Public Programs

Past Public Programs

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Leslie Thornton: Tuned to a Shifting Ground

Electronic Arts Intermix (EAI)

535 West 22nd Street, 5th floor
New York, NY 10011

Wednesday, November 30, 2016, 6:30pm

EAI is pleased to partner with cinema arts non-profit Mono No Aware to co-present Leslie Thornton: Tuned to a Shifting Ground, a program that includes the world premiere of a new work. Thornton's hybrid film/video Fog Fog Fog Ants was commissioned by Mono No Aware specifically for the occasion and will be available for distribution through EAI.

Working for over four decades, Leslie Thornton has created a deep and complex body of films, videos and installations. For this event, Thornton will present some her earliest works and influences, and touch upon stages of her development as an artist and participant in the shifting ground of technological image making. A student of filmmakers such as Hollis Frampton, Stan Brakhage, Paul Sharits and Peter Kubelka, Thornton locates her work as squarely emanating from avant-garde and verite cinematic traditions. She will trace her own aesthetic shifts from the coolness of structural film to a current interest in the strategies of engagement essential to narrative form. Her new work, Fog Fog Fog Ants, combines a clash of hand-made film and digital imagery, with a beguiling and assaultive monologue performed by Thornton. This program is part of MONO NO AWARE X, an annual festival of expanded cinema and installations taking place from November 3 - December 3, 2016. For more information visit mononoawarefilm.com

 

#NYGIVESDAY 2016

www.NYGivesDay.org

nygivesday.org/organizations/electronic-arts-intermix

Tuesday, November 29, 2016

EAI is pleased to be amongst thousands of nonprofits across the state of New York working together on #NYGivesDay, which recognizes the impact of charitable giving.

We encourage you to support a non-profit on #NYGivesDay, and we hope you'll consider EAI. We continue to celebrate our 45th anniversary in 2016 by providing access to the diverse voices and alternative visions of video artists within an educational and cultural framework.

Your support enables us to fulfill special projects, events and services including:

- The distribution of our unique collection of 3,700 video art works to audiences around the world.

- The support of emerging and established artists in the creation and presentation of their media work.

- The preservation of important historical video works by artists.

- Public programs, such as artist's talks, panels, exhibitions and performances.

- Access to extensive resources on media art through EAI's online database, catalogue and viewing room.

- Supporting our major ongoing initiative to digitize our entire video collection for preservation and access.

Beginning at 12:00am midnight on November 29, visit www.nygivesday.org and make a donation to EAI and any of the extraordinary participating nonprofit organizations across our state. You will have 24 hours to make your donation, and all giving will end at 11:59pm on November 29. You can also help us by sharing this initiative with your friends on social media platforms.

Please reach out with any questions or if you would like more information at info@eai.org.

 

ZOE BELOFF: A World Redrawn
Book Launch, Screening and Conversation

Electronic Arts Intermix (EAI)

535 West 22nd Street, 5th floor
New York, NY 10011

Thursday, November 10, 2016

EAI is pleased to host a book launch for Zoe Beloff's A World Redrawn: Eisenstein and Brecht in Hollywood, published by Christine Burgin and distributed by Artbook / D.A.P. The evening will feature a screening of Beloff's Glass House, a short film featuring Jim Fletcher and Kate Valk, based on Sergei Eisenstein's notes and drawings for a science fiction movie that he pitched to Paramount Studios in 1930. The screening will be followed by a conversation between Beloff and writer and scholar Anastasiya Osipova, with EAI's Rebecca Cleman.

A World Redrawn: Eisenstein and Brecht in Hollywood will be available for purchase at the event.

 

ANTONI MUNTADAS / MARSHALL REESE: Political Advertisement IX 1952-2016

SVA Theatre

333 W 23rd Street
New York, NY 10011

Friday, November 4, 2016
7:00pm
Free admission

For thirty-two years, artists Muntadas and Reese have been compiling a history of presidential campaign spots, following the evolution of political advertising from its beginnings in 1952 to the present. Political Advertisement is a personal vision of how politics and politicians are presented through the medium of TV.

