada: The Press of the Nova Scotia College of Art and Design, 1987.

Bonet, Eugeni, ed. Video writings by Artists (1970-1990). Barcelona: 2017. Texts by Peter d’Agostino, Nam June Paik, Martha Rosler, Mary Lucier, Bill Viola and Peter Wiebel.

Boyle, Deirdre. Subject to Change: Guerilla Television Revisited. New York: Oxford University Press, 1997.

Brody, Richard. Everything is Cinema: The Working Life of Jean-Luc Godard. New York: Metropolitan Books, 2010.

Bu Shea, Staci. and Curtis, Carmel. "Evidentiary Bodies", Munich, Germany: Hirmer Publishers, 2018.

Cage, John. Silence: Lectures and Writings. Middletown, CT: Wesleyan University Press, 1961.

Callens, Johan, ed. The Wooster Group and Its Traditions. New York: Peter Lang, 2005.

Carr, Cynthia. Fire in the Belly: The Life and Times of David Wojnarowicz. New York: Bloomsbury, 2013.

Celant, Germano. Dennis Oppenheim. Basel, Switzerland: Kunsthalle Basel, 1979.

Chan, Paul, and Martha Rosler. Paul Chan / Martha Rosler (Between Artists). New York, NY: A.R.T. Press. 2006.

Coppola, Regina. In vivo, works by Rebecca Horn, Jon Kessler, Dennis Oppenheim, Alan Rath. Amherst, MA: University Gallery, University of Massachusetts, 1996.

Cottingham, Laura. Seeing Through the Seventies: Essays on Feminism and Art. London: Routledge, 2002.

Cunningham, Merce. Changes: Notes on Choreography. Edited by Frances Starr. New York: Something Else Press, 1968.

Cunningham, Merce. The Dancer and the Dance: Conversations with Jacqueline Lesschaev. New York and London: Marion Boyars, 1985.

Damianitsch, Stephanie, Brigitte Huck, Hans-Peter Wipplinger, and Pipilotti Rist. Pipilotti Rist. Köln: Walther König, 2015.

Demos, TJ. Dara Birnbaum's Technology Transformation/Wonder Woman. London: Afterall Books, 2010.

der Kunst, Haus, ed. Joan Jonas. Munich, Germany: Hirmer Publishers, 2018.

Forrest, Tara, ed. Alexander Kluge: Raw Materials for the Imagination. Chicago: University of Chicago Press, 2012.

Fox, Howard N. Metaphor, new projects by contemporary sculptors, Vito Acconci, Siah Armajani, Alice Aycock, Lauren Ewing, Robert Morris, Dennis Oppenheim. Washington, D.C.: Smithsonian Institution Press, 1982.

Gorfinkel, Elena. "Arousal in Ruins: The Color of Love and the Haptic Object of Film History." World Picture Journal, 2010.

Gosse, Johanna, “Cut to Cute: Face, Form and Feeling in Digital Animation.” edited by Vicky Smith and Nicky Hamlyn, Experimental and Expanded Animation: New Perspectives and Practices, pp 183-201, New York, NY: Springer, 2018.

Guzman, Antonio, ed. Charlemagne Palestine: Sacred Bordello. London: Black Dog Publishing, 2004.

Gygax, Raphael and Heike Munder, eds. Alex Bag. Zurich: Migros Museum für Gegenwartskunst, 2011.

Hammer, Barbara. "HAMMER!: Making Movies Out of Sex and Life." New York, NY: The Feminist Press at CUNY, 2010.

Hammer, Barbara. "Truant: Photographs: 1970-1979." New York, NY: Capricious LLC, 2017.

Harlan, Volker. What is Art?, Conversation with Joseph Beuys. Trans. by Matthew Barton and Shelley Sacks. West Sussex, United Kingdom: Clairview Books, 2004.

Hubbard, Alex. One piece at a time. New York, N.Y., 2006.

