Warning (2)APP/Controller/TitlesController.php , line 158 ]Code Context usort ( $withMore -> price_scheme -> price_scheme_entries , array( $this , "priceSchemeEntryCmp" )); } $idOrHandle = 'the-west'
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'media_type' => object(Cake\ORM\Entity) {},
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} App\Controller\TitlesController::view() - APP/Controller/TitlesController.php, line 158
Cake\Controller\Controller::invokeAction() - CORE/src/Controller/Controller.php, line 606
Cake\Http\ActionDispatcher::_invoke() - CORE/src/Http/ActionDispatcher.php, line 120
Cake\Http\ActionDispatcher::dispatch() - CORE/src/Http/ActionDispatcher.php, line 94
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Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
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[main] - ROOT/webroot/index.php, line 40 Warning (2)APP/Controller/TitlesController.php , line 158 ]Code Context usort ( $withMore -> price_scheme -> price_scheme_entries , array( $this , "priceSchemeEntryCmp" )); } $idOrHandle = 'the-west'
$view = 'ordering-fees'
$title = object(App\Model\Entity\Title) {
'title_id' => (int) 935,
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'title' => 'The West',
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'title_translation' => null,
'alternate_title' => null,
'completion_date' => '1998',
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'keywords' => 'Native American
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'title_ex' => object(App\Model\Entity\TitleEx) {},
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'[repository]' => 'Titles'
}
$withMore = object(App\Model\Entity\Title) {
'title_id' => (int) 935,
'slug' => 'the-west',
'title' => 'The West',
'subtitle' => null,
'title_translation' => null,
'alternate_title' => null,
'completion_date' => '1998',
'media_type_id' => (int) 207,
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'color' => 'color',
'sound' => 'sound',
'by_credit' => null,
'price_scheme_id' => null,
'image_url' => null,
'quicktime_url' => null,
'keywords' => 'Native American
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'short_desc' => null,
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'unique_id' => '976',
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'published' => (int) 1,
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'title_video_high_rez_full' => object(App\Model\Entity\UserFile) {},
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'see_also_artists' => [],
'artists' => [
(int) 0 => object(App\Model\Entity\Artist) {}
],
'price_scheme' => null,
'media_type' => object(Cake\ORM\Entity) {},
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'title_ex' => object(App\Model\Entity\TitleEx) {},
'[new]' => false,
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],
'[dirty]' => [],
'[original]' => [
'title_ex' => object(App\Model\Entity\TitleEx) {}
],
'[virtual]' => [],
'[hasErrors]' => false,
'[errors]' => [],
'[invalid]' => [],
'[repository]' => 'Titles'
} usort - [internal], line ??
App\Controller\TitlesController::view() - APP/Controller/TitlesController.php, line 158
Cake\Controller\Controller::invokeAction() - CORE/src/Controller/Controller.php, line 606
Cake\Http\ActionDispatcher::_invoke() - CORE/src/Http/ActionDispatcher.php, line 120
Cake\Http\ActionDispatcher::dispatch() - CORE/src/Http/ActionDispatcher.php, line 94
Cake\Http\BaseApplication::__invoke() - CORE/src/Http/BaseApplication.php, line 256
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Cake\Routing\Middleware\RoutingMiddleware::__invoke() - CORE/src/Routing/Middleware/RoutingMiddleware.php, line 164
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Routing\Middleware\AssetMiddleware::__invoke() - CORE/src/Routing/Middleware/AssetMiddleware.php, line 88
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Error\Middleware\ErrorHandlerMiddleware::__invoke() - CORE/src/Error/Middleware/ErrorHandlerMiddleware.php, line 100
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[main] - ROOT/webroot/index.php, line 40 Warning (512)CORE/src/Http/ResponseEmitter.php , line 53 ]Code Context if ( Configure :: read ( 'debug' )) { trigger_error ( $message , E_USER_WARNING ); } else { $response = object(Cake\Http\Response) {
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<h6><em>1998, 28:25 min, color, sound</em></h6>
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'long_desc' => 'In <i>Lilith</i> &mdash; a name that evokes biblical and mystical references &mdash; Steina alters and manipulates the face of a woman (painter Doris Cross) so that it is submerged within a natural and technological landscape. Employing the imaging techniques of focal plane shift (altering the depth of field) and frame "grabbing" (a succession of frozen images), she creates a constantly shifting visual field in which an image appears to exist in a constant flux of temporal and spatial planes. The woman's electronically distorted speech adds a further haunting dimension to this almost sculptural fusion of human figure and landscape.',
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'slug' => 'midi-violin-demo',
'title' => 'Midi Violin Demo',
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(int) 5 => object(App\Model\Entity\Title) {
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'slug' => 'orbital-obsessions',
'title' => 'Orbital Obsessions',
'subtitle' => null,
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'completion_date' => '1975-77; revised 1988',
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'long_desc' => '<i>Orbital Obsessions</i> includes excerpts from <i>Signifying Nothing</i> (1975), <i>Sound and Fury</i> (1975), <i>Switch! Monitor! Drift!</i> (1976) and <i>Snowed Tapes</i> (1977). In these pieces, Steina focuses on time, space, and movement, and the means by which the mechanical can inform and engage with electronic media. Steina writes: "Ordinarily the camera view is associated with a human view point, paying attention to the human conditions around the camera. In this series the camera conforms to a mechanized decision-making of instruments... I am also paying attention to time accumulation, in a mix of real time with time inherited from each previous generation of pre-recorded and then re-taped segments."',
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(int) 6 => object(App\Model\Entity\Title) {
'title_id' => (int) 757,
'slug' => 'orka',
'title' => 'Orka',
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'title_translation' => null,
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'completion_date' => '1995',
'media_type_id' => (int) 207,
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'keywords' => 'nature
electronic processing
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image processing',
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'long_desc' => 'The images in <i>Orka</i> &mdash; which means "life force" &mdash; were shot by Steina in the wilds of her native Iceland in 1996. A "tracer" device records the micro-movements of nature over time, such as the paths of birds and waves. Steina's digitally altered images of nature have a stark and often startling beauty.',
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(int) 7 => object(App\Model\Entity\Title) {
'title_id' => (int) 1897,
'slug' => 'pyroglyphs',
'title' => 'Pyroglyphs',
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'long_desc' => 'Writes Steina: "In 1994 I spent long hours with blacksmith Tom Joyce, videotaping the process of building an iron gate. I found iron gates a little too concrete, so I closed in on the intense and violent nature of materials being manipulated by torches, files, and anvils &mdash; the rapid flicker of flames... Tom and I share a fascination with fire &mdash; as a phenomenon and as a medium that transforms other materials... as a medium of transmutation." In <i>Pyroglyphs,</i> which was originally a multi-monitor installation, the sounds of the blacksmith and the fire are digitally processed; the sound, in effect, determines the percussive editing.',
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(int) 8 => object(App\Model\Entity\Title) {
'title_id' => (int) 1109,
'slug' => 'selected-treecuts',
'title' => 'Selected Treecuts',
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'completion_date' => '1980',
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'long_desc' => '<i>Selected Treecuts</i> is a formal examination of the distinction between camera-generated and digital images, and a layered juxtaposition of contrasting representations of reality. The methodology of the tape is simple: a zoom lens moves slowly in and out on a group of trees, alternating between digitized and camera-generated, "real" images. The movement in the tape is produced by the automated zoom lens and rotating prism; the images switch rhythmically between camera images and digital images held briefly in computer memory. The contrast between the "real" camera images of trees and the frozen, digital computer images forms an essay in motion and stillness, the organic and the synthetic, tracing a trajectory from the photographic to the electronic.',
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(int) 9 => object(App\Model\Entity\Title) {
'title_id' => (int) 2505,
'slug' => 'steina-selected-works',
'title' => 'Steina: Selected Works',
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'long_desc' => 'Steina's works from the late 1970s and early 1980s are exercises in the phenomenology of vision and the redefinition of space and landscape as articulated through mechanized, optical and electronic devices. <i>Bad</i> is a technical exploration of several commands in the Vasulkas' Buffer Oriented Digital Device, which controls digital imaging functions such as up/down and right/left movement, as well as the stretching and squeezing of the image. Steina uses her own face as visual material, rhythmically dismantling and reconstructing her self-image. <i>Urban Episodes</i> is a striking phenomenological study in an urban landscape, an exhilarating restructuring of physical space that defies expected modes of seeing and the laws of gravity and reflection. In a public plaza in Minneapolis, Steina set up a motorized, rotating Machine Vision device, which includes mirrors and two cameras that pan, tilt and zoom. <i>Summer Salt</i> is a dramatic exploration of the phenomenology of space and vision, as Steina uses mechanical and electronic devices to physically investigate the Southwestern landscape. This artificial vision allows the viewer altered perceptions and spatial perspectives. The five segments include dynamic exercises with Steina's mirrored globe, the physicality of unexpected camera placement, and electronic manipulation of the textures and colors of the landscape.',
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'slug' => 'the-west',
'title' => 'The West',
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'long_desc' => 'Steina's camera turns to the starkly beautiful American Southwest, tracing the contours of a landscape at once devoid of people and haunted by their presence: empty, maze-like ruins of a vanished Native American civilization; banks of space telescopes slowly scanning the heavens for electromagnetic signals. Accompanied by Woody Vasulka's eerie electronic soundtrack, the landscape pulses with spectral colors and the ghosts of that which is not seen.',
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(int) 12 => object(App\Model\Entity\Title) {
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'slug' => 'trevor',
'title' => 'Trevor',
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'short_desc' => 'Steina manipulates footage of electroacoustic music composer Trevor Wishart at a studio microphone, electronically slurring his words into a stream of synthesized gibberish. Our attempts to understand what he is trying to communicate are frustrated, as both he and the viewer are subjected to digital control.',
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'long_desc' => 'Steina terms this procedural work "a demo tape on how to play video on the violin." Her background as a violinist and her evolution from musician to visual artist is referenced through an analogy of video camera to musical instrument. Steina is first seen in footage from the early 1970s, playing the violin and singing to The Beatles' <i>Let It Be.</i> As succeeding segments trace a chronological progression, Steina layers imagery and time. The violin itself ultimately becomes an image generating tool, as she connects it to imaging devices, creating abstract visual transpositions of sound and vibrations. This unconventional self-portrait is a study of the relationship of music to electronic image.',
'unique_id' => '976',
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'contained_titles' => [[maximum depth reached]],
'title_image_small' => object(App\Model\Entity\UserFile) {},
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[maximum depth reached]
],
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'media_type' => object(Cake\ORM\Entity) {},
'containing_titles' => [[maximum depth reached]],
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'[errors]' => [[maximum depth reached]],
'[invalid]' => [[maximum depth reached]],
'[repository]' => 'Titles'
},
(int) 14 => object(App\Model\Entity\Title) {
'title_id' => (int) 1567,
'slug' => 'voice-windows',
'title' => 'Voice Windows',
'subtitle' => '',
'title_translation' => '',
'alternate_title' => '',
'completion_date' => '1986',
'media_type_id' => (int) 207,
'running_time' => '8:10 min',
'color' => 'color',
'sound' => 'sound',
'by_credit' => 'Steina in collaboration with Joan La Barbara',
'price_scheme_id' => null,
'image_url' => 'steina.voice.windows.gif',
'quicktime_url' => null,
'keywords' => 'sound',
'short_desc' => null,
'long_desc' => 'Sound, as visually manifested through electronic imaging, becomes a spatial component in this exquisitely rendered confluence of landscape, music and digital manipulation. Singer/composer Joan La Barbara performs a series of voice chants and intonations, creating energized patterns on a grid of horizontal lines that recalls a musical scale. This animated line pattern, vibrating and dancing to the energy generated by La Barbara's voice, is inscribed onto moving imagery of the Southwest landscape. Through electronic imaging, the energized patterns themselves act as "windows" that reveal yet another layer of landscape imagery, creating intricate fields of illusory spatial transformations.',
'unique_id' => '976',
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'distribution_terms_and_usage' => '',
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},
(int) 15 => object(App\Model\Entity\Title) {
'title_id' => (int) 3785,
'slug' => 'warp',
'title' => 'Warp',
'subtitle' => null,
'title_translation' => null,
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'media_type_id' => (int) 207,
'running_time' => '4:30 min',
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'image_url' => 'steina.warp.gif',
'quicktime_url' => null,
'keywords' => null,
'short_desc' => 'Steina's long-running investigations into video-effects technology and
performance come together in this recent tape, in which she slowly approaches the camera, her body warping this way and that.',
'long_desc' => 'Steina's long-running investigations into video-effects technology and
performance come together in this recent tape, in which she slowly approaches the camera, her body warping this way and that.',
'unique_id' => '1900',
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$metaKeywords = 'Steina Steina The West Native AmericanSouthwest'
$metaDescription = 'Steina's camera turns to the starkly beautiful American Southwest, tracing the contours of a landscape at once devoid of people and haunted by their presence: empty, maze-like ruins of a vanished Native American civilization; banks of space telescopes slowly scanning the heavens for electromagnet...'
