Titles by Barbara Hammer
- "X"
- A Horse Is Not A Metaphor
- Arequipa
- Audience
- Available Space
- Bamboo Xerox
- Barbara Ward Will Never Die: Early 8mm and Super 8 Films
- Bedtime Stories I, II, III
- Bent Time
- Blue Film No. 6: Love Is Where You Find It
- Contribution to Light: Early Super 8 Films
- Devotion: A Film About Ogawa Productions
- Diving Women of Jeju-do
- Double Strength
- Dr. Watson's X-Rays
- Dream Age
- Dyketactics
- Endangered
- Evidentiary Bodies
- Generations
- Haircut
- History Lessons
- I Was/I Am
- Jane Brakhage
- Lesbian Whale
- Lover/Other
- Maya Deren's Sink
- Menses
- Multiple Orgasm
- My Babushka: Searching Ukrainian Identities
- Nitrate Kisses
- No No Nooky T.V.
- Optic Nerve
- Our Grief Is Not a Cry for War
- Our Trip
- Out in South Africa
- Parisian Blinds
- Place Mattes
- Pond and Waterfall
- Pools
- Psychosynthesis
- Resisting Paradise
- Sanctus
- Sappho
- Save Sex
- Shirley Temple and Me
- Sisters!
- Snow Job: The Media Hysteria of AIDS
- Still Point
- Stone Circles
- Stress Scars & Pleasure Wrinkles
- Superdyke
- Superdyke Meets Madame X
- Sync Touch
- Tender Fictions
- The Female Closet
- The Great Goddess
- The History of the World According to a Lesbian
- Tourist
- Two Bad Daughters
- Vital Signs
- Welcome to This House
- Women I Love
- Would You Like to Meet Your Neighbor? A New York Subway Tape
Parisian Blinds
1984, 6:07, color, silent, 16 mm film on video
"A silent film that investigates the nature of spectator perception by tourists and travelers. What do people see when they travel and isn’t it as much about moving forward as moving back? The Bateau Mouche tourist boats circle the Seine in Paris literally becoming the emblem of the voyager who cannot see." — Barbara Hammer
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