Monster Movie

2005, 3:55 min, color, sound

Takeshi Murata continues to push the boundaries of digitally manipulated psychedelia. In Monster Movie Murata employs an exacting frame-by-frame technique to turn a bit of B-movie footage (from the 1981 film Caveman) into a seething, fragmented morass of color and shape that decomposes and reconstitutes itself thirty times per second.

Sound: Plate Tectonics


This title is available for exhibitions, rentals, and educational sales only.