Four Short Films 1972-1973

1972-1973, 6:15 min, color, silent, Super 8mm film on video
1972, 3:40 min, color, silent
1 min, color, silent
1972-1973, 0:30 min, color, silent
1972-1973, 1:26 min, color, silent

Contemporaneous to his best-known video works, these Super-8mm films represent Baldessari's conceptual engagement with motion picture film, pointing to the technical strengths and weaknesses of the celluloid medium relative to video, such as the superior reproduction of color, on one hand, and the difficulty of adding synchronized sound on the other. Conceived on an intimate scale (only the artist's hands are visible as he manipulates a range of objects), Baldessari's Super-8 films replace text and speech with a cunning visual language, in which he wordlessly describes physical changes in his environment: a bright light flashes on a mirrored surface, red liquid rises in a thermometer, and powdered pigment makes an indelible mess. Here Baldessari employs a method of communication that is based on spectacle rather than performance.


This is a video transfer of a work initially shot on film. This is best shown as a projection, to reflect the original medium.
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