Jonas, Joan. Double Lunar Rabbit, Kitakyushu, Japan: CCA Kitakyushu, 2011.

Jonas, Joan. In The Shadow a Shadow: The Work of Joan Jonas, New York, NY: Gregory R. Miller & Co, 2015. Texts by Joan Simon, Joanna Burton, Barbara Clausen, and Douglas Crimp.

Jonas, Joan. Joan Jonas Is on Our Mind, San Francisco, CA: CCA Wattis Institute for Contemporary Arts, 2017.

Jonas, Joan. Joan Jonas Lins and Shadows, Tokyo, Japan: Wako Works of Art, 2008.

Jones, Leslie and Jessica Morgan. Pure Beauty. Los Angeles: Los Angeles County Museum of Art; Munich/New York: DelMonico Books/Prestel, 2009. Texts by Marie de Brugerolle, Bice Curiger, Douglas Eklund, Russell Ferguson Rainer Fuchs, Tim Griffin, Friedrich Meschede, David Salle, John C. Welchman.

Joseph, Branden, ed. and Schneemann, Carolee. Carolee Schneemann: Uncollected Text 1956-1980. Brooklyn, NY: Primary Information, 2018.

Kostelanetz, Richard, ed. Merce Cunningham: Dancing in Space and Time; Essays 1944-1992. Pennington NJ: A Cappella Books, 1992.

Kraynak, Janet, ed. Please Pay Attention Please: Bruce Nauman's Words: Writings and Interviews. Cambridge: The MIT Press, 2005.

Kubisch, Christina and Schneemann, Carolee et al. Women's Work. Brooklyn, NY: Primary Information, 2019.

Kubota, Shigeko and Taka Iimura. John G. Hanhardt, ed. New Video. New York, New York: Whitney Museum of American Art, 1979

Kubota, Shigeko, Yayoi Kusama, Yoko Ono, Takako Saito, Mieko Shiomi and Atsuko Tanaka. Dissonance. Milano: Mudima, 2008.

Kuchar, George and Mike Kuchar. Reflections from a Cinematic Cesspool. Portland, Oregon: Zanja Press, 1997. Introduction by John Waters.

Lewallen, Constance, Karen Moss, eds. State of Mind: New California Art Circa 1970. University of California Press, CA: 2011. Texts by Julia Bryan-Wilson, and Anne Rorimer.

Mayo, Marti. Other Realities: Installations for Performances: Vito Acconci, Eleanor Antin, Colette, Tina Girouard, Joan Jonas, Robert Wilson. Houston, TX: Contemporary Art Museum, 1981.

McPherson, Bruce R, ed. More Than Meat Joy: Performance Works and Selected Writings. Kingston, NY: McPherson, 1997.

Michaud-Lapointe, Alice. “(In)appropriation: Dirty Movies and Second Hand Poetics.” Found Footage Magazine, Special Issue #5, March 2019.

Morgan, Robert. Gary Hill (Art + Performance). Cambridge: The MIT Press/PAJ Publications, 2009.

Murray, Derek Conrad. "We're All Kalup's Churen." In Queering Post-Black Art: Artists Transforming African-American Identity After Civil Rights, 143-187. London: I.B. Tauris & Co., 2016.

Patterson, David W., ed. John Cage: Music, Philosophy, and Intention, 1933-1950. London: Routledge, 2001.

Phillips, Glenn, ed. California Video: Artists and Histories. Los Angeles: Getty Research Institute, 2008.

Princenthal, Nancy. Hannah Wilke. New York: Prestel, 2010.

Quick, Andrew, ed. The Wooster Group Work Book. New York: Routledge, 2007.

Richmond, Susan. Lynda Benglis: Beyond Process. London: I.B. Tauris & Co Ltd, 2013.

Rosenthal, Mark. Continental Drift: Installations by Joan Jonas, Ilya and Emilia Kabakov, Juan Munoz, Yinka Shonibare, West Palm Beach, FL: Norton Museum of Art, 2004.

