Your search returned 814 Titles
An iPhone-shot reverie depicting poet and scholar Fred Moten letting loose to the eponymous 1965 jazz standard, performed by Josiah Wise (known professionally as serpentwithfeet). The effect is a blurry, constantly shifting interplay between singer, dancer, camera, and viewer, a cheeky tribute to the fluidity of performed identity.
Girls | Museum is a voyage through the historical art collection of the Museum der bildenden Künste Leipzig/MdbK, guided by the expertise and insights of a group of girls, ages 7 to 19. Moving from painting to painting, century to century, they tell us what they see.
A film based on Sergei Eisenstein's notes and drawings for an unrealized science fiction movie that he pitched to Paramount Studios in 1930. Featuring Jim Fletcher and Kate Valk in a vertically-oriented narrative about an all-glass skyscraper, the theme of Glass House is the architecture of surveillance.
Global Groove is a seminal work in the history of video art. Paik's radical manifesto on global communications in a media-saturated world is rendered as an electronic collage, a sound and image pastiche that subverts the very language of television. With surreal visual wit and an antic neo-Dada sensibility, Paik brings together a cross-cultural melange of artworld figures and Pop iconography.
Go For It, Mike is a parodic music video that re-envisions the Horatio Alger myth of the American Dream via 1950s-style cultural cliches, advertising and Reagan-era media propaganda. Smith's "regular guy" Mike embodies a series of all-American male stereotypes, from the classroom to political...
In this early experiment on perception and point of view, five subjects are seen through a board in which five circular holes have been cut; they move between five points, turn in circles and follow instructions. The artist and her subjects discuss their experience of the performance, how it is perceived on the ground and through the playback monitor, and the scales and viewpoints created.
Good Morning Mr.Orwell is an edited version of Paik's first international satellite "installation," which was held on New Year's Day 1984. Paik's transcultural satellite extravaganzas link different countries, spaces, and times in often chaotic but entertaining collages of art and pop culture,...