$altPageTitle = 'The West, Steina Steina'
$title = object(App\Model\Entity\Title) {
'title_id' => (int) 935,
'slug' => 'the-west',
'title' => 'The West',
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'quicktime_url' => null,
'keywords' => 'Native American
Southwest',
'short_desc' => null,
'long_desc' => 'Steina's camera turns to the starkly beautiful American Southwest, tracing the contours of a landscape at once devoid of people and haunted by their presence: empty, maze-like ruins of a vanished Native American civilization; banks of space telescopes slowly scanning the heavens for electromagnetic signals. Accompanied by Woody Vasulka's eerie electronic soundtrack, the landscape pulses with spectral colors and the ghosts of that which is not seen.',
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'running_time_seconds' => (int) 1705,
'language' => null,
'featured' => (int) 0,
'title_video_high_rez_full' => object(App\Model\Entity\UserFile) {},
'contained_titles' => [],
'see_also_titles' => [],
'containing_titles' => [],
'see_also_artists' => [],
'artists' => [
(int) 0 => object(App\Model\Entity\Artist) {}
],
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'media_type' => object(Cake\ORM\Entity) {},
'title_image_extra_large' => object(App\Model\Entity\UserFile) {},
'title_ex' => object(App\Model\Entity\TitleEx) {},
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'*' => true
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}
$fullBaseUrl = 'https://www.eai.org'
$webPage = null
$navWebPages = object(Cake\ORM\ResultSet) {
'items' => [
(int) 0 => object(App\Model\Entity\WebPage) {},
(int) 1 => object(App\Model\Entity\WebPage) {},
(int) 2 => object(App\Model\Entity\WebPage) {},
(int) 3 => object(App\Model\Entity\WebPage) {},
(int) 4 => object(App\Model\Entity\WebPage) {},
(int) 5 => object(App\Model\Entity\WebPage) {},
(int) 6 => object(App\Model\Entity\WebPage) {},
(int) 7 => object(App\Model\Entity\WebPage) {},
(int) 8 => object(App\Model\Entity\WebPage) {},
(int) 9 => object(App\Model\Entity\WebPage) {}
]
}
$fontFamily = null
$authRoles = [
'admin' => false,
'view' => false,
'edit' => false,
'delete' => false,
'video' => false,
'ed_video' => false,
'hirezvideo' => false
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$authUser = null</pre><pre class="stack-trace">include - APP/Template/Titles/titleorderingfees.ctp, line 21
Cake\View\View::_evaluate() - CORE/src/View/View.php, line 1435
Cake\View\View::_render() - CORE/src/View/View.php, line 1393
Cake\View\View::render() - CORE/src/View/View.php, line 892
Cake\Controller\Controller::render() - CORE/src/Controller/Controller.php, line 791
App\Controller\TitlesController::view() - APP/Controller/TitlesController.php, line 226
Cake\Controller\Controller::invokeAction() - CORE/src/Controller/Controller.php, line 606
Cake\Http\ActionDispatcher::_invoke() - CORE/src/Http/ActionDispatcher.php, line 120
Cake\Http\ActionDispatcher::dispatch() - CORE/src/Http/ActionDispatcher.php, line 94
Cake\Http\BaseApplication::__invoke() - CORE/src/Http/BaseApplication.php, line 256
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Routing\Middleware\RoutingMiddleware::__invoke() - CORE/src/Routing/Middleware/RoutingMiddleware.php, line 164
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Routing\Middleware\AssetMiddleware::__invoke() - CORE/src/Routing/Middleware/AssetMiddleware.php, line 88
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Error\Middleware\ErrorHandlerMiddleware::__invoke() - CORE/src/Error/Middleware/ErrorHandlerMiddleware.php, line 100
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65</pre></div></pre><pre class="cake-error"><a href="javascript:void(0);" onclick="document.getElementById('cakeErr66ec3436c825b-trace').style.display = (document.getElementById('cakeErr66ec3436c825b-trace').style.display == 'none' ? '' : 'none');"><b>Warning</b> (2)</a>: Invalid argument supplied for foreach() [<b>APP/Template/Titles/titleorderingfees.ctp</b>, line <b>21</b>]<div id="cakeErr66ec3436c825b-trace" class="cake-stack-trace" style="display: none;"><a href="javascript:void(0);" onclick="document.getElementById('cakeErr66ec3436c825b-code').style.display = (document.getElementById('cakeErr66ec3436c825b-code').style.display == 'none' ? '' : 'none')">Code</a> <a href="javascript:void(0);" onclick="document.getElementById('cakeErr66ec3436c825b-context').style.display = (document.getElementById('cakeErr66ec3436c825b-context').style.display == 'none' ? '' : 'none')">Context</a><pre id="cakeErr66ec3436c825b-code" class="cake-code-dump" style="display: none;"><code><span style="color: #000000"><span style="color: #0000BB"></span></span></code>
<span class="code-highlight"><code><span style="color: #000000"> <span style="color: #0000BB"><?php </span><span style="color: #007700">foreach (</span><span style="color: #0000BB">$title</span><span style="color: #007700">-></span><span style="color: #0000BB">price_scheme</span><span style="color: #007700">-></span><span style="color: #0000BB">price_scheme_entries </span><span style="color: #007700">as </span><span style="color: #0000BB">$i </span><span style="color: #007700">=> </span><span style="color: #0000BB">$priceSchemeEntry</span><span style="color: #007700">) { </span><span style="color: #0000BB">?></span></span></code></span>
<code><span style="color: #000000"><span style="color: #0000BB"></span></span></code></pre><pre id="cakeErr66ec3436c825b-context" class="cake-context" style="display: none;">$viewFile = '/var/sites/eai5_live/git/eai/site/src/Template/Titles/titleorderingfees.ctp'
$dataForView = [
'objectEditUrl' => 'https://www.eai.org/admin/titles/view/935',
'otherTitles' => [
(int) 0 => object(App\Model\Entity\Title) {},
(int) 1 => object(App\Model\Entity\Title) {},
(int) 2 => object(App\Model\Entity\Title) {},
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'metaKeywords' => 'Steina Steina The West Native AmericanSouthwest',
'metaDescription' => 'Steina's camera turns to the starkly beautiful American Southwest, tracing the contours of a landscape at once devoid of people and haunted by their presence: empty, maze-like ruins of a vanished Native American civilization; banks of space telescopes slowly scanning the heavens for electromagnet...',
'altPageTitle' => 'The West, Steina Steina',
'title' => object(App\Model\Entity\Title) {
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$bufferLevel = (int) 1
$objectEditUrl = 'https://www.eai.org/admin/titles/view/935'
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(int) 0 => object(App\Model\Entity\Title) {
'title_id' => (int) 2051,
'slug' => 'a-so-desu-ka',
'title' => 'A So Desu Ka',
'subtitle' => null,
'title_translation' => null,
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'completion_date' => '1994',
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'keywords' => 'image processing
Japan
Japanese
digital technology',
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'long_desc' => 'In this piece, Steina, a pioneer of electronic signal manipulation, applies digital technology to alter our sense of video space and time. Through computer effects, a montage of seemingly arbitrary shots of Japanese religious sites and natural settings becomes a hypnotic vortex. Speech and text are absent, replaced by a bombardment of electronic noise. Steina creates a tension between the "original" scenes, which index notions of tradition, tranquility and prayer, and the actual video product, which depends on ideas of technology and the future. The discrepancies raise questions about the work of art in the age of digital reproduction, and the status of "traditional" non-Western cultural symbols when freed of contextualizing anthropological discourse.',
'unique_id' => '1483',
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'media_type_id' => (int) 207,
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'image_url' => 'steina_cantaloup.jpg',
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'short_desc' => '<i>Cantaloup</i> is an informal documentary on the Vasulkas' Digital Image Articulator, an imaging device they designed with Jeffrey Schier. Using a cantaloup and the three artist/designers as source material, Steina explains the capabilities of the machine, including its real-time imaging ability and the articulation of images in a digital code',
'long_desc' => '<i>Cantaloup</i> is an informal documentary on the Vasulkas' Digital Image Articulator, an imaging device they designed with Jeffrey Schier. Using a cantaloup and the three artist/designers as source material, Steina explains the capabilities of the machine, including its real-time imaging ability and the articulation of images in a digital code. She describes the varying sizes of pixels (picture elements), the layers (or slices) of color and tone that can be derived from one image, and techniques such as "grabbing" the image and multiplying it. This document offers an informative demonstration of a complex imaging device.',
'unique_id' => '348',
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'title_id' => (int) 4091,
'slug' => 'flux',
'title' => 'Flux',
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'completion_date' => '1977',
'media_type_id' => (int) 207,
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'image_url' => 'steina.flux.gif',
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'short_desc' => '',
'long_desc' => 'Produced from source material gathered in Iceland in 1976, <i>Flux</i> uses the flow of water and video noise as the basis for a study of multi-directional movement within switched frames or slow-scanned noise fields. Steina works with recorded images and video tools &mdash; a field flip/flop switcher and a scan processor &mdash; to arrive at a synthesis of nature and electronics.',
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'slug' => 'orbital-obsessions',
'title' => 'Orbital Obsessions',
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'completion_date' => '1975-77; revised 1988',
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'long_desc' => 'The images in <i>Orka</i> &mdash; which means "life force" &mdash; were shot by Steina in the wilds of her native Iceland in 1996. A "tracer" device records the micro-movements of nature over time, such as the paths of birds and waves. Steina's digitally altered images of nature have a stark and often startling beauty.',
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'title_id' => (int) 1897,
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'title' => 'Pyroglyphs',
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'long_desc' => 'Writes Steina: "In 1994 I spent long hours with blacksmith Tom Joyce, videotaping the process of building an iron gate. I found iron gates a little too concrete, so I closed in on the intense and violent nature of materials being manipulated by torches, files, and anvils &mdash; the rapid flicker of flames... Tom and I share a fascination with fire &mdash; as a phenomenon and as a medium that transforms other materials... as a medium of transmutation." In <i>Pyroglyphs,</i> which was originally a multi-monitor installation, the sounds of the blacksmith and the fire are digitally processed; the sound, in effect, determines the percussive editing.',
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'long_desc' => '<i>Selected Treecuts</i> is a formal examination of the distinction between camera-generated and digital images, and a layered juxtaposition of contrasting representations of reality. The methodology of the tape is simple: a zoom lens moves slowly in and out on a group of trees, alternating between digitized and camera-generated, "real" images. The movement in the tape is produced by the automated zoom lens and rotating prism; the images switch rhythmically between camera images and digital images held briefly in computer memory. The contrast between the "real" camera images of trees and the frozen, digital computer images forms an essay in motion and stillness, the organic and the synthetic, tracing a trajectory from the photographic to the electronic.',
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'slug' => 'steina-selected-works',
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'long_desc' => 'Steina's works from the late 1970s and early 1980s are exercises in the phenomenology of vision and the redefinition of space and landscape as articulated through mechanized, optical and electronic devices. <i>Bad</i> is a technical exploration of several commands in the Vasulkas' Buffer Oriented Digital Device, which controls digital imaging functions such as up/down and right/left movement, as well as the stretching and squeezing of the image. Steina uses her own face as visual material, rhythmically dismantling and reconstructing her self-image. <i>Urban Episodes</i> is a striking phenomenological study in an urban landscape, an exhilarating restructuring of physical space that defies expected modes of seeing and the laws of gravity and reflection. In a public plaza in Minneapolis, Steina set up a motorized, rotating Machine Vision device, which includes mirrors and two cameras that pan, tilt and zoom. <i>Summer Salt</i> is a dramatic exploration of the phenomenology of space and vision, as Steina uses mechanical and electronic devices to physically investigate the Southwestern landscape. This artificial vision allows the viewer altered perceptions and spatial perspectives. The five segments include dynamic exercises with Steina's mirrored globe, the physicality of unexpected camera placement, and electronic manipulation of the textures and colors of the landscape.',
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'slug' => 'the-west',
'title' => 'The West',
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'long_desc' => 'Steina's camera turns to the starkly beautiful American Southwest, tracing the contours of a landscape at once devoid of people and haunted by their presence: empty, maze-like ruins of a vanished Native American civilization; banks of space telescopes slowly scanning the heavens for electromagnetic signals. Accompanied by Woody Vasulka's eerie electronic soundtrack, the landscape pulses with spectral colors and the ghosts of that which is not seen.',
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'short_desc' => 'Steina manipulates footage of electroacoustic music composer Trevor Wishart at a studio microphone, electronically slurring his words into a stream of synthesized gibberish. Our attempts to understand what he is trying to communicate are frustrated, as both he and the viewer are subjected to digital control.',
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},
(int) 13 => object(App\Model\Entity\Title) {
'title_id' => (int) 1587,
'slug' => 'violin-power',
'title' => 'Violin Power',
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'long_desc' => 'Steina terms this procedural work "a demo tape on how to play video on the violin." Her background as a violinist and her evolution from musician to visual artist is referenced through an analogy of video camera to musical instrument. Steina is first seen in footage from the early 1970s, playing the violin and singing to The Beatles' <i>Let It Be.</i> As succeeding segments trace a chronological progression, Steina layers imagery and time. The violin itself ultimately becomes an image generating tool, as she connects it to imaging devices, creating abstract visual transpositions of sound and vibrations. This unconventional self-portrait is a study of the relationship of music to electronic image.',
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'long_desc' => 'Sound, as visually manifested through electronic imaging, becomes a spatial component in this exquisitely rendered confluence of landscape, music and digital manipulation. Singer/composer Joan La Barbara performs a series of voice chants and intonations, creating energized patterns on a grid of horizontal lines that recalls a musical scale. This animated line pattern, vibrating and dancing to the energy generated by La Barbara's voice, is inscribed onto moving imagery of the Southwest landscape. Through electronic imaging, the energized patterns themselves act as "windows" that reveal yet another layer of landscape imagery, creating intricate fields of illusory spatial transformations.',
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'short_desc' => 'Steina's long-running investigations into video-effects technology and
performance come together in this recent tape, in which she slowly approaches the camera, her body warping this way and that.',
'long_desc' => 'Steina's long-running investigations into video-effects technology and
performance come together in this recent tape, in which she slowly approaches the camera, her body warping this way and that.',
'unique_id' => '1900',
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$metaKeywords = 'Steina Steina The West Native AmericanSouthwest'
$metaDescription = 'Steina's camera turns to the starkly beautiful American Southwest, tracing the contours of a landscape at once devoid of people and haunted by their presence: empty, maze-like ruins of a vanished Native American civilization; banks of space telescopes slowly scanning the heavens for electromagnet...'