For the past nine general elections, the artists have premiered the latest version of the piece in a public presentation, followed by a discussion about the impact of campaign advertising. This year author Michelle Goldberg, senior contributing writer to Slate.com, will moderate a discussion on the role of advertising in the 2016 election. Her work has also appeared in The New Yorker, Rolling Stone, The Nation, The Guardian (UK) and The New Republic.

Occurring the final weekend of this year's campaign, this event will offer a timely and important outlet for discussion. The New York screening takes place at the School of Visual Arts Theatre, located at 333 West 23rd Street, on Friday, November 4th at 7:00pm. This screening is a shared presentation by the School of Visual Arts and EAI.

 

JAIME DAVIDOVICH: Daylong Tribute Screening

Electronic Arts Intermix (EAI)

535 West 22nd Street, 5th floor
New York, NY 10011

Thursday, October 27, 2016

EAI pays tribute to Jaime Davidovich (1936-2016) with a daylong screening of video works by the pioneering conceptual artist. Working with video, installation, and local cable television programming, Davidovich was a major and influential figure in the vanguard of individuals and groups exploring art in the context of mass media. The screening will include a selection of key works, including episodes of the cable access program The Live! Show (1979-1984), which Davidovich hosted in the guise of his buoyant TV alter-ego, Dr. Videovich.

Multiple works will be scheduled throughout the day, with a short break at 3:00pm. A special toast will take place at 6:00pm, followed by a screening of Adventures of the Avant-Garde (1981) and Outreach: The Changing Role of the Art Museum (1977), a collaboration with art critic Gregory Battcock, at 6:30pm.

Program
12:00pm - 6:00pm
(program repeats twice, with a short break at 3:00pm)

Blue, Red, Yellow
1974, 34 min, color, silent (on monitor)

La Patria Vacia
1975, 11 min, b&w, sound, Spanish

Adventures of the Avant-Garde
1981, 10:30 min, color, sound

Portrait of the Best Artist
1982, 5:38 min, color, sound

The Gap
1982-83 min, 15:50 min, color, sound

The Live! Show (April 29, 1983)
1983, 27 min, color, sound

The Live! Show (February 18, 1983)
1983, 29 min, color, sound

The Live! Show (January 21, 1983)
1983, 22:27 min, color, sound

The Live! Show (January 28, 1983)
1983, 29:07 min, color, sound

Saludos Amigos!
1984, 21 min, color, sound

Special toast at 6:00pm, screening at 6:30pm:

Adventures of the Avant-Garde
1981, 10:30 min, color, sound

Outreach: The Changing Role of the Art Museum
1977, 27 min, color, sound

 

CHARLOTTE MOORMAN: Rarely Seen Television and Video Performances

Electronic Arts Intermix (EAI)

535 West 22nd Street, 5th floor
New York, NY 10011

Thursday, October 20, 2016
6:30pm

EAI is pleased to present an evening focused on groundbreaking performance artist Charlotte Moorman's rarely screened performances for and with television and video. Centered around her extraordinary 1973 televisual "realization" of John Cage's 26' 1.1499" For A String Player at the WNET/Thirteen TV Lab, with collaborators Nam June Paik and Jud Yalkut, this program highlights how radically Moorman calibrated her performances for unconventional contexts, further disrupting traditional artistic hierarchies. Barbara Moore, independent scholar and close associate throughout Moorman's professional career, will be in conversation following the screening.

This program is organized in conjunction with the exhibition A Feast of Astonishments: Charlotte Moorman and the Avant Garde, 1960s-1980s, on view at NYU's Grey Art Gallery through December 10, 2016.

 

ELLEN CANTOR: If I Just Turn and Run

Electronic Arts Intermix (EAI)

535 W. 22nd St. 5th Fl.
New York, NY 10011

Wednesday, October 5, 2016
6:30 pm

EAI is pleased to present a program of moving image work by Ellen Cantor (1961-2013), whose multimedia art practice advanced bold new feminist representations of sexuality and empowerment. In these diaristic and intimate pieces, Cantor deftly uses the medium of video to appropriate, re-dub, and reframe imagery from such diverse sources as Antonioni, Disney cartoons, John Cassavetes, porn, and classic horror films. Key works, including Evokation of My Demon Sister (2002), Remember Me (1998), and Within Heaven and Hell (1996), will be screened, along with the rarely-seen video If I Just Turn and Run (1998), which was recently rediscovered in Cantor's archive. This event also launches EAI's distribution of a selection of Cantor's moving image work.

