Gordon Matta-Clark's thoroughly unique artistic project was a radical investigation of architecture, deconstruction, space, and urban environments. Dating from 1971 to 1977, his most prolific and vital period, his film and video works include documents of major pieces in New York, Paris and Antwerp, and are focused on three areas: performances and recycling pieces; space and texture works; and his building cuts. full biography
1971, 60 min, b&w, sound
1971-72, 50:32 min, b&w, silent
Tree Dance
1971, 9:32 min, b&w, silent, 16 mm film on video
Open House
1972, 41 min, color, silent, Super 8mm film on video
1971-75, 45:45 min, b&w and color, sound
Fire Child
1971, 9:47 min, silent, Super 8mm film on video
Fresh Kill
1972, 12:56 min, color, sound, 16 mm film on video
Day's End
1975, 23:10 min, color, silent, Super 8mm film on video
1972, 43 min, b&w, sound, 16 mm film on video
1972-1976, 60:50 min, b&w and color, sound
Automation House
1972, 32 min, b&w, sound, 16 mm film on video
Clockshower
1973, 13:50 min, color, silent, 16 mm film on video
City Slivers
1976, 15 min, color, silent, Super 8mm film on video
1973, 61:30 min, b&w, sound
1974-1976, 50:30 min, b&w and color, silent
Splitting
1974, 10:50 min, b&w and color, silent, Super 8mm film on video
Bingo/Ninths
1974, 9:40 min, color, silent, Super 8mm film on video
Substrait (Underground Dailies)
1976, 30 min, b&w and color, sound, 16 mm film on video
1974-2005, 44 min, b&w and color
Conical Intersect
1975, 18:40 min, color, silent, 16 mm film on video
Sous-Sols de Paris (Paris Underground)
1977-2005, 25:20 min, b&w, sound, Super 8mm film on video
1976-2007, 15:04 min, color, sound, 16 mm, video
1977-2005, 44 min, b&w and color, sound, 16 mm film on video
1975-2006, 17 min, b&w, sound
1975, 7 min, b&w, sound
1974-75, 55:45 min, b&w, sound
1985, 17:18 min, color, sound
1971, 3 min, color, silent, Super 8mm film on video
1973, 18:35 min, b&w, sound, 16 mm film on video