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In this untitled video, commissioned as part of her 2009 installation at the Whitney Museum, Bag imagines herself as the host of a nightmarish children's television program, clinically depressed, dissociating from reality, and unburdening herself to a mean-spirited dragon puppet. Bag elucidates...
Up To and Including Her Limits extends the principles of Jackson Pollock's action painting. Schneemann is suspended from a rope harness, naked and drawing; her moving body becomes a measure of concentration, the sustained and variable movements of her extended drawing hand creates a dense web of...
In this tour-de-force of stylized deconstruction, the Yonemotos rewrite a traditional narrative of desire: boy meets girl, boy loses girl. Employing the hyperbolic, melodramatic syntax of Hollywood movies and commercial TV, they decode the Freudian symbology and manipulative tactics that underlie...
Vertical Roll is a seminal work. In a startling collusion of form and content, Jonas constructs a theater of female identity by deconstructing representations of the female body and the technology of video. Using an interrupted electronic signal — or "vertical roll" — as a dynamic formal device,...
Hershman Leeson interweaves interviews with experts in the fields of art history and restoration, gender studies, psychology, and film, reflecting on Hitchcock’s Vertigo. The artist dresses each of her subjects as the character Judy, reenacting her contemplation of the painting Portrait of...
Video Commune (Beatles Beginning to End)
Nam June Paik and Jud Yalkut
1970-92, 8:36 min, color, silent, 16 mm film on video
Video Commune is Jud Yalkut's free-form documentation of Nam June Paik's first interactive television "performance" at the public television station WGBH in Boston. Subtitled "Beatles from Beginning to End," this was a live broadcast in which Paik created a freewheeling collage of recorded images, image-processing and Beatles music.
Kubota narrates this surrealistic video diary of her month-long sojourn with a Navajo family on a reservation in Chinle, Arizona. She talks to the women as they cross the desert in a horse-drawn carriage to fetch water from the nearest well, and captures footage of tribal songs and dances, children's pranks and a local rodeo. Despite the language barrier between the Japanese Kubota and the English-speaking Native Americans, the artist befriends her subjects through sheer force of personality. Kubota relates to her subjects less like a documentary observer and more like a distant relative, with humor and affection.
Writes Yau Ching: "Because I have always been on the move, departing a city and waking up in another country, I find myself writing letters all the time — to people I miss, people I met on the road, people I look forward to meeting... When I grew tired of words (which happened very often), I...
Logue merges image with spoken and written text in Video Portraits: French Writers, utilizing elegant video techniques to illustrate the words of such prominent authors and theorists as Jacques Derrida, Andre Du Bouchet, and Florence Delay. Whether filling the screen with Derrida's handwritten...