This event is part of a series of concurrent exhibitions, public programs, and screenings featuring the work of Ellen Cantor, scheduled throughout Fall 2016. Exhibitions will take place at 80WSE Gallery, Maccarone, Participant Inc., and Foxy Production, with public programs hosted by Skowhegan and the world premiere of Cantor's film Pinochet Porn (2008-2016) at The Museum of Modern Art.

 

"EDITED AT EAI": DARA BIRNBAUM

Electronic Arts Intermix (EAI)

535 West 22nd Street, 5th floor
New York, NY 10011

Thursday, September 22, 2016
6:30 pm

EAI's "Edited at EAI" series continues with a special event featuring media artist Dara Birnbaum in conversation with former EAI editors Matt Danowski, Pat Ivers, and Ann Volkes, moderated by Lori Zippay. Birnbaum, one of the most important and influential artists working in video and multi-media installation, will discuss the creative processes surrounding analogue video editing and EAI's "laboratory-studio" atmosphere of the early 1980s with those editors whom she worked with at EAI. A selection of Birnbaum's video works from that period, including Pop-Pop Video: Kojak/Wang (1980), the rarely seen New Music Shorts (1981), with musicians Radio Fire Fight and Glenn Branca), Remy/Grand Central: Trains and Boats and Planes (1980), Fire!/Hendrix (1982), and PM Magazine/Acid Rock (1982), will be screened and discussed in depth.

Organized in conjunction with EAI's 45th anniversary, the "Edited at EAI" series highlights a historically significant but less well-known area of EAI's programs: EAI's Editing Facility for artists, one of the first such creative workspaces for video in the United States.

 

"Edited at EAI": Video Interference
Activist Videos by Artists and Collectives, 1989-1995

Electronic Arts Intermix (EAI)

535 W. 22nd St. 5th Fl.
New York, NY 10011

Tuesday, August 16
6:30 pm

EAI continued our 45th anniversary "Edited at EAI" series with an evening of activist video work from the late 1980s through the mid-1990s. Shot largely on low-end consumer equipment and edited, often off-hours, at EAI, these works use video as an activist tool, confronting urgent issues around the AIDS crisis, race, gender, and sexuality. Videos by ACT UP affinity groups DIVA TV (Damned Interfering Video Activist Television) and House of Color, as well as art collective X-PRZ, were screened along with work by artists Robert Beck and Tom Kalin. Although rooted in the specific political and cultural contexts of that moment, these powerful activist voices continue to resonate and find relevance today.

Organized in conjunction with EAI's 45th anniversary, the "Edited at EAI" series highlights a historically significant but less well-known area of EAI's programs: EAI's Editing Facility for artists, one of the first such creative workspaces for video in the United States.

 

"Edited at EAI": Restless Generation

Performance Video, 1993-1999

Electronic Arts Intermix (EAI)

535 W. 22nd St. 5th Fl.
New York, NY 10011

Wednesday, July 27, 6:30 pm

EAI's "Edited at EAI" series continues with a focus on a group of conceptually driven performance videos by women artists who reenergized and redefined the genre in the 1990s, as seen through the lens of EAI's editing facility. These lo-fi performances staged for the camera­—by artists such as Vanessa Beecroft, Alix Lambert, Kirsten Mosher, Alix Pearlstein, and Beverly Semmes, among others—evoke the strategies of the first generation of artists working with video in the early 1970s, even as their bold stylizations, ironic sensibility, and explicit nods to consumer culture announced a fresh approach to representations of female identity and the body that spoke emphatically to its time.

Organized in conjunction with EAI's 45th anniversary, the "Edited at EAI" series highlights a historically significant but less well-known area of EAI's programs: EAI's Editing Facility for artists, one of the first such creative workspaces for video in the United States.

 

High Line Art & EAI Present:

CHERYL DONEGAN
Your Plastic Video

The High Line

High Line Channel 14
14th St. Passage, W. 14th St.

