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The late, legendary experimental filmmaker Stan Brakhage is the subject of this video portrait by his friends Ken Jacobs and Nisi Jacobs.The video closely documents Brakhage's last visit to New York, and captures scenes of his family life in Boulder, Colorado, affording a view of the artist that is at once candid and casual.
"...Keys to Our Heart is a black and white 1940s period piece about an interracial love triangle that (surprise!) turns out to be an unconventional square....By inserting himself into every aspect of the narrative, [Linzy] literally gives voice to the widespread desire to see oneself reflected on the screen, to bring those stereotypical roles to very personal life."" — Sharon Mizota, LA Times Blog, 10/7/10
Jenkins records David Hammons, at a decisive moment in the artist's development, just prior to his move from Los Angeles to New York. Part interview, part video performance, Hammons, in conversation with fellow artist LaMonte Westmoreland, considers Los Angeles's black artist community, the...
Kitch's Last Meal (Composite)
Carolee Schneemann
1973-76, 54:11 min, color, sound, Super 8mm film on HD video
Kiyoko's Situation articulates the deeply embedded cultural roles of Japanese women through the parallel stories of two female artists, Kiyoko and Tani. In Idemitsu's narrative-within-a-narrative, "Kiyoko's situation" is played out on a television monitor within Tani's drama. Tani is paralyzed in...
In this self-described "documentary-poem," Vicuña returns to the beaches of Concón, Chile – the birthplace of her artmaking, where the sea is dying and an ancient tradition is being wiped out. Concón – facing the tallest mountain in the Western Hemisphere, Aconcagua – is home to a cultural...
A visual poem performed in Concón, an ancient cultural site on the Chilean coast, where natural preserves are being destroyed by real estate expansion and oil refineries. Kon Kon Pi is a drawing in space, in sand and sea – sometimes made with a stick in sand, sometimes in lines of red wool...
Paik produced this exuberant, high-speed collage as a commission for the National Fine Arts Committee of the 1980 Olympic Winter Games. In a fractured explosion of densely layered movement and action, images of Olympic sports events are mixed with Paik's recurring visual and audio motifs: the...
In Landscape, a single illuminated hand positioned before the camera is transformed through its scale and deliberate movements into a sculptural landscape.