$altPageTitle = 'The West, Steina Steina'
$title = object(App\Model\Entity\Title) {
'title_id' => (int) 935,
'slug' => 'the-west',
'title' => 'The West',
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'title_translation' => null,
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'image_url' => null,
'quicktime_url' => null,
'keywords' => 'Native American
Southwest',
'short_desc' => null,
'long_desc' => 'Steina's camera turns to the starkly beautiful American Southwest, tracing the contours of a landscape at once devoid of people and haunted by their presence: empty, maze-like ruins of a vanished Native American civilization; banks of space telescopes slowly scanning the heavens for electromagnetic signals. Accompanied by Woody Vasulka's eerie electronic soundtrack, the landscape pulses with spectral colors and the ghosts of that which is not seen.',
'unique_id' => '976',
'extent' => null,
'distribution_terms_and_usage' => '',
'published' => (int) 1,
'program_category_id' => (int) 0,
'date_created' => object(Cake\I18n\FrozenTime) {},
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'for_distribution' => (int) 1,
'contains_multiple_titles' => (int) 0,
'title_ex_id' => (int) 207,
'running_time_seconds' => (int) 1705,
'language' => null,
'featured' => (int) 0,
'title_video_high_rez_full' => object(App\Model\Entity\UserFile) {},
'contained_titles' => [],
'see_also_titles' => [],
'containing_titles' => [],
'see_also_artists' => [],
'artists' => [
(int) 0 => object(App\Model\Entity\Artist) {}
],
'price_scheme' => null,
'media_type' => object(Cake\ORM\Entity) {},
'title_image_extra_large' => object(App\Model\Entity\UserFile) {},
'title_ex' => object(App\Model\Entity\TitleEx) {},
'[new]' => false,
'[accessible]' => [
'*' => true
],
'[dirty]' => [],
'[original]' => [
'title_ex' => object(App\Model\Entity\TitleEx) {}
],
'[virtual]' => [],
'[hasErrors]' => false,
'[errors]' => [],
'[invalid]' => [],
'[repository]' => 'Titles'
}
$fullBaseUrl = 'https://www.eai.org'
$webPage = null
$navWebPages = object(Cake\ORM\ResultSet) {
'items' => [
(int) 0 => object(App\Model\Entity\WebPage) {},
(int) 1 => object(App\Model\Entity\WebPage) {},
(int) 2 => object(App\Model\Entity\WebPage) {},
(int) 3 => object(App\Model\Entity\WebPage) {},
(int) 4 => object(App\Model\Entity\WebPage) {},
(int) 5 => object(App\Model\Entity\WebPage) {},
(int) 6 => object(App\Model\Entity\WebPage) {},
(int) 7 => object(App\Model\Entity\WebPage) {},
(int) 8 => object(App\Model\Entity\WebPage) {},
(int) 9 => object(App\Model\Entity\WebPage) {}
]
}
$fontFamily = null
$authRoles = [
'admin' => false,
'view' => false,
'edit' => false,
'delete' => false,
'video' => false,
'ed_video' => false,
'hirezvideo' => false
]
$authUser = null</pre><pre class="stack-trace">include - APP/Template/Titles/titleorderingfees.ctp, line 21
Cake\View\View::_evaluate() - CORE/src/View/View.php, line 1435
Cake\View\View::_render() - CORE/src/View/View.php, line 1393
Cake\View\View::render() - CORE/src/View/View.php, line 892
Cake\Controller\Controller::render() - CORE/src/Controller/Controller.php, line 791
App\Controller\TitlesController::view() - APP/Controller/TitlesController.php, line 226
Cake\Controller\Controller::invokeAction() - CORE/src/Controller/Controller.php, line 606
Cake\Http\ActionDispatcher::_invoke() - CORE/src/Http/ActionDispatcher.php, line 120
Cake\Http\ActionDispatcher::dispatch() - CORE/src/Http/ActionDispatcher.php, line 94
Cake\Http\BaseApplication::__invoke() - CORE/src/Http/BaseApplication.php, line 256
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Routing\Middleware\RoutingMiddleware::__invoke() - CORE/src/Routing/Middleware/RoutingMiddleware.php, line 164
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Routing\Middleware\AssetMiddleware::__invoke() - CORE/src/Routing/Middleware/AssetMiddleware.php, line 88
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Error\Middleware\ErrorHandlerMiddleware::__invoke() - CORE/src/Error/Middleware/ErrorHandlerMiddleware.php, line 100
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65</pre></div></pre>
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$maxBufferLength = (int) 8192
$file = '/var/sites/eai5_live/git/eai/site/vendor/cakephp/cakephp/src/Error/Debugger.php'
$line = (int) 855
$message = 'Unable to emit headers. Headers sent in file=/var/sites/eai5_live/git/eai/site/vendor/cakephp/cakephp/src/Error/Debugger.php line=855' Cake\Http\ResponseEmitter::emit() - CORE/src/Http/ResponseEmitter.php, line 53
Cake\Http\Server::emit() - CORE/src/Http/Server.php, line 140
[main] - ROOT/webroot/index.php, line 40 Warning (2)CORE/src/Http/ResponseEmitter.php , line 154 ]Code Context $response -> getStatusCode (), ( $reasonPhrase ? ' ' . $reasonPhrase : '' ) )); $response = object(Cake\Http\Response) {
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'body' => '<!doctype html>
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<h5 class="mt-2"><strong><a href="/titles/the-west">The West</a></strong></h5>
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<h6><em>1998, 28:25 min, color, sound</em></h6>
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'long_desc' => 'Produced from source material gathered in Iceland in 1976, <i>Flux</i> uses the flow of water and video noise as the basis for a study of multi-directional movement within switched frames or slow-scanned noise fields. Steina works with recorded images and video tools &mdash; a field flip/flop switcher and a scan processor &mdash; to arrive at a synthesis of nature and electronics.',
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'completion_date' => '1975-77; revised 1988',
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'title_id' => (int) 757,
'slug' => 'orka',
'title' => 'Orka',
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'long_desc' => 'The images in <i>Orka</i> &mdash; which means "life force" &mdash; were shot by Steina in the wilds of her native Iceland in 1996. A "tracer" device records the micro-movements of nature over time, such as the paths of birds and waves. Steina's digitally altered images of nature have a stark and often startling beauty.',
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'title_id' => (int) 1897,
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'title' => 'Pyroglyphs',
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'long_desc' => 'Writes Steina: "In 1994 I spent long hours with blacksmith Tom Joyce, videotaping the process of building an iron gate. I found iron gates a little too concrete, so I closed in on the intense and violent nature of materials being manipulated by torches, files, and anvils &mdash; the rapid flicker of flames... Tom and I share a fascination with fire &mdash; as a phenomenon and as a medium that transforms other materials... as a medium of transmutation." In <i>Pyroglyphs,</i> which was originally a multi-monitor installation, the sounds of the blacksmith and the fire are digitally processed; the sound, in effect, determines the percussive editing.',
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'long_desc' => '<i>Selected Treecuts</i> is a formal examination of the distinction between camera-generated and digital images, and a layered juxtaposition of contrasting representations of reality. The methodology of the tape is simple: a zoom lens moves slowly in and out on a group of trees, alternating between digitized and camera-generated, "real" images. The movement in the tape is produced by the automated zoom lens and rotating prism; the images switch rhythmically between camera images and digital images held briefly in computer memory. The contrast between the "real" camera images of trees and the frozen, digital computer images forms an essay in motion and stillness, the organic and the synthetic, tracing a trajectory from the photographic to the electronic.',
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'slug' => 'steina-selected-works',
'title' => 'Steina: Selected Works',
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'long_desc' => 'Steina's works from the late 1970s and early 1980s are exercises in the phenomenology of vision and the redefinition of space and landscape as articulated through mechanized, optical and electronic devices. <i>Bad</i> is a technical exploration of several commands in the Vasulkas' Buffer Oriented Digital Device, which controls digital imaging functions such as up/down and right/left movement, as well as the stretching and squeezing of the image. Steina uses her own face as visual material, rhythmically dismantling and reconstructing her self-image. <i>Urban Episodes</i> is a striking phenomenological study in an urban landscape, an exhilarating restructuring of physical space that defies expected modes of seeing and the laws of gravity and reflection. In a public plaza in Minneapolis, Steina set up a motorized, rotating Machine Vision device, which includes mirrors and two cameras that pan, tilt and zoom. <i>Summer Salt</i> is a dramatic exploration of the phenomenology of space and vision, as Steina uses mechanical and electronic devices to physically investigate the Southwestern landscape. This artificial vision allows the viewer altered perceptions and spatial perspectives. The five segments include dynamic exercises with Steina's mirrored globe, the physicality of unexpected camera placement, and electronic manipulation of the textures and colors of the landscape.',
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'title' => 'The West',
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'short_desc' => 'Steina manipulates footage of electroacoustic music composer Trevor Wishart at a studio microphone, electronically slurring his words into a stream of synthesized gibberish. Our attempts to understand what he is trying to communicate are frustrated, as both he and the viewer are subjected to digital control.',
'long_desc' => 'Steina continues her investigation into the interaction between processed sound and image. Here she manipulates footage of electroacoustic music composer Trevor Wishart at a studio microphone, electronically slurring his words into a stream of synthesized gibberish. Our attempts to understand what he is trying to communicate are frustrated, as both he and the viewer are subjected to digital control.',
'unique_id' => '1900',
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'title_image_small' => object(App\Model\Entity\UserFile) {},
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'[repository]' => 'Titles'
},
(int) 13 => object(App\Model\Entity\Title) {
'title_id' => (int) 1587,
'slug' => 'violin-power',
'title' => 'Violin Power',
'subtitle' => null,
'title_translation' => null,
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'completion_date' => '1970-78',
'media_type_id' => (int) 207,
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'image_url' => 'steina.violin.gif',
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'long_desc' => 'Steina terms this procedural work "a demo tape on how to play video on the violin." Her background as a violinist and her evolution from musician to visual artist is referenced through an analogy of video camera to musical instrument. Steina is first seen in footage from the early 1970s, playing the violin and singing to The Beatles' <i>Let It Be.</i> As succeeding segments trace a chronological progression, Steina layers imagery and time. The violin itself ultimately becomes an image generating tool, as she connects it to imaging devices, creating abstract visual transpositions of sound and vibrations. This unconventional self-portrait is a study of the relationship of music to electronic image.',
'unique_id' => '976',
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'contained_titles' => [[maximum depth reached]],
'title_image_small' => object(App\Model\Entity\UserFile) {},
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],
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},
(int) 14 => object(App\Model\Entity\Title) {
'title_id' => (int) 1567,
'slug' => 'voice-windows',
'title' => 'Voice Windows',
'subtitle' => '',
'title_translation' => '',
'alternate_title' => '',
'completion_date' => '1986',
'media_type_id' => (int) 207,
'running_time' => '8:10 min',
'color' => 'color',
'sound' => 'sound',
'by_credit' => 'Steina in collaboration with Joan La Barbara',
'price_scheme_id' => null,
'image_url' => 'steina.voice.windows.gif',
'quicktime_url' => null,
'keywords' => 'sound',
'short_desc' => null,
'long_desc' => 'Sound, as visually manifested through electronic imaging, becomes a spatial component in this exquisitely rendered confluence of landscape, music and digital manipulation. Singer/composer Joan La Barbara performs a series of voice chants and intonations, creating energized patterns on a grid of horizontal lines that recalls a musical scale. This animated line pattern, vibrating and dancing to the energy generated by La Barbara's voice, is inscribed onto moving imagery of the Southwest landscape. Through electronic imaging, the energized patterns themselves act as "windows" that reveal yet another layer of landscape imagery, creating intricate fields of illusory spatial transformations.',
'unique_id' => '976',
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},
(int) 15 => object(App\Model\Entity\Title) {
'title_id' => (int) 3785,
'slug' => 'warp',
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'image_url' => 'steina.warp.gif',
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'short_desc' => 'Steina's long-running investigations into video-effects technology and
performance come together in this recent tape, in which she slowly approaches the camera, her body warping this way and that.',
'long_desc' => 'Steina's long-running investigations into video-effects technology and
performance come together in this recent tape, in which she slowly approaches the camera, her body warping this way and that.',
'unique_id' => '1900',
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]
$metaKeywords = 'Steina Steina The West Native AmericanSouthwest'
$metaDescription = 'Steina's camera turns to the starkly beautiful American Southwest, tracing the contours of a landscape at once devoid of people and haunted by their presence: empty, maze-like ruins of a vanished Native American civilization; banks of space telescopes slowly scanning the heavens for electromagnet...'