April 28 - June 29, 2016

EAI is pleased to collaborate with Friends of the High Line and High Line Art, on the occasion of our 45th anniversary, to present Your Plastic Video, a program of six videos by Cheryl Donegan, including four rarely seen video works from the 1990s and early 2000s - Guide (1993), Sunflower (1993), Scenes + Commercials (1997), Craft (1999), Stop Me If You Think You've Heard This One Before (2008), and a selection from her recent VINES PROJECT (2015 - ongoing). Exhibited as part of High Line Channel 14, a series of outdoor projections of art videos in the semi-enclosed passageway on the High Line at West 14th Street, this program will be on view daily from 6 pm–10 pm, Aprl 28 –June 29.

 

"Edited at EAI": Videos by Tom Rubnitz
John Kelly in Conversation

Electronic Arts Intermix (EAI)

535 W. 22nd St., 5th Fl.
New York, NY 10011

Wednesday, June 22, 2016
6:30 pm

EAI continues our 45th anniversary "Edited at EAI" series with an evening celebrating the work of Tom Rubnitz (1956-1992), whose deliriously camp genre parodies and music videos capture the anarchic spirit and talents of the 1980s East Village scene of Club 57 and the Pyramid Club. The rich body of work that Rubnitz edited at EAI includes TV spoofs, music videos, and the musical parody Psykho III The Musical. Downtown performance and drag luminaries, such as Lady Bunny, Sister Dimension, John Kelly, Ann Magnuson, Hapi Phace, John Sex, and Tabboo! star in videos that can seem like screwball TV broadcasts from another dimension. Artist John Kelly, featured in Psykho III The Musical and Drag Queen Marathon (as drag persona Dagmar Onassis), will be in conversation following the screening.

Special thanks to Video Data Bank in Chicago for their generous collaboration on this program. VDB, which celebrates its 40th anniversary this year, has been instrumental in preserving and distributing Tom Rubnitz's video works.

Organized in conjunction with EAI's 45th anniversary, the "Edited at EAI" series highlights a historically significant but less well-known area of EAI's programs: EAI's Editing Facility for artists, one of the first such creative workspaces for video in the United States.

 

"Edited at EAI": Artist to Artist

Videos by Robert Beck, Cheryl Donegan, Ursula Hodel, Nam June Paik, Seth Price, Carolee Schneemann, Trevor Shimizu, Michael Smith. Robert Buck and Cheryl Donegan in conversation.

Electronic Arts Intermix (EAI)

535 W. 22nd St. 5th Fl.
New York, NY 10011

Thursday, June 16, 2016
6:30 pm

"Edited at EAI": Artist to Artist featured the rich collaborative process and the creative relationships between artists and the artists/editors with whom they worked, through the lens of EAI's editing facility. Video works by Cheryl Donegan, Ursula Hodel, Nam June Paik, Carolee Schneemann, and Michael Smith—all edited at EAI—were shown together with works by Robert Beck, Seth Price and Trevor Shimizu, three internationally recognized artists who spent formative years as EAI editors. Featuring works from the mid-1990s to the mid-2000s, Artist to Artist was the second in EAI's "Edited at EAI" program series. Artists Robert Buck and Cheryl Donegan in conversation following the screening.

Organized in conjunction with EAI's 45th anniversary, the "Edited at EAI" series highlights a historically significant but less well-known area of EAI's programs: EAI's Editing Facility for artists, one of the first such creative workspaces for video in the United States.

 

"Edited at EAI": 1972-77

Electronic Arts Intermix (EAI)

535 W. 22nd St. 5th Floor
New York, NY 10011

Wednesday, April 27, 2016
Noon - 8pm

As part of EAI's ongoing 45th anniversary celebrations, we launched a series of screenings that highlight an under-recognized but historically important and creatively fertile area of our programs: EAI's Editing Facility for artists. Established in 1972 with early 1/2" open reel editing equipment, EAI's facility was one of the first such post-production workspaces for artists in the U.S. Over five decades, an extraordinary group of artists has used EAI's facility to create some of the most significant works in media art's diverse histories. The first screening, which featured an eclectic selection of works from the 1970s, charted the alternative artistic, political, and cultural expressions of artists experimenting with emergent video editing technologies and strategies.

