Search Results
Search Results
Title Results
Your search returned 802 Titles
In Theme Song, Acconci uses video as close-up to establish a perversely intimate relation with the viewer, creating a personal space in which to talk directly to (and manipulate) the spectator. The film, with its ironic mixture of openness and manipulation, is one of Acconci's most effective works.
There Is Nothing Underneath the West Virginia Wing
Frank Heath
2018, 16:37 min, color, sound, HD video
There Is Nothing Underneath the West Virginia Wing takes us to the Project Greek Island bunker – a vast and elaborate underground bomb shelter that was designed to house members of Congress in the aftermath of a nuclear attack. Now declassified and open for public tours, the bunker was covertly maintained for 30 years in a state of readiness beneath the Greenbrier Hotel in White Sulphur Springs, West Virginia. The video focuses on the eerie spaces of the vacant shelter and its remarkable blast doors which were engineered by the Mosler Vault Company whose bank vaults famously survived the atomic blast at Hiroshima.
Seinfeld super-cut of all scenes dealing with Kramer's coffee table book about coffee tables.
This early tape is a version of Computer Graphics #1, one of Emshwiller's very first video works. Black-and-white drawings by Emshwiller were animated and colorized with the assistance of Walter Wright and Richard Froman at Dolphin Computer Image Corporation. The sound score was made on Moog...
Kalin writes: "They are lost to vision altogether acts as erotic retaliation on legislation such as the Supreme Court sodomy ruling — declaring the private bedroom as open target for the State — or the Helms Amendment — the U.S government's refusal to fund explicit AIDS prevention information for...
Velez writes: "This and That is a road movie about forgetting — and being forgotten. Shot over a period of six years while traveling through France, Spain, Mexico, Cuba, Argentina, and Puerto Rico, it is a document of failed loves, death and how neither vengeance nor pardon can modify the past."
A documentation of a 1977 performance at Artists Space (NYC), This Is My Blue Period is a surreal monologue featuring four of the artist's poems. At once incantation, song, and internal monologue, here Heyward performs multiple layers of narrative and semantic meaning that suggest the mutability and slippage of language.
In a project sponsored by the Public Art Fund, Muntadas installed the fifty-second message This is not an Advertisement on the electronic Spectacolor lightboard that then dominated New York's Times Square. Every twenty minutes, between commercial advertisements, the sign broadcast the text: "This...