$altPageTitle = 'The West, Steina Steina'
$title = object(App\Model\Entity\Title) {
'title_id' => (int) 935,
'slug' => 'the-west',
'title' => 'The West',
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'image_url' => null,
'quicktime_url' => null,
'keywords' => 'Native American
Southwest',
'short_desc' => null,
'long_desc' => 'Steina's camera turns to the starkly beautiful American Southwest, tracing the contours of a landscape at once devoid of people and haunted by their presence: empty, maze-like ruins of a vanished Native American civilization; banks of space telescopes slowly scanning the heavens for electromagnetic signals. Accompanied by Woody Vasulka's eerie electronic soundtrack, the landscape pulses with spectral colors and the ghosts of that which is not seen.',
'unique_id' => '976',
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'running_time_seconds' => (int) 1705,
'language' => null,
'featured' => (int) 0,
'title_video_high_rez_full' => object(App\Model\Entity\UserFile) {},
'contained_titles' => [],
'see_also_titles' => [],
'containing_titles' => [],
'see_also_artists' => [],
'artists' => [
(int) 0 => object(App\Model\Entity\Artist) {}
],
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'media_type' => object(Cake\ORM\Entity) {},
'title_image_extra_large' => object(App\Model\Entity\UserFile) {},
'title_ex' => object(App\Model\Entity\TitleEx) {},
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'[accessible]' => [
'*' => true
],
'[dirty]' => [],
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],
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'[repository]' => 'Titles'
}
$fullBaseUrl = 'https://www.eai.org'
$webPage = null
$navWebPages = object(Cake\ORM\ResultSet) {
'items' => [
(int) 0 => object(App\Model\Entity\WebPage) {},
(int) 1 => object(App\Model\Entity\WebPage) {},
(int) 2 => object(App\Model\Entity\WebPage) {},
(int) 3 => object(App\Model\Entity\WebPage) {},
(int) 4 => object(App\Model\Entity\WebPage) {},
(int) 5 => object(App\Model\Entity\WebPage) {},
(int) 6 => object(App\Model\Entity\WebPage) {},
(int) 7 => object(App\Model\Entity\WebPage) {},
(int) 8 => object(App\Model\Entity\WebPage) {},
(int) 9 => object(App\Model\Entity\WebPage) {}
]
}
$fontFamily = null
$authRoles = [
'admin' => false,
'view' => false,
'edit' => false,
'delete' => false,
'video' => false,
'ed_video' => false,
'hirezvideo' => false
]
$authUser = null</pre><pre class="stack-trace">include - APP/Template/Titles/titleorderingfees.ctp, line 21
Cake\View\View::_evaluate() - CORE/src/View/View.php, line 1435
Cake\View\View::_render() - CORE/src/View/View.php, line 1393
Cake\View\View::render() - CORE/src/View/View.php, line 892
Cake\Controller\Controller::render() - CORE/src/Controller/Controller.php, line 791
App\Controller\TitlesController::view() - APP/Controller/TitlesController.php, line 226
Cake\Controller\Controller::invokeAction() - CORE/src/Controller/Controller.php, line 606
Cake\Http\ActionDispatcher::_invoke() - CORE/src/Http/ActionDispatcher.php, line 120
Cake\Http\ActionDispatcher::dispatch() - CORE/src/Http/ActionDispatcher.php, line 94
Cake\Http\BaseApplication::__invoke() - CORE/src/Http/BaseApplication.php, line 256
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Routing\Middleware\RoutingMiddleware::__invoke() - CORE/src/Routing/Middleware/RoutingMiddleware.php, line 164
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Routing\Middleware\AssetMiddleware::__invoke() - CORE/src/Routing/Middleware/AssetMiddleware.php, line 88
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Error\Middleware\ErrorHandlerMiddleware::__invoke() - CORE/src/Error/Middleware/ErrorHandlerMiddleware.php, line 100
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65</pre></div></pre><pre class="cake-error"><a href="javascript:void(0);" onclick="document.getElementById('cakeErr66ec3436c825b-trace').style.display = (document.getElementById('cakeErr66ec3436c825b-trace').style.display == 'none' ? '' : 'none');"><b>Warning</b> (2)</a>: Invalid argument supplied for foreach() [<b>APP/Template/Titles/titleorderingfees.ctp</b>, line <b>21</b>]<div id="cakeErr66ec3436c825b-trace" class="cake-stack-trace" style="display: none;"><a href="javascript:void(0);" onclick="document.getElementById('cakeErr66ec3436c825b-code').style.display = (document.getElementById('cakeErr66ec3436c825b-code').style.display == 'none' ? '' : 'none')">Code</a> <a href="javascript:void(0);" onclick="document.getElementById('cakeErr66ec3436c825b-context').style.display = (document.getElementById('cakeErr66ec3436c825b-context').style.display == 'none' ? '' : 'none')">Context</a><pre id="cakeErr66ec3436c825b-code" class="cake-code-dump" style="display: none;"><code><span style="color: #000000"><span style="color: #0000BB"></span></span></code>
<span class="code-highlight"><code><span style="color: #000000"> <span style="color: #0000BB"><?php </span><span style="color: #007700">foreach (</span><span style="color: #0000BB">$title</span><span style="color: #007700">-></span><span style="color: #0000BB">price_scheme</span><span style="color: #007700">-></span><span style="color: #0000BB">price_scheme_entries </span><span style="color: #007700">as </span><span style="color: #0000BB">$i </span><span style="color: #007700">=> </span><span style="color: #0000BB">$priceSchemeEntry</span><span style="color: #007700">) { </span><span style="color: #0000BB">?></span></span></code></span>
<code><span style="color: #000000"><span style="color: #0000BB"></span></span></code></pre><pre id="cakeErr66ec3436c825b-context" class="cake-context" style="display: none;">$viewFile = '/var/sites/eai5_live/git/eai/site/src/Template/Titles/titleorderingfees.ctp'
$dataForView = [
'objectEditUrl' => 'https://www.eai.org/admin/titles/view/935',
'otherTitles' => [
(int) 0 => object(App\Model\Entity\Title) {},
(int) 1 => object(App\Model\Entity\Title) {},
(int) 2 => object(App\Model\Entity\Title) {},
(int) 3 => object(App\Model\Entity\Title) {},
(int) 4 => object(App\Model\Entity\Title) {},
(int) 5 => object(App\Model\Entity\Title) {},
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(int) 11 => object(App\Model\Entity\Title) {},
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(int) 13 => object(App\Model\Entity\Title) {},
(int) 14 => object(App\Model\Entity\Title) {},
(int) 15 => object(App\Model\Entity\Title) {}
],
'metaKeywords' => 'Steina Steina The West Native AmericanSouthwest',
'metaDescription' => 'Steina's camera turns to the starkly beautiful American Southwest, tracing the contours of a landscape at once devoid of people and haunted by their presence: empty, maze-like ruins of a vanished Native American civilization; banks of space telescopes slowly scanning the heavens for electromagnet...',
'altPageTitle' => 'The West, Steina Steina',
'title' => object(App\Model\Entity\Title) {
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'slug' => 'the-west',
'title' => 'The West',
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'image_url' => null,
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'keywords' => 'Native American
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'long_desc' => 'Steina's camera turns to the starkly beautiful American Southwest, tracing the contours of a landscape at once devoid of people and haunted by their presence: empty, maze-like ruins of a vanished Native American civilization; banks of space telescopes slowly scanning the heavens for electromagnetic signals. Accompanied by Woody Vasulka's eerie electronic soundtrack, the landscape pulses with spectral colors and the ghosts of that which is not seen.',
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],
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]
$bufferLevel = (int) 1
$objectEditUrl = 'https://www.eai.org/admin/titles/view/935'
$otherTitles = [
(int) 0 => object(App\Model\Entity\Title) {
'title_id' => (int) 2051,
'slug' => 'a-so-desu-ka',
'title' => 'A So Desu Ka',
'subtitle' => null,
'title_translation' => null,
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'completion_date' => '1994',
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'running_time' => '9:40 min',
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'image_url' => 'steina.desu.gif',
'quicktime_url' => null,
'keywords' => 'image processing
Japan
Japanese
digital technology',
'short_desc' => null,
'long_desc' => 'In this piece, Steina, a pioneer of electronic signal manipulation, applies digital technology to alter our sense of video space and time. Through computer effects, a montage of seemingly arbitrary shots of Japanese religious sites and natural settings becomes a hypnotic vortex. Speech and text are absent, replaced by a bombardment of electronic noise. Steina creates a tension between the "original" scenes, which index notions of tradition, tranquility and prayer, and the actual video product, which depends on ideas of technology and the future. The discrepancies raise questions about the work of art in the age of digital reproduction, and the status of "traditional" non-Western cultural symbols when freed of contextualizing anthropological discourse.',
'unique_id' => '1483',
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'slug' => 'cantaloup',
'title' => 'Cantaloup',
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'completion_date' => '1980',
'media_type_id' => (int) 207,
'running_time' => '27:54 min',
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'image_url' => 'steina_cantaloup.jpg',
'quicktime_url' => null,
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'short_desc' => '<i>Cantaloup</i> is an informal documentary on the Vasulkas' Digital Image Articulator, an imaging device they designed with Jeffrey Schier. Using a cantaloup and the three artist/designers as source material, Steina explains the capabilities of the machine, including its real-time imaging ability and the articulation of images in a digital code',
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'long_desc' => 'Produced from source material gathered in Iceland in 1976, <i>Flux</i> uses the flow of water and video noise as the basis for a study of multi-directional movement within switched frames or slow-scanned noise fields. Steina works with recorded images and video tools &mdash; a field flip/flop switcher and a scan processor &mdash; to arrive at a synthesis of nature and electronics.',
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'completion_date' => '1975-77; revised 1988',
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'long_desc' => '<i>Orbital Obsessions</i> includes excerpts from <i>Signifying Nothing</i> (1975), <i>Sound and Fury</i> (1975), <i>Switch! Monitor! Drift!</i> (1976) and <i>Snowed Tapes</i> (1977). In these pieces, Steina focuses on time, space, and movement, and the means by which the mechanical can inform and engage with electronic media. Steina writes: "Ordinarily the camera view is associated with a human view point, paying attention to the human conditions around the camera. In this series the camera conforms to a mechanized decision-making of instruments... I am also paying attention to time accumulation, in a mix of real time with time inherited from each previous generation of pre-recorded and then re-taped segments."',
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'long_desc' => 'The images in <i>Orka</i> &mdash; which means "life force" &mdash; were shot by Steina in the wilds of her native Iceland in 1996. A "tracer" device records the micro-movements of nature over time, such as the paths of birds and waves. Steina's digitally altered images of nature have a stark and often startling beauty.',
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'title_id' => (int) 1897,
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'long_desc' => 'Writes Steina: "In 1994 I spent long hours with blacksmith Tom Joyce, videotaping the process of building an iron gate. I found iron gates a little too concrete, so I closed in on the intense and violent nature of materials being manipulated by torches, files, and anvils &mdash; the rapid flicker of flames... Tom and I share a fascination with fire &mdash; as a phenomenon and as a medium that transforms other materials... as a medium of transmutation." In <i>Pyroglyphs,</i> which was originally a multi-monitor installation, the sounds of the blacksmith and the fire are digitally processed; the sound, in effect, determines the percussive editing.',
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'slug' => 'selected-treecuts',
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'long_desc' => '<i>Selected Treecuts</i> is a formal examination of the distinction between camera-generated and digital images, and a layered juxtaposition of contrasting representations of reality. The methodology of the tape is simple: a zoom lens moves slowly in and out on a group of trees, alternating between digitized and camera-generated, "real" images. The movement in the tape is produced by the automated zoom lens and rotating prism; the images switch rhythmically between camera images and digital images held briefly in computer memory. The contrast between the "real" camera images of trees and the frozen, digital computer images forms an essay in motion and stillness, the organic and the synthetic, tracing a trajectory from the photographic to the electronic.',
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'long_desc' => 'Steina's works from the late 1970s and early 1980s are exercises in the phenomenology of vision and the redefinition of space and landscape as articulated through mechanized, optical and electronic devices. <i>Bad</i> is a technical exploration of several commands in the Vasulkas' Buffer Oriented Digital Device, which controls digital imaging functions such as up/down and right/left movement, as well as the stretching and squeezing of the image. Steina uses her own face as visual material, rhythmically dismantling and reconstructing her self-image. <i>Urban Episodes</i> is a striking phenomenological study in an urban landscape, an exhilarating restructuring of physical space that defies expected modes of seeing and the laws of gravity and reflection. In a public plaza in Minneapolis, Steina set up a motorized, rotating Machine Vision device, which includes mirrors and two cameras that pan, tilt and zoom. <i>Summer Salt</i> is a dramatic exploration of the phenomenology of space and vision, as Steina uses mechanical and electronic devices to physically investigate the Southwestern landscape. This artificial vision allows the viewer altered perceptions and spatial perspectives. The five segments include dynamic exercises with Steina's mirrored globe, the physicality of unexpected camera placement, and electronic manipulation of the textures and colors of the landscape.',