 

Ana Mendieta: Experimental Films and Videos
A Conversation with Ana Janevski, Raquel Cecilia Mendieta, and Lori Zippay


Electronic Arts Intermix (EAI)

535 West 22nd St. 5th Floor
New York, NY 10011

Wednesday, March 16, 2016
6:30 pm

EAI presented a screening and discussion around the newly discovered and restored films and videos of Ana Mendieta. Presented in collaboration with Galerie Lelong, New York, the event featured a conversation with Ana Janevski, Associate Curator, Department of Media and Performance Art at The Museum of Modern Art, and Raquel Cecilia Mendieta, Film Archivist for the Estate of Ana Mendieta, moderated by Lori Zippay, Executive Director of EAI.

A number of unknown media works by Mendieta—including Super 8 and 16mm films, ˝ inch reel-to-reel videos and a sound piece—recently came to light when the Estate of Ana Mendieta Collection, in collaboration with Galerie Lelong, catalogued, transferred, and preserved the entirety of the artist's moving image works. Revealing aspects of Mendieta's practice that are not as widely known as her ritualistic investigations of body and nature, these newly restored works illuminate Mendieta's technical experimentation and the importance of the moving image to her art.

Among the experimental viewed and discussed were Sweating Blood (1973), Moffitt Building Piece (1973), Butterfly (1975), and Energy Charge (1975).

The exhibition Ana Mendieta: Experimental and Interactive Films will be on view at Galerie Lelong through March 26th.

 

EAI at Moving Image New York 2016

Waterfront New York Tunnel

269 11th Avenue
(Between 27th and 28th Streets)
New York, NY 10001


Opening reception Thursday, March 3, 6-8 pm

Open to the public:
Thursday - Saturday, March 3-5, 11-8 pm
Sunday, March 6, 11-4 pm.

EAI partnered with Moving Image New York to present LoVid's 2015 video cell-a-scape.

In EAI's 45th anniversary year, we celebrate new moving image work that carries forward a legacy begun in the early days of video and computer technology in the 1960s and 70s. During a residency at the Experimental Television Center (ETC) in Oswego, New York, LoVid (Tali Hinks and Kyle Lapidus) worked with historical image-audio processing devices (including Nam June Paik's "Wobbulator," the Sandin Image Processor, and the Jones Colorizer). The duo began to create their own hand-built synthesizers, culminating in their main instrument, the Sync Armonica, constructed during a residency at Eyebeam in 2005.

cell-a-scape visualizes the juxtaposition of media with physical objects, geographic spaces, and human culture, and foregrounds the porous boundaries between the "reality" of nature and the constructed experience of technology.

 

Dia & EAI Members Event:
Joan Jonas's Volcano Saga

Electronic Arts Intermix (EAI)

535 West 22nd St. 5th Floor
New York, NY 10011

February 11, 2016
6:30 pm

Dia Art Foundation and Electronic Arts Intermix (EAI) presented a special members screening of artist Joan Jonas's Volcano Saga (1989). Shot in Iceland and New York, this 28-minute video is based on a medieval Icelandic Myth, titled Laxdaela Saga, and features Tilda Swinton as a young woman whose dreams foretell the future. Employing layered digital effects, Jonas creates a ritualistic dreamscape of the young woman's imagination and desires. With this event EAI launched our 45th anniversary year. Following the screening, Dia Associate Curator Kelly Kivland lead a Q&A. Please click here to become a Friends of EAI Member.

 

Artists' Video from EAI at the Sagamore Hotel in Miami

The Sagamore Hotel

1671 Collins Avenue
Miami, Florida

On view during Art Basel Miami Beach
December, 2015

The special selection of media artworks for the public spaces of the Sagamore Hotel was drawn from EAI's extensive archive. The media artworks on display in the hotel presented formal, conceptual, or perceptual transformations of natural landscapes and environments. In works that range from the playful to the socially resonant, the artists investigate diverse notions of landscape, from transmutations of nature, the body, and everyday objects to the "media landscape" of today's televisual and digital cultures. Moving between abstraction and representation, the organic and the electronic, these works—which span five decades—also explore the materiality and meanings of video and digital media.

