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1920s Surrealist artists Claude Cahun and Marcel Moore come to life in this hybrid documentary. Lesbians and step-sisters, the gender-bending artists lived and worked together all their lives. Heroic resisters to the Nazis occupying Jersey Isle during WWII, they were captured and sentenced to death.
In her very first moving image work, Cantor already displays the masterly use of appropriated footage for which she would become known, inserting explicit scenes from the classic porn film Behind the Green Door (1972) into key scenes of lovemaking from Louis Malle’s 1959 succès de scandale The Lovers.
Steeped in irony, Made in Hollywood depicts the personal and cultural mediation of reality and fantasy, desire and identity, by the myths of television and cinema. Quoting from a catalogue of popular styles and sources, from TV commercials to The Wizard of Oz, the Yonemotos construct a parable of...
MAJORCA - fantasia
Nam June Paik in collaboration with Paul Garrin and Amy Greenfield
1989, 4:52 min, color, sound
MAJORCA-fantasia is a densely textured collage of often discordant, often beautiful visual and aural elements. To an exquisite musical composition by Chopin, as interpreted by Charlie Morrow, Paik and Garrin create a surreal pastiche of fragmented, manipulated elements: The late ...
Single-channel screen recording of a live bot performance on Instagram (Walmart), November, 26, 2019.
Walking through Buffalo, New York's suburban Walden Galleria Mall.
In elegiac work, Kubota explores the relationship between two of the most influential figures in 20th century art and music. The core images are Kubota's own photographs of the famous chess match between Duchamp and Cage in 1968, in which the board, wired for sound, functioned as a musical instrument. Recordings of Cage's compositions accompany the stills and video footage, which Kubota electronically processes to abstraction.
Writes Cokes, "The video animation is based on the closing section of Cokes' and Perchuk's second collaborative presentation, 'Margins and Bubbles,' at 'Our Literal Speed 2' at the University of Chicago in May 2009. Visually, it features text excerpts from an interview between artist Tino Sehgal and critic / art historian David Joselit on contemporary art, the political potentials of the marketplace, and the positive value of 'consumer choice' that took place at OLS1 at ZKM in Karlsruhe."