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'long_desc' => 'Steina's camera turns to the starkly beautiful American Southwest, tracing the contours of a landscape at once devoid of people and haunted by their presence: empty, maze-like ruins of a vanished Native American civilization; banks of space telescopes slowly scanning the heavens for electromagnetic signals. Accompanied by Woody Vasulka's eerie electronic soundtrack, the landscape pulses with spectral colors and the ghosts of that which is not seen.',
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'date_modified' => object(Cake\I18n\FrozenTime) {},
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'title_ex_id' => (int) 207,
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'containing_titles' => [[maximum depth reached]],
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],
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'[errors]' => [[maximum depth reached]],
'[invalid]' => [[maximum depth reached]],
'[repository]' => 'Titles'
},
(int) 12 => object(App\Model\Entity\Title) {
'title_id' => (int) 2739,
'slug' => 'trevor',
'title' => 'Trevor',
'subtitle' => null,
'title_translation' => null,
'alternate_title' => null,
'completion_date' => '1999',
'media_type_id' => (int) 207,
'running_time' => '11 min',
'color' => 'color',
'sound' => 'sound',
'by_credit' => null,
'price_scheme_id' => null,
'image_url' => 'steina.trevor.jpg',
'quicktime_url' => null,
'keywords' => null,
'short_desc' => 'Steina manipulates footage of electroacoustic music composer Trevor Wishart at a studio microphone, electronically slurring his words into a stream of synthesized gibberish. Our attempts to understand what he is trying to communicate are frustrated, as both he and the viewer are subjected to digital control.',
'long_desc' => 'Steina continues her investigation into the interaction between processed sound and image. Here she manipulates footage of electroacoustic music composer Trevor Wishart at a studio microphone, electronically slurring his words into a stream of synthesized gibberish. Our attempts to understand what he is trying to communicate are frustrated, as both he and the viewer are subjected to digital control.',
'unique_id' => '1900',
'extent' => null,
'distribution_terms_and_usage' => '',
'published' => (int) 1,
'program_category_id' => (int) 0,
'date_created' => object(Cake\I18n\FrozenTime) {},
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'date_modified' => object(Cake\I18n\FrozenTime) {},
'modified_by_eai_user_id' => (int) 14405,
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'title_ex_id' => (int) 1618,
'running_time_seconds' => (int) 660,
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'title_image_small' => object(App\Model\Entity\UserFile) {},
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],
'title_ex' => object(App\Model\Entity\TitleEx) {},
'media_type' => object(Cake\ORM\Entity) {},
'containing_titles' => [[maximum depth reached]],
'[new]' => false,
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],
'[dirty]' => [[maximum depth reached]],
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'[errors]' => [[maximum depth reached]],
'[invalid]' => [[maximum depth reached]],
'[repository]' => 'Titles'
},
(int) 13 => object(App\Model\Entity\Title) {
'title_id' => (int) 1587,
'slug' => 'violin-power',
'title' => 'Violin Power',
'subtitle' => null,
'title_translation' => null,
'alternate_title' => null,
'completion_date' => '1970-78',
'media_type_id' => (int) 207,
'running_time' => '10:04 min',
'color' => 'b&w',
'sound' => 'sound',
'by_credit' => null,
'price_scheme_id' => null,
'image_url' => 'steina.violin.gif',
'quicktime_url' => 'steina.violin_ref.mov',
'keywords' => null,
'short_desc' => null,
'long_desc' => 'Steina terms this procedural work "a demo tape on how to play video on the violin." Her background as a violinist and her evolution from musician to visual artist is referenced through an analogy of video camera to musical instrument. Steina is first seen in footage from the early 1970s, playing the violin and singing to The Beatles' <i>Let It Be.</i> As succeeding segments trace a chronological progression, Steina layers imagery and time. The violin itself ultimately becomes an image generating tool, as she connects it to imaging devices, creating abstract visual transpositions of sound and vibrations. This unconventional self-portrait is a study of the relationship of music to electronic image.',
'unique_id' => '976',
'extent' => null,
'distribution_terms_and_usage' => '',
'published' => (int) 1,
'program_category_id' => (int) 0,
'date_created' => object(Cake\I18n\FrozenTime) {},
'created_by_eai_user_id' => (int) 6,
'date_modified' => object(Cake\I18n\FrozenTime) {},
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'contains_multiple_titles' => (int) 0,
'title_ex_id' => (int) 505,
'running_time_seconds' => (int) 604,
'language' => null,
'featured' => (int) 0,
'contained_titles' => [[maximum depth reached]],
'title_image_small' => object(App\Model\Entity\UserFile) {},
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],
'title_ex' => object(App\Model\Entity\TitleEx) {},
'media_type' => object(Cake\ORM\Entity) {},
'containing_titles' => [[maximum depth reached]],
'[new]' => false,
'[accessible]' => [
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],
'[dirty]' => [[maximum depth reached]],
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'[errors]' => [[maximum depth reached]],
'[invalid]' => [[maximum depth reached]],
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},
(int) 14 => object(App\Model\Entity\Title) {
'title_id' => (int) 1567,
'slug' => 'voice-windows',
'title' => 'Voice Windows',
'subtitle' => '',
'title_translation' => '',
'alternate_title' => '',
'completion_date' => '1986',
'media_type_id' => (int) 207,
'running_time' => '8:10 min',
'color' => 'color',
'sound' => 'sound',
'by_credit' => 'Steina in collaboration with Joan La Barbara',
'price_scheme_id' => null,
'image_url' => 'steina.voice.windows.gif',
'quicktime_url' => null,
'keywords' => 'sound',
'short_desc' => null,
'long_desc' => 'Sound, as visually manifested through electronic imaging, becomes a spatial component in this exquisitely rendered confluence of landscape, music and digital manipulation. Singer/composer Joan La Barbara performs a series of voice chants and intonations, creating energized patterns on a grid of horizontal lines that recalls a musical scale. This animated line pattern, vibrating and dancing to the energy generated by La Barbara's voice, is inscribed onto moving imagery of the Southwest landscape. Through electronic imaging, the energized patterns themselves act as "windows" that reveal yet another layer of landscape imagery, creating intricate fields of illusory spatial transformations.',
'unique_id' => '976',
'extent' => null,
'distribution_terms_and_usage' => '',
'published' => (int) 1,
'program_category_id' => (int) 0,
'date_created' => object(Cake\I18n\FrozenTime) {},
'created_by_eai_user_id' => (int) 6,
'date_modified' => object(Cake\I18n\FrozenTime) {},
'modified_by_eai_user_id' => (int) 14405,
'for_distribution' => (int) 1,
'contains_multiple_titles' => (int) 0,
'title_ex_id' => (int) 497,
'running_time_seconds' => (int) 490,
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'featured' => (int) 0,
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'title_image_small' => object(App\Model\Entity\UserFile) {},
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[maximum depth reached]
],
'title_ex' => object(App\Model\Entity\TitleEx) {},
'media_type' => object(Cake\ORM\Entity) {},
'containing_titles' => [[maximum depth reached]],
'[new]' => false,
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[maximum depth reached]
],
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},
(int) 15 => object(App\Model\Entity\Title) {
'title_id' => (int) 3785,
'slug' => 'warp',
'title' => 'Warp',
'subtitle' => null,
'title_translation' => null,
'alternate_title' => null,
'completion_date' => '2000',
'media_type_id' => (int) 207,
'running_time' => '4:30 min',
'color' => 'color',
'sound' => 'sound',
'by_credit' => null,
'price_scheme_id' => null,
'image_url' => 'steina.warp.gif',
'quicktime_url' => null,
'keywords' => null,
'short_desc' => 'Steina's long-running investigations into video-effects technology and
performance come together in this recent tape, in which she slowly approaches the camera, her body warping this way and that.',
'long_desc' => 'Steina's long-running investigations into video-effects technology and
performance come together in this recent tape, in which she slowly approaches the camera, her body warping this way and that.',
'unique_id' => '1900',
'extent' => null,
'distribution_terms_and_usage' => '',
'published' => (int) 1,
'program_category_id' => (int) 0,
'date_created' => object(Cake\I18n\FrozenTime) {},
'created_by_eai_user_id' => (int) 6,
'date_modified' => object(Cake\I18n\FrozenTime) {},
'modified_by_eai_user_id' => (int) 14405,
'for_distribution' => (int) 1,
'contains_multiple_titles' => (int) 0,
'title_ex_id' => (int) 2104,
'running_time_seconds' => (int) 270,
'language' => null,
'featured' => (int) 0,
'contained_titles' => [[maximum depth reached]],
'title_image_small' => object(App\Model\Entity\UserFile) {},
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],
'title_ex' => object(App\Model\Entity\TitleEx) {},
'media_type' => object(Cake\ORM\Entity) {},
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'[new]' => false,
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'[hasErrors]' => false,
'[errors]' => [[maximum depth reached]],
'[invalid]' => [[maximum depth reached]],
'[repository]' => 'Titles'
}
]
$metaKeywords = 'Steina Steina The West Native AmericanSouthwest'
$metaDescription = 'Steina's camera turns to the starkly beautiful American Southwest, tracing the contours of a landscape at once devoid of people and haunted by their presence: empty, maze-like ruins of a vanished Native American civilization; banks of space telescopes slowly scanning the heavens for electromagnet...'
$altPageTitle = 'The West, Steina Steina'
$title = object(App\Model\Entity\Title) {
'title_id' => (int) 935,
'slug' => 'the-west',
'title' => 'The West',
'subtitle' => null,
'title_translation' => null,
'alternate_title' => null,
'completion_date' => '1998',
'media_type_id' => (int) 207,
'running_time' => '28:25 min',
'color' => 'color',
'sound' => 'sound',
'by_credit' => null,
'price_scheme_id' => null,
'image_url' => null,
'quicktime_url' => null,
'keywords' => 'Native American
Southwest',
'short_desc' => null,
'long_desc' => 'Steina's camera turns to the starkly beautiful American Southwest, tracing the contours of a landscape at once devoid of people and haunted by their presence: empty, maze-like ruins of a vanished Native American civilization; banks of space telescopes slowly scanning the heavens for electromagnetic signals. Accompanied by Woody Vasulka's eerie electronic soundtrack, the landscape pulses with spectral colors and the ghosts of that which is not seen.',
'unique_id' => '976',
'extent' => null,
'distribution_terms_and_usage' => '',
'published' => (int) 1,
'program_category_id' => (int) 0,
'date_created' => object(Cake\I18n\FrozenTime) {},
'created_by_eai_user_id' => (int) 6,
'date_modified' => object(Cake\I18n\FrozenTime) {},
'modified_by_eai_user_id' => (int) 14405,
'for_distribution' => (int) 1,
'contains_multiple_titles' => (int) 0,
'title_ex_id' => (int) 207,
'running_time_seconds' => (int) 1705,
'language' => null,
'featured' => (int) 0,
'title_video_high_rez_full' => object(App\Model\Entity\UserFile) {},
'contained_titles' => [],
'see_also_titles' => [],
'containing_titles' => [],
'see_also_artists' => [],
'artists' => [
(int) 0 => object(App\Model\Entity\Artist) {}
],
'price_scheme' => null,
'media_type' => object(Cake\ORM\Entity) {},
'title_image_extra_large' => object(App\Model\Entity\UserFile) {},
'title_ex' => object(App\Model\Entity\TitleEx) {},
'[new]' => false,
'[accessible]' => [
'*' => true
],
'[dirty]' => [],
'[original]' => [
'title_ex' => object(App\Model\Entity\TitleEx) {}
],
'[virtual]' => [],
'[hasErrors]' => false,
'[errors]' => [],
'[invalid]' => [],
'[repository]' => 'Titles'
}
$fullBaseUrl = 'https://www.eai.org'
$webPage = null
$navWebPages = object(Cake\ORM\ResultSet) {
'items' => [
(int) 0 => object(App\Model\Entity\WebPage) {},
(int) 1 => object(App\Model\Entity\WebPage) {},
(int) 2 => object(App\Model\Entity\WebPage) {},
(int) 3 => object(App\Model\Entity\WebPage) {},
(int) 4 => object(App\Model\Entity\WebPage) {},
(int) 5 => object(App\Model\Entity\WebPage) {},
(int) 6 => object(App\Model\Entity\WebPage) {},
(int) 7 => object(App\Model\Entity\WebPage) {},
(int) 8 => object(App\Model\Entity\WebPage) {},
(int) 9 => object(App\Model\Entity\WebPage) {}
]
}
$fontFamily = null
$authRoles = [
'admin' => false,
'view' => false,
'edit' => false,
'delete' => false,
'video' => false,
'ed_video' => false,
'hirezvideo' => false
]
$authUser = null</pre><pre class="stack-trace">include - APP/Template/Titles/titleorderingfees.ctp, line 21
Cake\View\View::_evaluate() - CORE/src/View/View.php, line 1435
Cake\View\View::_render() - CORE/src/View/View.php, line 1393
Cake\View\View::render() - CORE/src/View/View.php, line 892
Cake\Controller\Controller::render() - CORE/src/Controller/Controller.php, line 791
App\Controller\TitlesController::view() - APP/Controller/TitlesController.php, line 226
Cake\Controller\Controller::invokeAction() - CORE/src/Controller/Controller.php, line 606
Cake\Http\ActionDispatcher::_invoke() - CORE/src/Http/ActionDispatcher.php, line 120
Cake\Http\ActionDispatcher::dispatch() - CORE/src/Http/ActionDispatcher.php, line 94
Cake\Http\BaseApplication::__invoke() - CORE/src/Http/BaseApplication.php, line 256
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Routing\Middleware\RoutingMiddleware::__invoke() - CORE/src/Routing/Middleware/RoutingMiddleware.php, line 164
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Routing\Middleware\AssetMiddleware::__invoke() - CORE/src/Routing/Middleware/AssetMiddleware.php, line 88
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Error\Middleware\ErrorHandlerMiddleware::__invoke() - CORE/src/Error/Middleware/ErrorHandlerMiddleware.php, line 100
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65</pre></div></pre>
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}
$reasonPhrase = 'OK' header - [internal], line ??