 

SONDRA PERRY:
Screening and Artist Talk

Electronic Arts Intermix (EAI)

535 W. 22nd St. 5th Floor
New York, NY 10011

Wednesday, December 16, 2015
6:30 pm

Electronic Arts Intermix (EAI) presented an artist talk with Sondra Perry, whose formally striking works in video, computer-based media, and performance unflinchingly confront themes of power, agency, and racial and gender identities.At EAI, Perry screened and discussed recent and upcoming projects, including the ambitious work-in-progress, My Twilight Zone Thing, developed through a residency in Recess's Session program. This event launched EAI's distribution of Perry's work.

 

The Continuing Story of Carel and Ferd (1970-75)

Electronic Arts Intermix (EAI)

535 W. 22nd St. 5th Floor
New York, NY 10011

Wednesday, November 11, 2015
6:30 pm

EAI presented a special screening of Arthur Ginsberg and Video Free America's The Continuing Story of Carel and Ferd (1970-75), a remarkable work of early video verité that focuses on the unconventional union of Carel Rowe and Ferd Eggan, two self-proclaimed "freaky people" attempting to conform to the norms of American domestic bliss. The Continuing Story..., which has been newly preserved, was prescient in provoking questions about the veracity and objectivity of a live-in camera and crew, pre-dating the ubiquity of reality television by at least three decades.

 

TerrorVision:
Spine-Tingling Signals from the EAI Vault

Electronic Arts intermix (EAI)

535 W. 22nd St. 5th Floor
New York, NY 10011

Wednesday, October 28, 2015
6:30 pm

EAI presented a seasonally themed free screening of macabre media digging through the tropes of horror cinema. Although narrative, genre, and lurid popular entertainment may seem an unlikely source of inspiration for artists' media, the grotesque—and specifically its situation within the televisual dimension—has crept into approaches as varied as the diary video, direct-camera performance, film/video hybrid, and datamosh.

By dissecting and reanimating the themes and situations of horror film and television, artists such as Peggy Ahwesh, Michael Smith, Cynthia Maughan, Cecilia Condit, Tony Oursler, and George Kuchar offer a subversive post-mortem on the syntax and politics of the genre while offering a glimpse of the unknown, mysterious, and shocking that lurk at the video signal's outer limits.

 

EAI @ THE NY ART BOOK FAIR

The NY Art Book Fair
MoMA PS1

22-25 Jackson Ave at the
intersection of 46th Ave
Long Island City, NY 11101

Note: Saturday, September 19th, 4 pm: Signing of book "Charles Atlas" by Charles Atlas at EAI's booth C16.


September 17 - 20, 2015
Opening Preview: Thursday, Sept. 17, 6-9 pm
Friday, Sept. 18, 1 pm - 7 pm
Saturday, Sept. 19, 11am - 9pm
Sunday, Sept. 20, 11am - 7pm

EAI participated in The NY Art Book Fair at MoMA PS1, organized by Printed Matter. EAI's booth featured DVDs, books, vinyl recordings and special items by artists including Ken Jacobs, Michael Bell-Smith, Zoe Beloff, Seth Price, Merce Cunningham, The Wooster Group, William Wegman, and C. Spencer Yeh, among many others. Charles Atlas signed copies of his new monograph, "Charles Atlas," on September 19.

 

SHIGEKO KUBOTA: Daylong Tribute Screening at EAI

Electronic Arts Intermix (EAI)

535 W. 22nd St. 5th Floor
New York, NY 10011

Wednesday, September 9, 2015
11:00 am - 8:15 pm
Admission Free

EAI paid tribute to Shigeko Kubota (1937-2015) with a daylong screening of her remarkable video works. The program, which spanned a period of thirty-five years, included Kubota's seminal "Broken Diary" pieces, such as Europe on ˝" a Day (1972) and My Father (1973-75), as well as documents of her multi-media installations (1970-94), and videos such as Rock Video: Cherry Blossom (1986), in which she fuses nature and electronic processing. Honoring Kubota's life and art through a daylong immersion in her groundbreaking video works, the program screened at multiple scheduled times throughout the day, and was free and open to the public.

