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A drive along the electronic superhighway! Using state-of-the-art computer graphics systems, d'Agostino creates a virtual environment that joins together simulations of Philadelphia, the Rockies, Kuwait City and Hiroshima. From inside a computer generated car, these four geographically remote...
VTR: Downtown Community Television Center
DCTV (Jon Alpert, Yoko Maruyama, Keiko Tsuno) and VTR
1975, 29:08 min, b&w and color, sound
In this informational documentary, produced as part of the Video Tape Review series of New York public television station WNET/Thirteen, interviews with Jon Alpert and Keiko Tsuno are interspersed with excerpts from their extensive body of work.
A documentary about TVTV shot by one of its own members, this first segment of WNET/Thirteen's VTR series was produced while the collective was in Washington working on Gerald Ford's America. Videotaped by Andy Mann, VTR:TVTV includes equipment demonstrations by Alan Rucker, Megan Williams and...
Waje’s Cockabunnies is structured like the mid-century children’s television show “Romper Room,” in which the host leads children through activities and craft demonstrations. Breer captures Wojarowicz’s creative process as he sits at a child’s desk, cuts out bunny ears and tails, and secures them to the cockroaches with Q-tips and rubber cement. The audience, comprised of Breer, her sister and filmmaker Emily Breer, and Emily’s boyfriend David Baillie, frequently interjects with amused commentary and laughter.
The artist walks around Brooklyn, angling the camera towards the ground and interacting with assorted debris in the process: a discarded strawberry, a Pepsi-branded cup, dead leaves, a Citibike dock, and more.
Note: This work is only available for purchase as part of Point of View: An Anthology of the Moving Image.
Jonas's performance piece, an homage to 18th-century French outdoor theater, incorporates mythology as well as spontaneously occurring events into the narrative. The DVD includes an...
War Pigeon invokes the use of trained pigeons as aerial photographers during World War II. In this phone call to the customer service department of a bank, the speaker describes an unnerving encounter with a suspicious bird, which has led him to question his trust in the bank’s very existence.
Produced in close collaboration with the engineering research center MIRTHE (Mid-InfraRed Technologies for Health and the Environment), Warm Objects is a portrait of the world in uncertain and paranoid times. Utilizing MIRTHE's imaging technology and infrared photography, Ahwesh transforms scenes of everyday incidents into glimpses of our world through an alien lens.
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In Washington (METRO), originally designed as a video installation for L'Enfant Plaza station, d'Agostino contrasts surveillance footage from the closed-circuit cameras that monitor the system with the original Pierre L'Enfant utopian plan for the city, while a bland travelogue is heard on the soundtrack.