Cake\Http\ResponseEmitter::emitStatusLine() - CORE/src/Http/ResponseEmitter.php, line 154
Cake\Http\ResponseEmitter::emit() - CORE/src/Http/ResponseEmitter.php, line 59
Cake\Http\Server::emit() - CORE/src/Http/Server.php, line 140
[main] - ROOT/webroot/index.php, line 40 Warning (2)CORE/src/Http/ResponseEmitter.php , line 183 ]Code Context foreach ( $values as $value ) { header ( sprintf ( '%s: %s' , $response = object(Cake\Http\Response) {
'status' => (int) 200,
'contentType' => 'text/html',
'headers' => [
'Content-Type' => [
[maximum depth reached]
]
],
'file' => null,
'fileRange' => [],
'cookies' => object(Cake\Http\Cookie\CookieCollection) {},
'cacheDirectives' => [],
'body' => '<!doctype html>
<html lang="en">
<head>
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<meta name="description" content="Steina's camera turns to the starkly beautiful American Southwest, tracing the contours of a landscape at once devoid of people and haunted by their presence: empty, maze-like ruins of a vanished Native American civilization; banks of space telescopes slowly scanning the heavens for electromagnet..." /> <meta name="keywords" content="Steina Steina The West Native AmericanSouthwest" />
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'slug' => 'flux',
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'subtitle' => null,
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'completion_date' => '1977',
'media_type_id' => (int) 207,
'running_time' => '8 min',
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'long_desc' => 'Produced from source material gathered in Iceland in 1976, <i>Flux</i> uses the flow of water and video noise as the basis for a study of multi-directional movement within switched frames or slow-scanned noise fields. Steina works with recorded images and video tools &mdash; a field flip/flop switcher and a scan processor &mdash; to arrive at a synthesis of nature and electronics.',
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'long_desc' => 'In <i>Lilith</i> &mdash; a name that evokes biblical and mystical references &mdash; Steina alters and manipulates the face of a woman (painter Doris Cross) so that it is submerged within a natural and technological landscape. Employing the imaging techniques of focal plane shift (altering the depth of field) and frame "grabbing" (a succession of frozen images), she creates a constantly shifting visual field in which an image appears to exist in a constant flux of temporal and spatial planes. The woman's electronically distorted speech adds a further haunting dimension to this almost sculptural fusion of human figure and landscape.',
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'slug' => 'orbital-obsessions',
'title' => 'Orbital Obsessions',
'subtitle' => null,
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'completion_date' => '1975-77; revised 1988',
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'long_desc' => '<i>Orbital Obsessions</i> includes excerpts from <i>Signifying Nothing</i> (1975), <i>Sound and Fury</i> (1975), <i>Switch! Monitor! Drift!</i> (1976) and <i>Snowed Tapes</i> (1977). In these pieces, Steina focuses on time, space, and movement, and the means by which the mechanical can inform and engage with electronic media. Steina writes: "Ordinarily the camera view is associated with a human view point, paying attention to the human conditions around the camera. In this series the camera conforms to a mechanized decision-making of instruments... I am also paying attention to time accumulation, in a mix of real time with time inherited from each previous generation of pre-recorded and then re-taped segments."',
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'title_id' => (int) 757,
'slug' => 'orka',
'title' => 'Orka',
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'keywords' => 'nature
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'long_desc' => 'The images in <i>Orka</i> &mdash; which means "life force" &mdash; were shot by Steina in the wilds of her native Iceland in 1996. A "tracer" device records the micro-movements of nature over time, such as the paths of birds and waves. Steina's digitally altered images of nature have a stark and often startling beauty.',
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'title_id' => (int) 1897,
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'long_desc' => 'Writes Steina: "In 1994 I spent long hours with blacksmith Tom Joyce, videotaping the process of building an iron gate. I found iron gates a little too concrete, so I closed in on the intense and violent nature of materials being manipulated by torches, files, and anvils &mdash; the rapid flicker of flames... Tom and I share a fascination with fire &mdash; as a phenomenon and as a medium that transforms other materials... as a medium of transmutation." In <i>Pyroglyphs,</i> which was originally a multi-monitor installation, the sounds of the blacksmith and the fire are digitally processed; the sound, in effect, determines the percussive editing.',
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'slug' => 'selected-treecuts',
'title' => 'Selected Treecuts',
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'completion_date' => '1980',
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'long_desc' => '<i>Selected Treecuts</i> is a formal examination of the distinction between camera-generated and digital images, and a layered juxtaposition of contrasting representations of reality. The methodology of the tape is simple: a zoom lens moves slowly in and out on a group of trees, alternating between digitized and camera-generated, "real" images. The movement in the tape is produced by the automated zoom lens and rotating prism; the images switch rhythmically between camera images and digital images held briefly in computer memory. The contrast between the "real" camera images of trees and the frozen, digital computer images forms an essay in motion and stillness, the organic and the synthetic, tracing a trajectory from the photographic to the electronic.',
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'slug' => 'steina-selected-works',
'title' => 'Steina: Selected Works',
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'completion_date' => '1979-82',
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'long_desc' => 'Steina's works from the late 1970s and early 1980s are exercises in the phenomenology of vision and the redefinition of space and landscape as articulated through mechanized, optical and electronic devices. <i>Bad</i> is a technical exploration of several commands in the Vasulkas' Buffer Oriented Digital Device, which controls digital imaging functions such as up/down and right/left movement, as well as the stretching and squeezing of the image. Steina uses her own face as visual material, rhythmically dismantling and reconstructing her self-image. <i>Urban Episodes</i> is a striking phenomenological study in an urban landscape, an exhilarating restructuring of physical space that defies expected modes of seeing and the laws of gravity and reflection. In a public plaza in Minneapolis, Steina set up a motorized, rotating Machine Vision device, which includes mirrors and two cameras that pan, tilt and zoom. <i>Summer Salt</i> is a dramatic exploration of the phenomenology of space and vision, as Steina uses mechanical and electronic devices to physically investigate the Southwestern landscape. This artificial vision allows the viewer altered perceptions and spatial perspectives. The five segments include dynamic exercises with Steina's mirrored globe, the physicality of unexpected camera placement, and electronic manipulation of the textures and colors of the landscape.',
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],
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],
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},
(int) 11 => object(App\Model\Entity\Title) {
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Southwest',
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'containing_titles' => [[maximum depth reached]],
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[maximum depth reached]
],
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'[original]' => [[maximum depth reached]],
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'[errors]' => [[maximum depth reached]],
'[invalid]' => [[maximum depth reached]],
'[repository]' => 'Titles'
},
(int) 12 => object(App\Model\Entity\Title) {
'title_id' => (int) 2739,
'slug' => 'trevor',
'title' => 'Trevor',
'subtitle' => null,
'title_translation' => null,
'alternate_title' => null,
'completion_date' => '1999',
'media_type_id' => (int) 207,
'running_time' => '11 min',
'color' => 'color',
'sound' => 'sound',
'by_credit' => null,
'price_scheme_id' => null,
'image_url' => 'steina.trevor.jpg',
'quicktime_url' => null,
'keywords' => null,
'short_desc' => 'Steina manipulates footage of electroacoustic music composer Trevor Wishart at a studio microphone, electronically slurring his words into a stream of synthesized gibberish. Our attempts to understand what he is trying to communicate are frustrated, as both he and the viewer are subjected to digital control.',
'long_desc' => 'Steina continues her investigation into the interaction between processed sound and image. Here she manipulates footage of electroacoustic music composer Trevor Wishart at a studio microphone, electronically slurring his words into a stream of synthesized gibberish. Our attempts to understand what he is trying to communicate are frustrated, as both he and the viewer are subjected to digital control.',
'unique_id' => '1900',
'extent' => null,
'distribution_terms_and_usage' => '',
'published' => (int) 1,
'program_category_id' => (int) 0,
'date_created' => object(Cake\I18n\FrozenTime) {},
'created_by_eai_user_id' => (int) 6,
'date_modified' => object(Cake\I18n\FrozenTime) {},
'modified_by_eai_user_id' => (int) 14405,
'for_distribution' => (int) 1,
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'title_ex_id' => (int) 1618,
'running_time_seconds' => (int) 660,
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'contained_titles' => [[maximum depth reached]],
'title_image_small' => object(App\Model\Entity\UserFile) {},
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[maximum depth reached]
],
'title_ex' => object(App\Model\Entity\TitleEx) {},
'media_type' => object(Cake\ORM\Entity) {},
'containing_titles' => [[maximum depth reached]],
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[maximum depth reached]
],
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'[errors]' => [[maximum depth reached]],
'[invalid]' => [[maximum depth reached]],
'[repository]' => 'Titles'
},
(int) 13 => object(App\Model\Entity\Title) {
'title_id' => (int) 1587,
'slug' => 'violin-power',
'title' => 'Violin Power',
'subtitle' => null,
'title_translation' => null,
'alternate_title' => null,
'completion_date' => '1970-78',
'media_type_id' => (int) 207,
'running_time' => '10:04 min',
'color' => 'b&w',
'sound' => 'sound',
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'image_url' => 'steina.violin.gif',
'quicktime_url' => 'steina.violin_ref.mov',
'keywords' => null,
'short_desc' => null,
'long_desc' => 'Steina terms this procedural work "a demo tape on how to play video on the violin." Her background as a violinist and her evolution from musician to visual artist is referenced through an analogy of video camera to musical instrument. Steina is first seen in footage from the early 1970s, playing the violin and singing to The Beatles' <i>Let It Be.</i> As succeeding segments trace a chronological progression, Steina layers imagery and time. The violin itself ultimately becomes an image generating tool, as she connects it to imaging devices, creating abstract visual transpositions of sound and vibrations. This unconventional self-portrait is a study of the relationship of music to electronic image.',
'unique_id' => '976',
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'published' => (int) 1,
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'date_created' => object(Cake\I18n\FrozenTime) {},
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'date_modified' => object(Cake\I18n\FrozenTime) {},
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'for_distribution' => (int) 1,
'contains_multiple_titles' => (int) 0,
'title_ex_id' => (int) 505,
'running_time_seconds' => (int) 604,
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'featured' => (int) 0,
'contained_titles' => [[maximum depth reached]],
'title_image_small' => object(App\Model\Entity\UserFile) {},
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[maximum depth reached]
],
'title_ex' => object(App\Model\Entity\TitleEx) {},
'media_type' => object(Cake\ORM\Entity) {},
'containing_titles' => [[maximum depth reached]],
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[maximum depth reached]
],
'[dirty]' => [[maximum depth reached]],
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'[errors]' => [[maximum depth reached]],
'[invalid]' => [[maximum depth reached]],
'[repository]' => 'Titles'
},
(int) 14 => object(App\Model\Entity\Title) {
'title_id' => (int) 1567,
'slug' => 'voice-windows',
'title' => 'Voice Windows',
'subtitle' => '',
'title_translation' => '',
'alternate_title' => '',
'completion_date' => '1986',
'media_type_id' => (int) 207,
'running_time' => '8:10 min',
'color' => 'color',
'sound' => 'sound',
'by_credit' => 'Steina in collaboration with Joan La Barbara',
'price_scheme_id' => null,
'image_url' => 'steina.voice.windows.gif',
'quicktime_url' => null,
'keywords' => 'sound',
'short_desc' => null,
'long_desc' => 'Sound, as visually manifested through electronic imaging, becomes a spatial component in this exquisitely rendered confluence of landscape, music and digital manipulation. Singer/composer Joan La Barbara performs a series of voice chants and intonations, creating energized patterns on a grid of horizontal lines that recalls a musical scale. This animated line pattern, vibrating and dancing to the energy generated by La Barbara's voice, is inscribed onto moving imagery of the Southwest landscape. Through electronic imaging, the energized patterns themselves act as "windows" that reveal yet another layer of landscape imagery, creating intricate fields of illusory spatial transformations.',
'unique_id' => '976',
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'distribution_terms_and_usage' => '',
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],
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'media_type' => object(Cake\ORM\Entity) {},
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],
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},
(int) 15 => object(App\Model\Entity\Title) {
'title_id' => (int) 3785,
'slug' => 'warp',
'title' => 'Warp',
'subtitle' => null,
'title_translation' => null,
'alternate_title' => null,
'completion_date' => '2000',
'media_type_id' => (int) 207,
'running_time' => '4:30 min',
'color' => 'color',
'sound' => 'sound',
'by_credit' => null,
'price_scheme_id' => null,
'image_url' => 'steina.warp.gif',
'quicktime_url' => null,
'keywords' => null,
'short_desc' => 'Steina's long-running investigations into video-effects technology and
performance come together in this recent tape, in which she slowly approaches the camera, her body warping this way and that.',
'long_desc' => 'Steina's long-running investigations into video-effects technology and
performance come together in this recent tape, in which she slowly approaches the camera, her body warping this way and that.',
'unique_id' => '1900',
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'distribution_terms_and_usage' => '',
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'title_image_small' => object(App\Model\Entity\UserFile) {},
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],
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'media_type' => object(Cake\ORM\Entity) {},
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],
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'[invalid]' => [[maximum depth reached]],
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}
]
$metaKeywords = 'Steina Steina The West Native AmericanSouthwest'
$metaDescription = 'Steina's camera turns to the starkly beautiful American Southwest, tracing the contours of a landscape at once devoid of people and haunted by their presence: empty, maze-like ruins of a vanished Native American civilization; banks of space telescopes slowly scanning the heavens for electromagnet...'