 

CHRIS BURDEN: Daylong Tribute Screening at EAI

Electronic Arts Intermix (EAI)

535 W. 22nd St. 5th Floor
New York, NY 10011

Tuesday, July 21, 2015
11:30 am - 7:30 pm
Admission Free

EAI paid tribute to Chris Burden (1946-2015) with a daylong screening of video works by and about one of the most important artists of his generation. The free program, which included key early pieces such as Documentation of Selected Works 1971-74 and The TV Commercials 1973-1977, screened at multiple scheduled times throughout the day.

 

Dia & EAI Members Screening: Dan Graham

Electronic Arts Intermix (EAI)

535 West 22nd St. 5th Floor
New York, NY 10011

July 8, 2015
6:30 pm

Dia Art Foundation and Electronic Arts Intermix (EAI) presented a special members screening of artist Dan Graham's Two Way Mirror Cylinder Inside Cube and a Video Salon (1992) and Classic and Recent Installations/ Pavilions 1974-2008 (2009). The 1992 video Two Way Mirror Cylinder Inside Cube and a Video Salon explores Dan Graham's investigations of the urban landscape and highlights his rooftop Urban Park Project, which was an installation on the roof of Dia Center for the Arts from September 1991 to January 2004. Compiled by Graham and edited at EAI in 2009, Classic and Recent Installations/Pavilions 1974-2008 documents ten of the artist's installations that span twenty-five years, focusing on the architectural sculptures that he refers to as "pavilions." The screening followed a reception.

 

Jud Yalkut is Happening!

Anthology Film Archives

32 Second Avenue
New York, NY 10003

Program 1: Friday, June 5, 7:30 pm
Program 2: Saturday, June 6, 7:30 pm

EAI was pleased to collaborate with Anthology Film Archives to present two tribute programs featuring the work of Jud Yalkut (1938-2013). Yalkut's moving image work transcended and transformed media as he explored and merged film, video, expanded cinema, performance, and installation. This approach embodied the "intermix" that was at the core of Howard Wise's founding manifesto for EAI. Jud Yalkut was a multi-media pioneer whose radical films and videos remain as trippy and innovative today as they were back then. Born and raised in NYC, Yalkut studied literature before turning to experimental cinema in the early 1960s.

Starting in 1966 and continuing into the 1970s, he collaborated with Nam June Paik on a series of significant video-film pieces, creating extraordinary conversations between the medium of film and the electronic manipulations of video. These ideas extended to kinetic reworkings of performances and art events, as seen in his 1973 video realization of Paik and Charlotte Moorman performing John Cage's 26'.1.1499' FOR STRING PLAYER, and his digital rendering of Moholy-Nagy's 1930 kinetic sculpture LIGHT-SPACE MODULATOR. These two screenings at Anthology Film archives featured some of Yalkut's best-known works alongside an exciting array of never-before-seen footage.

 

ANTHONY RAMOS:
Screening and Artist Talk

Electronic Arts Intermix (EAI)

535 W. 22nd St. 5th Floor
New York, NY 10011

April 22, 2015
6:30 pm

Electronic Arts Intermix (EAI) presented a screening and artist talk with pioneering media artist Anthony Ramos, whose powerful video works join art with activism. In this rare New York appearance, Ramos screened a series of early video works from the early 1970s, which have been newly preserved by EAI. In these rarely seen pieces, Ramos engaged in direct performances for the camera that confront the politics of race and identity. Other groundbreaking works merge documentary, performance, and mass media imagery in incisive cultural critiques. The evening featured Black & White, an early two-channel video installation, and the premiere preview of Decent Men, a video piece created over almost forty years, in which Ramos delivers an extended monologue on his eighteen-month prison term for resisting the draft during the Vietnam War.