Salter, Chris. Entangled: Technology and the Transformation of Performance. Cambridge, Massachusetts: The MIT Press, 2010.

Savran, David and Peter Sellars. Breaking the Rules: The Wooster Group. New York: Theatre Communications Group, 1993.

Savran, David. Breaking the Rules: The Wooster Group. New York: Theatre Communications Group, 1993. Introduction by Peter Sellars.

Schneemann, Carolee and Kristine Stiles, eds. Correspondence Course: An Epistolary History of Carolee Schneemann and Her Circle. Durham: Duke University Press, 2010.

Schneemann, Carolee. Carolee Schneemann: Within and Beyond the Premises (Samuel Dorsky Museum of Art) New Paltz, NY: State University of New York Press, 2010.

Schneemann, Carolee. Cezanne, She Was a Great Painter. New Paltez, NY: Tresspuss Press, 1975.

Schneemann, Carolee. Video Burn, San Francisco, CA: San Francisco Art Institute,1992.

Scholder, Amy. In the Shadow of the American Dream: The Diaries of David Wojnaowicz. New York: Grove Press, 1999.

Schottlaender, Sherri, ed. Bruce and Norman Yonemoto: Memory, Matter and Modern Romance. Los Angeles: Japanese American National Museum, 1999.

Shultis, Christopher. Silencing the Sounded Self: John Cage and the American Experimental Tradition. Boston: University Press of New England, 2013.

Simpson, Bennett and Chrissie Iles, eds. Dan Graham: Beyond. Cambridge: MIT Press, 2009. Texts by Rhea Anastas, Beatriz Colomina, Mark Francis, Dan Graham, Chrissie Iles, Alexandra Midal, Bennett Simpson, Mark von Schlegell, Jeremy Strick and Philippe Vergne. Interviews with Dan Graham by Kim Gordon, Rodney Graham, and Nicolás Guagnini.

Stevenson, Jack. Desperate Visions: The Films of John Waters & the Kuchar Brothers. London: Creation Books, 1996.

Stimson, Blake and Gregory Sholette, ed. Collectivism After Modernism: The Art of Social Imagination After 1945. Minneapolis: University of Minnesota Press, 2007.

Test

Tomkins, Calvin. The Bride and the Bachelors: Five masters of the avant-garde: Duchamp, Tinguely, Cage, Rauschenberg, Cunningham. New York: Viking Compass Books, 1968.

Vaughan, David. Merce Cunningham: Fifty Years: Chronicle and Commentary. New York: Aperture, 1997.

Vicente, Mercedes, ed. Darcy Lange: Study of an Artist at Work. Texts by Guy Brett, Benjamin H. D. Buchloh, Dan Graham, Lawrence McDonald, John Miller and Geraldene Peters, Pedro G. Romero and Mercedes Vicente. New Plymouth, New Zealand: Govett-Brewster Art Gallery; Birmingham, United Kingdom: Ikon, 2008.

Vicente, Mercedes. "Work Studies in Schools," Documenta 12 Magazine No. 3: Education. Buergel, Roger M., Ruth Noack and Georg Schöllhammer, eds. Taschen, 2007.

Warner, Marina and Daneri, Anna, ed. Joan Jonas, Milan, Italy: Charta, 2008

Welchman, John C. Mike Kelley: Interviews, Conversations, and Chit-Chat (1986-2004). New York: JRP/Ringler, 2005.

Westcott, James. When Marina Abramovic Dies: A Biography. Cambridge: The MIT Press, 2010.

Williams, Alena J. Nancy Holt Sightlines. Berkeley: University of California Press, 2011.

Witt, Michael. Jean-Luc Godard, Cinema Historian. Bloomington: Indiana University Press, 2013.

Wojnarowicz, David. Close to the Knives: A Memoir of Disintegration. London: Vintage Books, Random House, 1991.