$altPageTitle = 'The West, Steina Steina'
$title = object(App\Model\Entity\Title) {
'title_id' => (int) 935,
'slug' => 'the-west',
'title' => 'The West',
'subtitle' => null,
'title_translation' => null,
'alternate_title' => null,
'completion_date' => '1998',
'media_type_id' => (int) 207,
'running_time' => '28:25 min',
'color' => 'color',
'sound' => 'sound',
'by_credit' => null,
'price_scheme_id' => null,
'image_url' => null,
'quicktime_url' => null,
'keywords' => 'Native American
Southwest',
'short_desc' => null,
'long_desc' => 'Steina's camera turns to the starkly beautiful American Southwest, tracing the contours of a landscape at once devoid of people and haunted by their presence: empty, maze-like ruins of a vanished Native American civilization; banks of space telescopes slowly scanning the heavens for electromagnetic signals. Accompanied by Woody Vasulka's eerie electronic soundtrack, the landscape pulses with spectral colors and the ghosts of that which is not seen.',
'unique_id' => '976',
'extent' => null,
'distribution_terms_and_usage' => '',
'published' => (int) 1,
'program_category_id' => (int) 0,
'date_created' => object(Cake\I18n\FrozenTime) {},
'created_by_eai_user_id' => (int) 6,
'date_modified' => object(Cake\I18n\FrozenTime) {},
'modified_by_eai_user_id' => (int) 14405,
'for_distribution' => (int) 1,
'contains_multiple_titles' => (int) 0,
'title_ex_id' => (int) 207,
'running_time_seconds' => (int) 1705,
'language' => null,
'featured' => (int) 0,
'title_video_high_rez_full' => object(App\Model\Entity\UserFile) {},
'contained_titles' => [],
'see_also_titles' => [],
'containing_titles' => [],
'see_also_artists' => [],
'artists' => [
(int) 0 => object(App\Model\Entity\Artist) {}
],
'price_scheme' => null,
'media_type' => object(Cake\ORM\Entity) {},
'title_image_extra_large' => object(App\Model\Entity\UserFile) {},
'title_ex' => object(App\Model\Entity\TitleEx) {},
'[new]' => false,
'[accessible]' => [
'*' => true
],
'[dirty]' => [],
'[original]' => [
'title_ex' => object(App\Model\Entity\TitleEx) {}
],
'[virtual]' => [],
'[hasErrors]' => false,
'[errors]' => [],
'[invalid]' => [],
'[repository]' => 'Titles'
}
$fullBaseUrl = 'https://www.eai.org'
$webPage = null
$navWebPages = object(Cake\ORM\ResultSet) {
'items' => [
(int) 0 => object(App\Model\Entity\WebPage) {},
(int) 1 => object(App\Model\Entity\WebPage) {},
(int) 2 => object(App\Model\Entity\WebPage) {},
(int) 3 => object(App\Model\Entity\WebPage) {},
(int) 4 => object(App\Model\Entity\WebPage) {},
(int) 5 => object(App\Model\Entity\WebPage) {},
(int) 6 => object(App\Model\Entity\WebPage) {},
(int) 7 => object(App\Model\Entity\WebPage) {},
(int) 8 => object(App\Model\Entity\WebPage) {},
(int) 9 => object(App\Model\Entity\WebPage) {}
]
}
$fontFamily = null
$authRoles = [
'admin' => false,
'view' => false,
'edit' => false,
'delete' => false,
'video' => false,
'ed_video' => false,
'hirezvideo' => false
]
$authUser = null</pre><pre class="stack-trace">include - APP/Template/Titles/titleorderingfees.ctp, line 21
Cake\View\View::_evaluate() - CORE/src/View/View.php, line 1435
Cake\View\View::_render() - CORE/src/View/View.php, line 1393
Cake\View\View::render() - CORE/src/View/View.php, line 892
Cake\Controller\Controller::render() - CORE/src/Controller/Controller.php, line 791
App\Controller\TitlesController::view() - APP/Controller/TitlesController.php, line 226
Cake\Controller\Controller::invokeAction() - CORE/src/Controller/Controller.php, line 606
Cake\Http\ActionDispatcher::_invoke() - CORE/src/Http/ActionDispatcher.php, line 120
Cake\Http\ActionDispatcher::dispatch() - CORE/src/Http/ActionDispatcher.php, line 94
Cake\Http\BaseApplication::__invoke() - CORE/src/Http/BaseApplication.php, line 256
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Routing\Middleware\RoutingMiddleware::__invoke() - CORE/src/Routing/Middleware/RoutingMiddleware.php, line 164
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Routing\Middleware\AssetMiddleware::__invoke() - CORE/src/Routing/Middleware/AssetMiddleware.php, line 88
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Error\Middleware\ErrorHandlerMiddleware::__invoke() - CORE/src/Error/Middleware/ErrorHandlerMiddleware.php, line 100
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65</pre></div></pre><pre class="cake-error"><a href="javascript:void(0);" onclick="document.getElementById('cakeErr66ec3436c825b-trace').style.display = (document.getElementById('cakeErr66ec3436c825b-trace').style.display == 'none' ? '' : 'none');"><b>Warning</b> (2)</a>: Invalid argument supplied for foreach() [<b>APP/Template/Titles/titleorderingfees.ctp</b>, line <b>21</b>]<div id="cakeErr66ec3436c825b-trace" class="cake-stack-trace" style="display: none;"><a href="javascript:void(0);" onclick="document.getElementById('cakeErr66ec3436c825b-code').style.display = (document.getElementById('cakeErr66ec3436c825b-code').style.display == 'none' ? '' : 'none')">Code</a> <a href="javascript:void(0);" onclick="document.getElementById('cakeErr66ec3436c825b-context').style.display = (document.getElementById('cakeErr66ec3436c825b-context').style.display == 'none' ? '' : 'none')">Context</a><pre id="cakeErr66ec3436c825b-code" class="cake-code-dump" style="display: none;"><code><span style="color: #000000"><span style="color: #0000BB"></span></span></code>
<span class="code-highlight"><code><span style="color: #000000"> <span style="color: #0000BB"><?php </span><span style="color: #007700">foreach (</span><span style="color: #0000BB">$title</span><span style="color: #007700">-></span><span style="color: #0000BB">price_scheme</span><span style="color: #007700">-></span><span style="color: #0000BB">price_scheme_entries </span><span style="color: #007700">as </span><span style="color: #0000BB">$i </span><span style="color: #007700">=> </span><span style="color: #0000BB">$priceSchemeEntry</span><span style="color: #007700">) { </span><span style="color: #0000BB">?></span></span></code></span>
<code><span style="color: #000000"><span style="color: #0000BB"></span></span></code></pre><pre id="cakeErr66ec3436c825b-context" class="cake-context" style="display: none;">$viewFile = '/var/sites/eai5_live/git/eai/site/src/Template/Titles/titleorderingfees.ctp'
$dataForView = [
'objectEditUrl' => 'https://www.eai.org/admin/titles/view/935',
'otherTitles' => [
(int) 0 => object(App\Model\Entity\Title) {},
(int) 1 => object(App\Model\Entity\Title) {},
(int) 2 => object(App\Model\Entity\Title) {},
(int) 3 => object(App\Model\Entity\Title) {},
(int) 4 => object(App\Model\Entity\Title) {},
(int) 5 => object(App\Model\Entity\Title) {},
(int) 6 => object(App\Model\Entity\Title) {},
(int) 7 => object(App\Model\Entity\Title) {},
(int) 8 => object(App\Model\Entity\Title) {},
(int) 9 => object(App\Model\Entity\Title) {},
(int) 10 => object(App\Model\Entity\Title) {},
(int) 11 => object(App\Model\Entity\Title) {},
(int) 12 => object(App\Model\Entity\Title) {},
(int) 13 => object(App\Model\Entity\Title) {},
(int) 14 => object(App\Model\Entity\Title) {},
(int) 15 => object(App\Model\Entity\Title) {}
],
'metaKeywords' => 'Steina Steina The West Native AmericanSouthwest',
'metaDescription' => 'Steina's camera turns to the starkly beautiful American Southwest, tracing the contours of a landscape at once devoid of people and haunted by their presence: empty, maze-like ruins of a vanished Native American civilization; banks of space telescopes slowly scanning the heavens for electromagnet...',
'altPageTitle' => 'The West, Steina Steina',
'title' => object(App\Model\Entity\Title) {
'title_id' => (int) 935,
'slug' => 'the-west',
'title' => 'The West',
'subtitle' => null,
'title_translation' => null,
'alternate_title' => null,
'completion_date' => '1998',
'media_type_id' => (int) 207,
'running_time' => '28:25 min',
'color' => 'color',
'sound' => 'sound',
'by_credit' => null,
'price_scheme_id' => null,
'image_url' => null,
'quicktime_url' => null,
'keywords' => 'Native American
Southwest',
'short_desc' => null,
'long_desc' => 'Steina's camera turns to the starkly beautiful American Southwest, tracing the contours of a landscape at once devoid of people and haunted by their presence: empty, maze-like ruins of a vanished Native American civilization; banks of space telescopes slowly scanning the heavens for electromagnetic signals. Accompanied by Woody Vasulka's eerie electronic soundtrack, the landscape pulses with spectral colors and the ghosts of that which is not seen.',
'unique_id' => '976',
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'modified_by_eai_user_id' => (int) 14405,
'for_distribution' => (int) 1,
'contains_multiple_titles' => (int) 0,
'title_ex_id' => (int) 207,
'running_time_seconds' => (int) 1705,
'language' => null,
'featured' => (int) 0,
'title_video_high_rez_full' => object(App\Model\Entity\UserFile) {},
'contained_titles' => [[maximum depth reached]],
'see_also_titles' => [[maximum depth reached]],
'containing_titles' => [[maximum depth reached]],
'see_also_artists' => [[maximum depth reached]],
'artists' => [
[maximum depth reached]
],
'price_scheme' => null,
'media_type' => object(Cake\ORM\Entity) {},
'title_image_extra_large' => object(App\Model\Entity\UserFile) {},
'title_ex' => object(App\Model\Entity\TitleEx) {},
'[new]' => false,
'[accessible]' => [
[maximum depth reached]
],
'[dirty]' => [[maximum depth reached]],
'[original]' => [
[maximum depth reached]
],
'[virtual]' => [[maximum depth reached]],
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'[invalid]' => [[maximum depth reached]],
'[repository]' => 'Titles'
},
'fullBaseUrl' => 'https://www.eai.org',
'webPage' => null,
'navWebPages' => object(Cake\ORM\ResultSet) {
'items' => [
[maximum depth reached]
]
},
'fontFamily' => null,
'authRoles' => [
'admin' => false,
'view' => false,
'edit' => false,
'delete' => false,
'video' => false,
'ed_video' => false,
'hirezvideo' => false
],
'authUser' => null
]
$bufferLevel = (int) 1
$objectEditUrl = 'https://www.eai.org/admin/titles/view/935'
$otherTitles = [
(int) 0 => object(App\Model\Entity\Title) {
'title_id' => (int) 2051,
'slug' => 'a-so-desu-ka',
'title' => 'A So Desu Ka',
'subtitle' => null,
'title_translation' => null,
'alternate_title' => null,
'completion_date' => '1994',
'media_type_id' => (int) 207,
'running_time' => '9:40 min',
'color' => 'color',
'sound' => 'sound',
'by_credit' => null,
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Japanese
digital technology',
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'long_desc' => 'In this piece, Steina, a pioneer of electronic signal manipulation, applies digital technology to alter our sense of video space and time. Through computer effects, a montage of seemingly arbitrary shots of Japanese religious sites and natural settings becomes a hypnotic vortex. Speech and text are absent, replaced by a bombardment of electronic noise. Steina creates a tension between the "original" scenes, which index notions of tradition, tranquility and prayer, and the actual video product, which depends on ideas of technology and the future. The discrepancies raise questions about the work of art in the age of digital reproduction, and the status of "traditional" non-Western cultural symbols when freed of contextualizing anthropological discourse.',
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(int) 1 => object(App\Model\Entity\Title) {
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'slug' => 'cantaloup',
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'subtitle' => null,
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'completion_date' => '1980',
'media_type_id' => (int) 207,
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'short_desc' => '<i>Cantaloup</i> is an informal documentary on the Vasulkas' Digital Image Articulator, an imaging device they designed with Jeffrey Schier. Using a cantaloup and the three artist/designers as source material, Steina explains the capabilities of the machine, including its real-time imaging ability and the articulation of images in a digital code',
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'unique_id' => '348',
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(int) 2 => object(App\Model\Entity\Title) {
'title_id' => (int) 4091,
'slug' => 'flux',
'title' => 'Flux',
'subtitle' => null,
'title_translation' => null,
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'completion_date' => '1977',
'media_type_id' => (int) 207,
'running_time' => '8 min',
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'long_desc' => 'Produced from source material gathered in Iceland in 1976, <i>Flux</i> uses the flow of water and video noise as the basis for a study of multi-directional movement within switched frames or slow-scanned noise fields. Steina works with recorded images and video tools &mdash; a field flip/flop switcher and a scan processor &mdash; to arrive at a synthesis of nature and electronics.',
'unique_id' => '1484',
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'long_desc' => 'In <i>Lilith</i> &mdash; a name that evokes biblical and mystical references &mdash; Steina alters and manipulates the face of a woman (painter Doris Cross) so that it is submerged within a natural and technological landscape. Employing the imaging techniques of focal plane shift (altering the depth of field) and frame "grabbing" (a succession of frozen images), she creates a constantly shifting visual field in which an image appears to exist in a constant flux of temporal and spatial planes. The woman's electronically distorted speech adds a further haunting dimension to this almost sculptural fusion of human figure and landscape.',
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(int) 5 => object(App\Model\Entity\Title) {
'title_id' => (int) 3847,
'slug' => 'orbital-obsessions',
'title' => 'Orbital Obsessions',
'subtitle' => null,
'title_translation' => null,
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'completion_date' => '1975-77; revised 1988',
'media_type_id' => (int) 207,
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'long_desc' => '<i>Orbital Obsessions</i> includes excerpts from <i>Signifying Nothing</i> (1975), <i>Sound and Fury</i> (1975), <i>Switch! Monitor! Drift!</i> (1976) and <i>Snowed Tapes</i> (1977). In these pieces, Steina focuses on time, space, and movement, and the means by which the mechanical can inform and engage with electronic media. Steina writes: "Ordinarily the camera view is associated with a human view point, paying attention to the human conditions around the camera. In this series the camera conforms to a mechanized decision-making of instruments... I am also paying attention to time accumulation, in a mix of real time with time inherited from each previous generation of pre-recorded and then re-taped segments."',
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(int) 6 => object(App\Model\Entity\Title) {
'title_id' => (int) 757,
'slug' => 'orka',
'title' => 'Orka',
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'completion_date' => '1995',
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'keywords' => 'nature
electronic processing
digital manipulation
image processing',
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'long_desc' => 'The images in <i>Orka</i> &mdash; which means "life force" &mdash; were shot by Steina in the wilds of her native Iceland in 1996. A "tracer" device records the micro-movements of nature over time, such as the paths of birds and waves. Steina's digitally altered images of nature have a stark and often startling beauty.',