 

Explorations in the Videospace:
Interdisciplinary Art and the Videofreex
Panel and Screening

Electronic Arts Intermix (EAI)

535 W. 22nd St. 5th Floor
New York, NY 10011

March 25, 2015
6:30pm

Electronic Arts Intermix (EAI) hosted a panel and screening in conjunction with the exhibition Videofreex: The Art of Guerrilla Television at The Dorsky Museum, organized by Andrew Ingall. This event emphazized the bold interdisciplinary nature of the collective's projects, with a special focus on Videofreex founding member David Cort, who edited several of his key video works at EAI in the 1970s. Selections of Cort's video work, representing his use of video as an interactive tool for electronic imaging exploration, provided a catalyst for the panel discussion. Panelists included original Videofreex member Davidson Gigliotti, artist and Cort collaborator Shalom Gorewitz, and LoVid, a media art duo who represent a new generation of artists who have been influenced by the interdisciplinary practices of Cort and the Videofreex.

 

Reception at EAI to Celebrate
New Artists, New Works,
and New Educational Initiative

Electronic Arts Intermix (EAI)

535 W. 22nd St., 5th Floor
New York, NY 10011

February 13, 2015
6pm - 8pm

You are cordially invited to join us in West Chelsea to celebrate extraordinary artists and works that are newly available through EAI's catalogue, and to preview our new educational streaming site. A program of works by artists Merce Cunningham, Jacolby Satterwhite, Leslie Thornton, C. Spencer Yeh, and Cynthia Maughan will be screened throughout the evening, and staff will be on hand to demo EAI's Educational Streaming Service.

If you attend the CAA Conference at the New York Hilton, please visit the Gibson Room on the second floor for two programs of works from the EAI catalogue, which are screening as part of the Media Lounge/ARTspace project Alternative Economies. The programs, include works by Peggy Ahwesh, Cory Arcangel, Dara Birnbaum, Jacob Ciocci, JODI, Andrew Lampert, Kalup Linzy, Kristin Lucas, Shana Moulton, Seth Price, Paul Slocum, Leslie Thornton, Ryan Trecartin, and C. Spencer Yeh. An informal conversation with co-curators Rachael Rakes and Jenny Marketou, EAI's Director of Distribution Rebecca Cleman, and several of the artists will be held on Thursday February 12 from 4:00 pm - 5:30 pm. These screenings are free and open to the public.

 

C. SPENCER YEH:
Artist Talk and Screening

Electronic Arts intermix (EAI)

535 W. 22nd St. 5th Floor
New York, NY 10011

February 4, 2015
6:30pm

Electronic Arts Intermix (EAI) presented an artist talk and screening with New York-based artist C. Spencer Yeh, whose interdisciplinary art bridges projects in sound composition, improvisational performance, and experimental video. In this special hybrid event, which launched EAI's distribution of his moving image work, Yeh explored the relationship of music and video in his art. Yeh screened several video works, including Scrub Study and Eclipse (both 2009), which acclaimed musician and composer Nate Wooley accompanied live. The evening also featured a special "listening" premiere of Yeh's forthcoming LP, Solo Voice I - X, to be released by Primary Information this spring. This presentation was followed by a conversation between Yeh, Primary Information's James Hoff, and EAI's Director of Distribution Rebecca Cleman.

 

SCREEN PLAY:
Moving Image Art

The Sagamore Hotel

1671 Collins Avenue
Miami, Florida

On view during Art Basel Miami Beach
December, 2014 - March, 2015

EAI and The Sagamore Hotel in Miami Beach presented Screen Play: Moving Image Art, a special exhibition of moving image artworks for the public spaces of the hotel during Art Basel Miami Beach. Screen Play, guest curated by Lori Zippay, EAI's Executive Director, brought together video, film, and digital artworks drawn from the EAI collection across six decades. These works highlighted the cross-disciplinary relation of the moving image to other artistic media and forms—performance, photography, painting, drawing, sculpture—while also exploring the distinctive vocabularies of video, film, and digital media. The public encountered artists' moving image works in multiple public spaces of the hotel, as well as a dedicated "EAI TV Channel" for the hotel guest rooms. Screen Play featured moving image works by artists including Michael Bell-Smith, Takeshi Murata, Leslie Thornton, Jacolby Satterwhite, Joan Jonas, Merce Cunningham, Alex Hubbard, Dara Birnbaum, Shana Moulton, Lawrence Weiner, Steina, and John Baldessari.