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In May 1972, Matta-Clark worked on an abandoned pier in New York for two months, where he cut sections of the door, floor, and roof.
This haunting work for television has been excerpted and adapted from Wilson's five-hour "silent opera" of the same title. Wilson tells a stark and stylized story of murder, using time and space, light and movement, and isolated sound in place of spoken words. The ritualistic action, which moves...
"Death of a Marriage I think is my first psychodrama – finding images and filmic methods of portraying my interior emotional being. I had built by hand with my husband a home in the woods, made my own horse corral, and had an art studio. Yet the alternative lifestyle didn’t erase the feeling of entrapment, proscribed role, and constrictions. Yip, yip and away!" — Barbara Hammer
In Decision Fatigue Harris-Babou’s mother stages an intimate, absurd, occasionally painful makeup tutorial tracing the choices she has made in her life, both large and small, to hold onto youth and remain well.
Deep Blue Sky is a witty game of association and juxtaposition. In this silent motion drawing or "structure," Weiner engages in visual and linguistic play. The interaction of Weiner's elliptical text and graphic symbols - which suggest stylized tic-tac-toe boards - allude to the relationships between artist/viewer and language and perception: "That of which there is no trace does not enter into the equation."
"Dérive Veneziane is about Venice. Cities are sometimes represented by strong stereotypes or clichés. Dérive Veneziane tries to show another side of the city, the hidden, the unknown, the mysterious. Through a journey based on the Situationists’ dérive, by night and from a boat… Dérive Veneziane bri...
Using deep red and ochre hues, Hoover suggests an ambiguous landscape in Desert, orchestrating shifting light to evoke the cycle of a day on the sands of a desert.
Hershman Leeson aired advertisements on television seducing viewers to respond. Those who replied to her ads were interviewed about their desire to meet another person under the guise of fantasy, the footage from these interviews woven into a narrative about the nature of desire.
Devotion investigates the extremely complex and hierarchical relationships among a committed group of Japanese filmmakers who dedicated up to 30 years of their lives making films for one man: Ogawa Shinsuke.