Ad Vice inhabits the realm of the music-video, only to use that form's language against itself in a subtle critique of the interactions of desire and commerce in a capitalist culture.
ITSOFOMO (in the shadow of forward motion) combines film clips seen throughout Wojnarowicz’s filmography, including footage of Beluga whales and other animals at the Coney Island Aquarium; Day of the Dead celebrations in Mexico City; ants crawling on a crucifix; and Wojnarowicz sewing his mouth closed in protest of public silence around AIDS in the United States.