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(int) 7 => object(App\Model\Entity\Title) {
'title_id' => (int) 1897,
'slug' => 'pyroglyphs',
'title' => 'Pyroglyphs',
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'completion_date' => '1995',
'media_type_id' => (int) 207,
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'long_desc' => 'Writes Steina: "In 1994 I spent long hours with blacksmith Tom Joyce, videotaping the process of building an iron gate. I found iron gates a little too concrete, so I closed in on the intense and violent nature of materials being manipulated by torches, files, and anvils &mdash; the rapid flicker of flames... Tom and I share a fascination with fire &mdash; as a phenomenon and as a medium that transforms other materials... as a medium of transmutation." In <i>Pyroglyphs,</i> which was originally a multi-monitor installation, the sounds of the blacksmith and the fire are digitally processed; the sound, in effect, determines the percussive editing.',
'unique_id' => '1485',
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(int) 8 => object(App\Model\Entity\Title) {
'title_id' => (int) 1109,
'slug' => 'selected-treecuts',
'title' => 'Selected Treecuts',
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'completion_date' => '1980',
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'long_desc' => '<i>Selected Treecuts</i> is a formal examination of the distinction between camera-generated and digital images, and a layered juxtaposition of contrasting representations of reality. The methodology of the tape is simple: a zoom lens moves slowly in and out on a group of trees, alternating between digitized and camera-generated, "real" images. The movement in the tape is produced by the automated zoom lens and rotating prism; the images switch rhythmically between camera images and digital images held briefly in computer memory. The contrast between the "real" camera images of trees and the frozen, digital computer images forms an essay in motion and stillness, the organic and the synthetic, tracing a trajectory from the photographic to the electronic.',
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(int) 9 => object(App\Model\Entity\Title) {
'title_id' => (int) 2505,
'slug' => 'steina-selected-works',
'title' => 'Steina: Selected Works',
'subtitle' => null,
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'completion_date' => '1979-82',
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'long_desc' => 'Steina's works from the late 1970s and early 1980s are exercises in the phenomenology of vision and the redefinition of space and landscape as articulated through mechanized, optical and electronic devices. <i>Bad</i> is a technical exploration of several commands in the Vasulkas' Buffer Oriented Digital Device, which controls digital imaging functions such as up/down and right/left movement, as well as the stretching and squeezing of the image. Steina uses her own face as visual material, rhythmically dismantling and reconstructing her self-image. <i>Urban Episodes</i> is a striking phenomenological study in an urban landscape, an exhilarating restructuring of physical space that defies expected modes of seeing and the laws of gravity and reflection. In a public plaza in Minneapolis, Steina set up a motorized, rotating Machine Vision device, which includes mirrors and two cameras that pan, tilt and zoom. <i>Summer Salt</i> is a dramatic exploration of the phenomenology of space and vision, as Steina uses mechanical and electronic devices to physically investigate the Southwestern landscape. This artificial vision allows the viewer altered perceptions and spatial perspectives. The five segments include dynamic exercises with Steina's mirrored globe, the physicality of unexpected camera placement, and electronic manipulation of the textures and colors of the landscape.',
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'long_desc' => 'Steina continues her investigation into the interaction between processed sound and image. Here she manipulates footage of electroacoustic music composer Trevor Wishart at a studio microphone, electronically slurring his words into a stream of synthesized gibberish. Our attempts to understand what he is trying to communicate are frustrated, as both he and the viewer are subjected to digital control.',
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},
(int) 13 => object(App\Model\Entity\Title) {
'title_id' => (int) 1587,
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'long_desc' => 'Steina terms this procedural work "a demo tape on how to play video on the violin." Her background as a violinist and her evolution from musician to visual artist is referenced through an analogy of video camera to musical instrument. Steina is first seen in footage from the early 1970s, playing the violin and singing to The Beatles' <i>Let It Be.</i> As succeeding segments trace a chronological progression, Steina layers imagery and time. The violin itself ultimately becomes an image generating tool, as she connects it to imaging devices, creating abstract visual transpositions of sound and vibrations. This unconventional self-portrait is a study of the relationship of music to electronic image.',
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'long_desc' => 'Sound, as visually manifested through electronic imaging, becomes a spatial component in this exquisitely rendered confluence of landscape, music and digital manipulation. Singer/composer Joan La Barbara performs a series of voice chants and intonations, creating energized patterns on a grid of horizontal lines that recalls a musical scale. This animated line pattern, vibrating and dancing to the energy generated by La Barbara's voice, is inscribed onto moving imagery of the Southwest landscape. Through electronic imaging, the energized patterns themselves act as "windows" that reveal yet another layer of landscape imagery, creating intricate fields of illusory spatial transformations.',
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},
(int) 15 => object(App\Model\Entity\Title) {
'title_id' => (int) 3785,
'slug' => 'warp',
'title' => 'Warp',
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'title_translation' => null,
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'short_desc' => 'Steina's long-running investigations into video-effects technology and
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performance come together in this recent tape, in which she slowly approaches the camera, her body warping this way and that.',
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$altPageTitle = 'The West, Steina Steina'
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'title' => 'The West',
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'keywords' => 'Native American
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'long_desc' => 'Steina's camera turns to the starkly beautiful American Southwest, tracing the contours of a landscape at once devoid of people and haunted by their presence: empty, maze-like ruins of a vanished Native American civilization; banks of space telescopes slowly scanning the heavens for electromagnetic signals. Accompanied by Woody Vasulka's eerie electronic soundtrack, the landscape pulses with spectral colors and the ghosts of that which is not seen.',
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'title_ex_id' => (int) 207,
'running_time_seconds' => (int) 1705,
'language' => null,
'featured' => (int) 0,
'title_video_high_rez_full' => object(App\Model\Entity\UserFile) {},
'contained_titles' => [],
'see_also_titles' => [],
'containing_titles' => [],
'see_also_artists' => [],
'artists' => [
(int) 0 => object(App\Model\Entity\Artist) {}
],
'price_scheme' => null,
'media_type' => object(Cake\ORM\Entity) {},
'title_image_extra_large' => object(App\Model\Entity\UserFile) {},
'title_ex' => object(App\Model\Entity\TitleEx) {},
'[new]' => false,
'[accessible]' => [
'*' => true
],
'[dirty]' => [],
'[original]' => [
'title_ex' => object(App\Model\Entity\TitleEx) {}
],
'[virtual]' => [],
'[hasErrors]' => false,
'[errors]' => [],
'[invalid]' => [],
'[repository]' => 'Titles'
}
$fullBaseUrl = 'https://www.eai.org'
$webPage = null
$navWebPages = object(Cake\ORM\ResultSet) {
'items' => [
(int) 0 => object(App\Model\Entity\WebPage) {},
(int) 1 => object(App\Model\Entity\WebPage) {},
(int) 2 => object(App\Model\Entity\WebPage) {},
(int) 3 => object(App\Model\Entity\WebPage) {},
(int) 4 => object(App\Model\Entity\WebPage) {},
(int) 5 => object(App\Model\Entity\WebPage) {},
(int) 6 => object(App\Model\Entity\WebPage) {},
(int) 7 => object(App\Model\Entity\WebPage) {},
(int) 8 => object(App\Model\Entity\WebPage) {},
(int) 9 => object(App\Model\Entity\WebPage) {}
]
}
$fontFamily = null
$authRoles = [
'admin' => false,
'view' => false,
'edit' => false,
'delete' => false,
'video' => false,
'ed_video' => false,
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$authUser = null</pre><pre class="stack-trace">include - APP/Template/Titles/titleorderingfees.ctp, line 21
Cake\View\View::_evaluate() - CORE/src/View/View.php, line 1435
Cake\View\View::_render() - CORE/src/View/View.php, line 1393
Cake\View\View::render() - CORE/src/View/View.php, line 892
Cake\Controller\Controller::render() - CORE/src/Controller/Controller.php, line 791
App\Controller\TitlesController::view() - APP/Controller/TitlesController.php, line 226
Cake\Controller\Controller::invokeAction() - CORE/src/Controller/Controller.php, line 606
Cake\Http\ActionDispatcher::_invoke() - CORE/src/Http/ActionDispatcher.php, line 120
Cake\Http\ActionDispatcher::dispatch() - CORE/src/Http/ActionDispatcher.php, line 94
Cake\Http\BaseApplication::__invoke() - CORE/src/Http/BaseApplication.php, line 256
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Routing\Middleware\RoutingMiddleware::__invoke() - CORE/src/Routing/Middleware/RoutingMiddleware.php, line 164
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Routing\Middleware\AssetMiddleware::__invoke() - CORE/src/Routing/Middleware/AssetMiddleware.php, line 88
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Error\Middleware\ErrorHandlerMiddleware::__invoke() - CORE/src/Error/Middleware/ErrorHandlerMiddleware.php, line 100
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65</pre></div></pre>
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<!-- ${pageContext.request.userPrincipal.name} -->
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</div>
<script src="https://cdn.jsdelivr.net/npm/bootstrap@5.1.3/dist/js/bootstrap.bundle.min.js" integrity="sha384-ka7Sk0Gln4gmtz2MlQnikT1wXgYsOg+OMhuP+IlRH9sENBO0LRn5q+8nbTov4+1p" crossorigin="anonymous"></script>
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(int) 0 => 'text/html; charset=UTF-8'
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$name = 'Content-Type'
$first = true
$value = 'text/html; charset=UTF-8' header - [internal], line ??
Cake\Http\ResponseEmitter::emitHeaders() - CORE/src/Http/ResponseEmitter.php, line 183
Cake\Http\ResponseEmitter::emit() - CORE/src/Http/ResponseEmitter.php, line 60
Cake\Http\Server::emit() - CORE/src/Http/Server.php, line 140
[main] - ROOT/webroot/index.php, line 40 Electronic Arts Intermix: The West, Steina Steina : Ordering Fees
1998, 28:25 min, color, sound
1998, 28:25 min, color, sound
Ordering & Fees
Notice (8)APP/Template/Titles/titleorderingfees.ctp , line 21 ]Code Context <?php foreach ( $title -> price_scheme -> price_scheme_entries as $i => $priceSchemeEntry ) { ?> $viewFile = '/var/sites/eai5_live/git/eai/site/src/Template/Titles/titleorderingfees.ctp'
$dataForView = [
'objectEditUrl' => 'https://www.eai.org/admin/titles/view/935',
'otherTitles' => [
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'metaKeywords' => 'Steina Steina The West Native AmericanSouthwest',
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Cake\View\View::_evaluate() - CORE/src/View/View.php, line 1435
Cake\View\View::_render() - CORE/src/View/View.php, line 1393
Cake\View\View::render() - CORE/src/View/View.php, line 892
Cake\Controller\Controller::render() - CORE/src/Controller/Controller.php, line 791
App\Controller\TitlesController::view() - APP/Controller/TitlesController.php, line 226
Cake\Controller\Controller::invokeAction() - CORE/src/Controller/Controller.php, line 606
Cake\Http\ActionDispatcher::_invoke() - CORE/src/Http/ActionDispatcher.php, line 120
Cake\Http\ActionDispatcher::dispatch() - CORE/src/Http/ActionDispatcher.php, line 94
Cake\Http\BaseApplication::__invoke() - CORE/src/Http/BaseApplication.php, line 256
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Routing\Middleware\RoutingMiddleware::__invoke() - CORE/src/Routing/Middleware/RoutingMiddleware.php, line 164
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Routing\Middleware\AssetMiddleware::__invoke() - CORE/src/Routing/Middleware/AssetMiddleware.php, line 88
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Error\Middleware\ErrorHandlerMiddleware::__invoke() - CORE/src/Error/Middleware/ErrorHandlerMiddleware.php, line 100
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65 Warning (2)APP/Template/Titles/titleorderingfees.ctp , line 21 ]Code Context <?php foreach ( $title -> price_scheme -> price_scheme_entries as $i => $priceSchemeEntry ) { ?> $viewFile = '/var/sites/eai5_live/git/eai/site/src/Template/Titles/titleorderingfees.ctp'
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'long_desc' => '<i>Selected Treecuts</i> is a formal examination of the distinction between camera-generated and digital images, and a layered juxtaposition of contrasting representations of reality. The methodology of the tape is simple: a zoom lens moves slowly in and out on a group of trees, alternating between digitized and camera-generated, "real" images. The movement in the tape is produced by the automated zoom lens and rotating prism; the images switch rhythmically between camera images and digital images held briefly in computer memory. The contrast between the "real" camera images of trees and the frozen, digital computer images forms an essay in motion and stillness, the organic and the synthetic, tracing a trajectory from the photographic to the electronic.',
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$authUser = null include - APP/Template/Titles/titleorderingfees.ctp, line 21
Cake\View\View::_evaluate() - CORE/src/View/View.php, line 1435
Cake\View\View::_render() - CORE/src/View/View.php, line 1393
Cake\View\View::render() - CORE/src/View/View.php, line 892
Cake\Controller\Controller::render() - CORE/src/Controller/Controller.php, line 791
App\Controller\TitlesController::view() - APP/Controller/TitlesController.php, line 226
Cake\Controller\Controller::invokeAction() - CORE/src/Controller/Controller.php, line 606
Cake\Http\ActionDispatcher::_invoke() - CORE/src/Http/ActionDispatcher.php, line 120
Cake\Http\ActionDispatcher::dispatch() - CORE/src/Http/ActionDispatcher.php, line 94
Cake\Http\BaseApplication::__invoke() - CORE/src/Http/BaseApplication.php, line 256
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Routing\Middleware\RoutingMiddleware::__invoke() - CORE/src/Routing/Middleware/RoutingMiddleware.php, line 164
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Routing\Middleware\AssetMiddleware::__invoke() - CORE/src/Routing/Middleware/AssetMiddleware.php, line 88
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Error\Middleware\ErrorHandlerMiddleware::__invoke() - CORE/src/Error/Middleware/ErrorHandlerMiddleware.php, line 100
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
